Lust leaks from the inner rings of our bodies:
tree-trunks scarred with age. We say we’re tired,
but our lust surges above oceans, loosens clouds
and frees the sky. It unchains hurricanes
and brings saw-toothed parsnips into being.
Our love breeds stinging nettles that flank the woods.
No one guesses it hums within our skin.
When I was young, did I river next to fields,
feeling this much rapture? Did I break open
with more happiness, hiking along coastal meadows
or striding on city streets? Sometimes, I want to tell you,
I’m afraid of joy. Sometimes, I believe I’m worthy
only of grief. Even when dogwoods blossom,
I—a fool—cling to the faith I have only in my grief.
Copyright © 2024 by Yerra Sugarman. Used with permission of the author.
Is rockslide. Is tabletop. Is wind farm. Is dry run. Is dry clean only. Is water tower. Is shoplift. Is walkout. Is walkout basement. Is cell. Is cell sample from the tongue. Is sine curve. Is synecdoche. Is shame. Is a shame. Is a rabbit’s foot. Is ground fault. Is steak knife. Is alkaline. Is merchandise. Is mullet. Is cleft palate. Is gifted and talented. Is sunscreen. Is screen door. Is industrial solvent. Is gasoline splashed through a funnel. Is carpenter ants. Is impulse buy. Is oil spill. Is nodding off. Is hard line. Is hard drive. Is die hard. Is nervous wreck. Is wreck. Is walking away from the wreck. Is walking away from the wreck unharmed.
Copyright © 2022 by B. K.Fischer. From Radioapocrypha (Ohio State University Press, 2018). Used with permission of the author.
Loneliness is not an accident or a choice.
It’s an uninvited and uncreated companion.
It slips in beside you when you are not aware that a
choice you are making will have consequences.
It does you no good even though it’s like one of the
elements in the world that you cannot exist without.
It takes your hand and walks with you. It lies down
with you. It sits beside you. It’s as dark as a shadow
but it has substance that is familiar.
It swims with you and swings around on stools.
It boards the ferry and leans on the motel desk.
Nothing great happens as a result of loneliness.
Your character flaws remain in place. You still stop in
with friends and have wonderful hours among them,
but you must run as soon as you hear it calling.
It does call. And you climb the stairs obediently,
pushing aside books and notes to let it know that you
have returned to it, all is well.
If you don’t answer its call, you sense that it will sink
towards a deep gravity and adopt a limp.
From loneliness you learn very little. It pulls you
back, it pulls you down.
It’s the manifestation of a vow never made but kept:
I will go home now and forever in solitude.
And after that loneliness will accompany you to
every airport, train station, bus depot, café, cinema,
and onto airplanes and into cars, strange rooms and
offices, classrooms and libraries, and it will hang near
your hand like a habit.
But it isn’t a habit and no one can see it.
It’s your obligation, and your companion warms itself
against you.
You are faithful to it because it was the only vow you
made finally, when it was unnecessary.
If you figured out why you chose it, years later, would
you ask it to go?
How would you replace it?
No, saying good-bye would be too embarrassing.
Why?
First you might cry.
Because shame and loneliness are almost one.
Shame at existing in the first place. Shame at being
visible, taking up space, breathing some of the sky,
sleeping in a whole bed, asking for a share.
Loneliness feels so much like shame, it always seems
to need a little more time on its own.
From Second Childhood (Graywolf Press, 2014) by Fanny Howe. Copyright © 2014 by Fanny Howe. Used with permission of the author.
Hope gnawed at my heart like a hungry rat,
Ran in and out of my dreams high-walled,
I heard its scampering feet: “Pretty rat— pretty rat—!” I called,
And crumbled it songs to eat.
Hope peeped at me from behind my dreams,
Nibbled the crumbs of my melodies,
Grew tame and sleek and fat:
Oh, but my heart knew ease
To feel the teeth of my rat!
Then came a night — and then a day —
I heard soft feet that scuttled away —
Rats leave the sinking ship, they say.
From A Canopic Jar (E. P Dutton & Company, 1921) by Leonora Speyer. Copyright © 1921 by Leonora Speyer. This poem is in the public domain.
The bud
stands for all things,
even for those things that don't flower,
for everything flowers, from within, of self-blessing;
though sometimes it is necessary
to reteach a thing its loveliness,
to put a hand on its brow
of the flower
and retell it in words and in touch
it is lovely
until it flowers again from within, of self-blessing;
as Saint Francis
put his hand on the creased forehead
of the sow, and told her in words and in touch
blessings of earth on the sow, and the sow
began remembering all down her thick length,
from the earthen snout all the way
through the fodder and slops to the spiritual curl of the tail,
from the hard spininess spiked out from the spine
down through the great broken heart
to the sheer blue milken dreaminess spurting and shuddering
from the fourteen teats into the fourteen mouths sucking and blowing beneath them:
the long, perfect loveliness of sow.
From A New Selected Poems by Galway Kinnell, published by Houghton Mifflin; copyright © 2000 by Galway Kinnell. Used with permission. All rights reserved.
What was it I was going to say?
Slipped away probably because
it needn’t be said. At that edge
almost not knowing but second
guessing the gain, loss, or effect
of an otherwise hesitant remark.
Slant of light on a brass box. The way
a passing thought knots the heart.
There’s nothing, nothing to say.
Copyright © 2015 by Thomas Meyer. Originally published in Poem-a-Day on July 1, 2015, by the Academy of American Poets.
The fist clenched round my heart loosens a little, and I gasp brightness; but it tightens again. When have I ever not loved the pain of love? But this has moved past love to mania. This has the strong clench of the madman, this is gripping the ledge of unreason, before plunging howling into the abyss. Hold hard then, heart. This way at least you live.
"The Fist" from Collected Poems: 1948-1984 by Derek Walcott. Copyright © 1986 by Derek Walcott. Reprinted by permission of Farrar, Straus and Giroux, LLC.
Desire is never one way. Black
snakes crawl through your throat. The divine longs
for human proximity to divinity. The divine longs
for touch. You have not wanted
a body. And you have
wanted. A careless
tongue can make chatter
but unrequited love
can make an avalanche.
Your teeth chatter and you know
somewhere a funeral parade is moving, one ant
after another marching. Your snake shed its skins as the curve of a pilgrimage
awaiting dawn. Heaven is too much a metaphor
to be of use to a lover weeping for
a false love. Every shaman needs a healer
and every God a devotee they can admire.
When God comes back from the pilgrimage, you are more
plump. Everyone can see your wisdoms
sprouting. This time — dangerous. Even women
will cast stones. Watch the people’s hands: they carry
shards of their half-spoken dreams. But you have
invented an embrace. In the first worship,
you make the one devoted to devotion devoted to you.
You bring the mountain
into your lips. Without
prayer, your mouth blooms.
Copyright © 2019 by Purvi Shah. Originally published in Poem-a-Day on November 22, 2019, by the Academy of American Poets.