Patience is wider than one once envisioned, with ribbons of rivers and distant ranges and tasks undertaken and finished with modest relish by natives in their native dress. Who would have guessed it possible that waiting is sustainable— a place with its own harvests. Or that in time's fullness the diamonds of patience couldn't be distinguished from the genuine in brilliance or hardness.
From Say Uncle by Kay Ryan, published by Grove Press. Copyright © 2000 by Kay Ryan. Used by permission. All rights reserved.
Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.
Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.
Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
From Words Under the Words: Selected Poems. Copyright © 1995 by Naomi Shihab Nye. Reprinted with the permission of the author.
It is all about speed and flexibility, about speed
and flexibility and teamwork and accuracy. We move
like neurons charging in your head, man,
choreography from the ground up,
meanwhile smelling the hot asphalt and exhaust,
the chainlink fence around the playground spinning
past the corner of our eye, with the traffic and storefronts,
what the ball feels like in our hands, hard, pebbled, orange
and black, what the dribble feels like,
the sound and pound, the sort of lope we adopt
getting on and off the court, the way somebody looks
when he starts to play, his face and his sneakers, it’s all part of it.
When we swivel it is a whiplash, when we pass it is a cannonball,
when we leap, we hang in the air like Nijinsky taking a nap,
when the ball goes in we slap each others’ shoulders and butts
then turn like a flock of barn swallows, you know our ancestors
were farmers, they had barns, they watched the birds
flying around in formation at sunset,
or a school of fish, you know the way fish dart
in unison, the way the tempo changes and they just bat off,
you can’t begin to guess how they do it. You could say
we slosh like waves in a bathtub, back and forth,
and when we dunk one it feels good, but
the way we play it, there are no pauses in this game.
From No Heaven (University of Pittsburgh Press, 2005). Copyright © 2005 by Alicia Ostriker. Used with the permission of the poet.
And a woman spoke, saying, Tell us of Pain.
And he said:
Your pain is the breaking of the shell that encloses your understanding.
Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain.
And could you keep your heart in wonder at the daily miracles of your life your pain would not seem less wondrous than your joy;
And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields.
And you would watch with serenity through the winters of your grief.
Much of your pain is self-chosen.
It is the bitter potion by which the physician within you heals your sick self.
Therefore trust the physician, and drink his remedy in silence and tranquility:
For his hand, though heavy and hard, is guided by the tender hand of the Unseen,
And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.
From The Prophet (Knopf, 1923). This poem is in the public domain.