And it came to pass, […] there appeared a chariot of fire
and horses of fire, and parted them both asunder; and Elijah
went up by a whirlwind into heaven. And Elisha saw it,
and he cried, My father, my father . . .
            —2 Kings 2:11–12

That Sunday in Chehalis, my father testified
and I watched as he wept before the pulpit,

his shoulders heaving, his hands
clapping up thunder above our heads,

his mouth open on the note of awe as he told us
the promise God had made in the dream:

to bring him Home before he tasted death . . .
to wake him with the scent of flowers, proof

of His presence. I learned to cry like that, as if
I could sprain the heart, the body hurting its way out.

But that morning my mind snuck
back to the nights he took paychecks and split,

sometimes for weeks, his head and body
humming for dope, his wife and kids

suspended by the boundlessness of waiting.
If he returned, if his pockets were empty,

if the locks had been changed, I’d watch
from the window as he jumped and hollered,

wide-eyed and ripping the gate from its hinges or
shattering the windshields of cars along our street

with his fists—how, as the sirens drew near,
not even God could stop him.

From Revising the Storm (BOA Editions, 2014) by Geffrey Davis. Copyright © 2014 by Geffrey Davis. Used with permission of the author.

                     —for L

Together in the garden, a cigarette cradled
between her fingers, she tells me of breeding

cockatiels—clutch after successful clutch, and what
she can’t forget: the time of one-too-many and

the smallest chick pushed from the nest.
How she thought mistake and put it back again,

only to see the same, simple denial.
And then, for days, trying to make her hands

avian, to syringe-feed the bird into flight.
One thin month lies between us and our miscarriage,

and I feel her grow silent under the new vastness
of this wreckage. I try to talk about my father

breaking blighted pigeon eggs: at twelve, I thought
patience and pressed him to wait, one week, then two,

until frustration set and he crushed the shells
before me, against the coop. I wanted to gather up

each shard, to will those gossamer embryos
into growth again—          What do we rescue

now, at home, gleaning herbs in the evening,
as swallows swerve in the fallow air? I lean over

her shoulder: her hair smells of the rosemary we take,
and of the rosemary we leave to freeze in the garden.

From Revising the Storm (BOA Editions, 2014) by Geffrey Davis. Copyright © 2014 by Geffrey Davis. Used with permission of the author.

ah my mother used to make it
with eggs and milk
and stale white bread

slid onto a plate with
Log Cabin fake maple syrup
and I always wanted more

to disappear what troubled me
the man under the moon
the man in our living room

make enough spitting bacon
to forget the broken gameboards
splintered bat

missing family car
his vanishings and sudden returns
smelling of other rooms

my mother’s tears
over the stove
her catchy milky breath

Copyright © 2021 by Cammy Thomas. Originally published in Poem-a-Day on August 6, 2021, by the Academy of American Poets.

In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.

The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.

Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,

their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,

every detail clear,
tin cup and rippled mirror.
The day is bright and songless,

the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.

I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.

I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything

in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,

including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,

bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts

and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.

From Morning in the Burned House by Margaret Atwood. Copyright © 1995 by Margaret Atwood. Published in the United States by Houghton Mifflin Co., published in Canada by McClelland and Stewart, Inc. All rights reserved.

Marriage is not
a house or even a tent

it is before that, and colder:

the edge of the forest, the edge
of the desert 
                    the unpainted stairs 
at the back where we squat 
outside, eating popcorn

the edge of the receding glacier

where painfully and with wonder
at having survived even
this far

we are learning to make fire 

“Habitation” excerpted from Selected Poems 1965–­1975 by Margaret Atwood. Copyright © 1987 by Margaret Atwood. Used by permission of Houghton Mifflin Harcourt. All rights reserved.