A few days after solstice, I follow bobcat tracks to the lake.
The moss is glowing, the water all thawed, the cold
a kind of wholly coat. A willow, bald without its leaves,
towers over its frail reflection. I sit on a bench, begin to read
old journals. Then I close my eyes and cringe before that girl,
the younger me, makes another bad decision. I want to tell
that girl to stop running, trespassing, stop showing off wounds
to strangers like some perverse shadow puppet flailing inside
the theater of her brooding, restless heart. I tell her to stop and tie
her shoes, to check for ticks. I urge her to banish her urge to tear
the peonies up from the soil just to see the roots naked, render
them wild, but she’s wistful and shifty and cannot hear me—she skips
up the mountain or down the stairs onto the train platform, no coat,
dives dumpsters for breakfast, dances all night. Hitches rides
from boys on motorbikes. Meets lovers: someone who dressed hair,
who threw their ID cards in a fire; someone who could write a line
in an extinct script, someone who studied ocean waves. She’s fallen
for the stories—I know how that story ends. On the floor,
too anguished to write, she curls her spine and holds her breath.
Stop crying, for god’s sake! I can’t look—so I face the willow.
But it also weeps, and now I’m weeping. I’m not on the other
side. Ink leaks from the pen, catching up to the speed of rue
and awe. On this day, I’ve found that girl at this lake, alive
and well after all these thrumming years. I admit I’ve missed her.
What selves have we buried alive, what selves have we survived?
All she wanted—to live and die at once. On a field of ghostly
wildflowers, the willow dreams of catkins—every season,
the bud and the husk, the cathedrals we’ve built out of sorrow.
Copyright © 2025 by Sally Wen Mao. Originally published in Poem-a-Day on May 12, 2025, by the Academy of American Poets.