Slapped the man’s face, then slapped it again,

broke the plate, broke the glass, pushed the cat

from the couch with my feet. Let the baby

cry too long, then shook him,

let the man walk, let the girl down,

wouldn’t talk, then talked too long,

lied when there was no need

and stole what others had, and never

told the secret that kept me apart from them.

Years holding on to a rope

that wasn’t there, always sorry

righteous and wrong. Who would

follow that young woman down the narrow hallway?

Who would call her name until she turns?

Copyright © 2017 by Marie Howe. From Magdalene​ (W. W. Norton, 2017). Used with permission of the author.

A wine crate for a nightstand, and on it, a rose
gone bad in a cup. Its water

a swallow of shadow, murk of rot
and sugar. Clothes sloughed, bodiless, and half-

eaten on a plate,
a plum in its juice. At the center

of the scene: a woman on a mattress
on the floor. Her arms cast out

as if preparing to fly
or as if pinned, savior

or specimen. Still asleep.
Day breaking through the window

a warm leak.
The woman in its spotlight

like a halo. As if something holy,
or at least chosen.

From Deluge (Copper Canyon Press, 2020). Copyright © 2020 by Leila Chatti. Reprinted with the permission of The Permissions Company, Inc., on behalf of Copper Canyon Press.

One summer she goes into the field as usual
stopping for a bit at the pool where she often
looks at herself, to see
if she detects any changes. She sees
the same person, the horrible mantle
of daughterliness still clinging to her.

The sun seems, in the water, very close.
That's my uncle spying again, she thinks—
everything in nature is in some way her relative.
I am never alone, she thinks,
turning the thought into a prayer.
Then death appears, like the answer to a prayer.

No one understands anymore
how beautiful he was. But Persephone remembers.
Also that he embraced her, right there,
with her uncle watching. She remembers
sunlight flashing on his bare arms.

This is the last moment she remembers clearly.
Then the dark god bore her away.

She also remembers, less clearly,
the chilling insight that from this moment
she couldn't live without him again.

The girl who disappears from the pool
will never return. A woman will return,
looking for the girl she was.

She stands by the pool saying, from time to time,
I was abducted, but it sounds
wrong to her, nothing like what she felt.
Then she says, I was not abducted.
Then she says, I offered myself, I wanted
to escape my body. Even, sometimes,
I willed this. But ignorance

cannot will knowledge. Ignorance
wills something imagined, which it believes exists.

All the different nouns—
she says them in rotation.
Death, husband, god, stranger.
Everything sounds so simple, so conventional.
I must have been, she thinks, a simple girl.

She can't remember herself as that person
but she keeps thinking the pool will remember
and explain to her the meaning of her prayer
so she can understand
whether it was answered or not.

"The Myth of Innocence" from Averno by Louise Glück. Copyright © 2006 by Louise Glück. Reprinted by permission of Farrar, Straus and Giroux, LLC.