Until I find a name
I will not put it in the soul calculator
I will leave it free and open and unnamed
And not limit my expectations for the kind of person
That goes in one direction of the wind
I will keep all lines of the wind open
And place all my days free and empty
And re-envision what it means to be unencumbered
Or bereft
Not crying but the expanse of numbers
That go beyond the grave to what is left
And it may be true
I said it could be true
That the sunny days do stick to walls
And then enter you
It may be true that the purple bells do chime
Everyday you let them
It may be true that the sweet juice
I put across my lips would not be my last
But that the nights could get better and better
Until the evil is banished until the day
When the sun would crush it anyway
It was true without a set of things like letters
It was true the air was free and open
And I saw things as they were
Without violence
For the first time

Copyright © 2016 by Dorothea Lasky. Originally published in Poem-a-Day on April 1, 2016, by the Academy of American Poets.

When you appeared it was as if
magnets cleared the air.
I had never seen that smile before
or your hair, flying silver. Someone
waving goodbye, she was silver, too.
Of course you didn’t see me.
I called softly so you could choose
not to answer—then called again.
You turned in the light, your eyes
seeking your name.

"Happenstance." Copyright © 1989 by Rita Dove, from Collected Poems: 1974-2004 by Rita Dove. Used by permission of W. W. Norton & Company, Inc.

The truth is that I fall in love
so easily because

it's easy.
It happens

a dozen times some days.
I've lived whole lives,

had children,
grown old, and died

in the arms of other women
in no more time

than it takes the 2-train
to get from City Hall to Brooklyn,

which brings me back
to you: the only one

I fall in love with
at least once every day—

not because
there are no other
 
lovely women in the world,
but because each time,

dying in their arms,
I call your name.

From Boy (University of Georgia Press, 2008). Copyright © 2008 by Patrick Phillips. Used with permission of University Georgia Press.

Talk to you tonight,
I wrote this morning, knowing
it would only be the afternoon
where you are, will be,
whole neighborhood still
wrapped in a tule fog
that won’t let up—so you reported
before supper
                       while I slept.
I almost wrote this afternoon
instead, taking your point
of view, dissolving into it—
but then imagined
you half-awake, and irked,
into my future/current noon
texting for clarification.

Copyright © 2015 by Nate Klug. Originally published in Poem-a-Day on July 3, 2015, by the Academy of American Poets.