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The Cabbage Butterfly

1946 –

2023

The human brain wants to complete—

The poem too easy? Bored. The poem too hard?
Angry. What’s this one about? Around the block
the easy summer weather, the picture-puff clouds
adrift in the blue sky that’s no paint-by-numbers.

In the corner garden, the cabbage butterfly
bothers the big leafy heads, trying to complete
its life cycle by hatching a horned monster to
chew holes in the green cloth manufactured so
laboriously by seed germ from air, water,
light, dirt. There’s no end to this, yes, no end.

Even when we want to stop, stop, stop! Even
when someone else calls us monster. Even when
we fear and hope that we will not have the final
word.

Minnie Bruce Pratt is the author of several poetry collections, including The Dirt She Ate: Selected and New Poems (University of Pittsburgh Press, 2003), which received the Lambda Literary Award for Poetry.

About Minnie Bruce Pratt

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About this Poem

During the years that I wrote and revised this poem, my lover, and ultimately spouse, was gravely ill. Hir medical care and my caregiving were deeply complicated by the anti-LGBTQ prejudices of some medical personnel, who certainly viewed us as ‘monsters.’ Every day for those years I took a walk to write a poem, trying to find a way to go on, a reason to even write poetry. The first draft of ‘The Cabbage Butterfly’ came from a walk I took on July 8, 2011. My beloved died in November 2014. I revised the poem four times before that loss and one time since. It is still not the final word.”
—Minnie Bruce Pratt

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The Street of Broken Dreams

The dog lunged at me and choked on its chain
guarding a house on the street of broken dreams.
What does it take to be safe? A sun-porch window
barred shut with a wood-spooled bed frame. Fradon
lock store down the block, a giant curlicue key
advertising sleep all night, sweet dreams. A bumble-
bee in the clover fumbling to find its damp-dirt home.

Minnie Bruce Pratt

2016

Breakfast

Rush hour, and the short order cook lobs breakfast
sandwiches, silverfoil softballs, up and down the line. 
We stand until someone says, Yes? The next person behind
breathes hungrily. The cashier’s hands never stop. He shouts:
Where’s my double double? We help. We eliminate all verbs.
The superfluous want, need, give they already know.

Minnie Bruce Pratt

2003

Walking Back Up Depot Street

In Hollywood, California (she'd been told) women travel
on roller skates, pull a string of children, grinning, gaudy-
eyed as merry-go-round horses, brass wheeled
under a blue canopy of sky.

                                 Beatrice had never
lived in such a place. This morning, for instance, beside
Roxboro Road, she'd seen a woman with no feet wheel
her chair into fragile clumps of new grass. Her legs ended
at the ankle, old brown cypress knees. She furrowed herself
by hand through the ground. Cars passed.

Minnie Bruce Pratt

1999

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The Cabbage Butterfly

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