We'll say unbelievable things to each other in the early morning— our blue coming up from our roots, our water rising in our extraordinary limbs. All night I dreamt of bonfires and burn piles and ghosts of men, and spirits behind those birds of flame. I cannot tell anymore when a door opens or closes, I can only hear the frame saying, Walk through. It is a short walkway— into another bedroom. Consider the handle. Consider the key. I say to a friend, how scared I am of sharks. How I thought I saw them in the creek across from my street. I once watched for them, holding a bundle of rattlesnake grass in my hand, shaking like a weak-leaf girl. She sends me an article from a recent National Geographic that says, Sharks bite fewer people each year than New Yorkers do, according to Health Department records. Then she sends me on my way. Into the City of Sharks. Through another doorway, I walk to the East River saying, Sharks are people too. Sharks are people too. Sharks are people too. I write all the things I need on the bottom of my tennis shoes. I say, Let's walk together. The sun behind me is like a fire. Tiny flames in the river's ripples. I say something to God, but he's not a living thing, so I say it to the river, I say, I want to walk through this doorway But without all those ghosts on the edge, I want them to stay here. I want them to go on without me. I want them to burn in the water.
From Sharks in the Rivers by Ada Limón. Copyright © 2010 by Ada Limón. Used by permission of Milkweed Editions. All rights reserved.
I have robbed the garrulous streets,
Thieved a fair girl from their blight,
I have stolen her for a sacrifice
That I shall make to this mysteried night.
I have brought her, laughing,
To my quietly sinister garden.
For what will be done there
I ask no man’s pardon.
I brush the rouge from her cheeks,
Clean the black kohl from the rims
Of her eyes; loose her hair;
Uncover the glimmering, shy limbs.
I break wild roses, scatter them over her.
The thorns between us sing like love’s pain.
Her flesh, bitter and salt to my tongue,
I taste with endless kisses and taste again.
At dawn I leave her
Asleep in my wakening garden
(For what was done there
I ask no man’s pardon.)
From On a Grey Thread (Will Ransom, 1923) by Elsa Gidlow. This poem is in the public domain.
Two years into anorexia recovery,
when I begin to miss dying more than ever,
my cat begins to hide.
She disappears for hours and I find her
hammocked in the lining of my couch.
She has hollowed it out with her teeth
and stares at me through cobwebbed eyes.
I am startled at my own anger.
After all the time and love I’ve given her,
I can’t forgive her turning away like this.
My partner reminds me that cats
do not know how to be cruel,
but they do know survival and fear.
Each day, I reach into the dark
mouth of the couch and pull her,
claws and all, back into life.
Weeks later, she dies with no one home.
I discover the body and the urge to blame
myself glows hot in my chest.
How could I let her die
in an empty house?
How could I be so cruel.
On the drive to donate her body,
my partner apologizes with every breath.
We pull over and he cries into my coat,
How could I let this happen?
And I know that if he feels guilty too,
maybe the blame belongs to neither of us.
This is the person who tried
to breathe life back into the cat’s corpse,
without realizing what he was doing.
He did it because his instincts told him to,
because every cell in his body is good.
For weeks, the memory will make him
shiver, gag, rinse the moment from his mouth.
This is the person who gave everything
to keep me alive, when letting me die
was the easiest thing to do.
He never stopped looking for me
when I hid in the hollows of myself and my heart
became a shadowy hallway of locked doors.
This is the person who, if I died
as the doctor said I would,
would surely blame himself,
and I would bang my phantom fists
against the plexiglass of the living world,
screaming No!
I did not die.
And when I was stuck in the hospital,
sobbing as I pictured him living our life alone,
I wrote him a letter asking how
he could ever forgive me.
He wrote back saying I would
rather miss you for a while
than miss you forever.
In the car now, he asks how
we’ll ever survive this
and I say Together.
Copyright © 2024 by Nen G. Ramirez. Originally published in Poem-a-Day on July 11, 2024, by the Academy of American Poets.