Ocean, every so often, a kitchen tile or child’s toy 
rises from you, years after the hurricane’s passed. 

This time, the disaster was somewhere else. 
The disaster was always somewhere else, until it wasn’t. 

Punctuation of the morning after: comma between red sky
and sailors’ warning; white space where a storm cloud lowers. 

Where the bay breaks away, the sentence ends: a waning
crescent of peninsula, barely visible 

but for the broken buildings, the ambulance lights. 
Ocean, even now, even shaken, you hold the memory 

of words, of worlds that failed slowly, then all at once. A
flotilla of gulls falls onto you, mourners draped in slate.

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.