Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.

I chewed into the wreck of the world,
into the neckbone of the past that pursued me.
All the while, I moved toward extinction,
bearing the burden of damage, language of the protector.

A great apocalyptic wheeze adorned me with sand. 
I foraged, first to find light dappling the leaves,
then breathed into an infinite power, feminine rust,
a coppery taste of salvage, leading me into a canopy

of the future. My mother was a mother of mothers,
modern before she was ancestral.
She was a woman who morphed into feline, back
to her human self before I woke each morning.

I lived not to sate my appetite but to crush it.
On my haunches, I craved what could not be seen.
I am desire. I am survival.
I sit under the tree waiting for hunger.

The Naming of Cats is a difficult matter,
     It isn’t just one of your holiday games;
You may think at first I’m as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there’s the name that the family use daily,
     Such as Peter, Augustus, Alonzo, or James,
Such as Victor or Jonathan, George or Bill Bailey—
     All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
     Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter—
     But all of them sensible everyday names,
But I tell you, a cat needs a name that’s particular,
     A name that’s peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
     Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
     Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum—
     Names that never belong to more than one cat.
But above and beyond there’s still one name left over,
     And that is the name that you never will guess;
The name that no human research can discover—
     But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
     The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
     Of the thought, of the thought, of the thought of his name:
          His ineffable effable
          Effanineffable
Deep and inscrutable singular name.