Love, leave me like the light,
The gently passing day;
We would not know, but for the night,
When it has slipped away.

So many hopes have fled,
Have left me but the name
Of what they were. When love is dead,
Go thou, beloved, the same.

Go quietly; a dream
When done, should leave no trace
That it has lived, except a gleam
Across the dreamer’s face.

This poem is in the public domain. Published in Poem-a-Day on June 28, 2020, by the Academy of American Poets.

I have a rendezvous with Life,

In days I hope will come,

Ere youth has sped, and strength of mind,

Ere voices sweet grow dumb.

I have a rendezvous with Life,

When Spring's first heralds hum.

Sure some would cry it's better far

To crown their days with sleep

Than face the road, the wind and rain,

To heed the calling deep.

Though wet nor blow nor space I fear,

Yet fear I deeply, too,

Lest Death should meet and claim me ere

I keep Life's rendezvous.

This poem is in the public domain.

Although she feeds me bread of bitterness,
And sinks into my throat her tiger’s tooth,
Stealing my breath of life, I will confess
I love this cultured hell that tests my youth!
Her vigor flows like tides into my blood,
Giving me strength erect against her hate.
Her bigness sweeps my being like a flood.
Yet as a rebel fronts a king in state,
I stand within her walls with not a shred
Of terror, malice, not a word of jeer.
Darkly I gaze into the days ahead,
And see her might and granite wonders there,
Beneath the touch of Time’s unerring hand,
Like priceless treasures sinking in the sand.

This poem is in the public domain.

An original poem written for the inaugural reading of Poet Laureate Tracy K. Smith at the Library of Congress.

There’s a poem in this place—

in the footfalls in the halls

in the quiet beat of the seats.

It is here, at the curtain of day,

where America writes a lyric

you must whisper to say.

There’s a poem in this place—

in the heavy grace,

the lined face of this noble building,

collections burned and reborn twice.

There’s a poem in Boston’s Copley Square

where protest chants

tear through the air

like sheets of rain,

where love of the many

swallows hatred of the few.

There’s a poem in Charlottesville

where tiki torches string a ring of flame

tight round the wrist of night

where men so white they gleam blue—

seem like statues

where men heap that long wax burning

ever higher

where Heather Heyer

blooms forever in a meadow of resistance.

There’s a poem in the great sleeping giant

of Lake Michigan, defiantly raising

its big blue head to Milwaukee and Chicago—

a poem begun long ago, blazed into frozen soil,

strutting upward and aglow.

There’s a poem in Florida, in East Texas

where streets swell into a nexus

of rivers, cows afloat like mottled buoys in the brown,

where courage is now so common

that 23-year-old Jesus Contreras rescues people from floodwaters.

There’s a poem in Los Angeles

yawning wide as the Pacific tide

where a single mother swelters

in a windowless classroom, teaching

black and brown students in Watts

to spell out their thoughts

so her daughter might write

this poem for you.             

There's a lyric in California

where thousands of students march for blocks,

undocumented and unafraid;

where my friend Rosa finds the power to blossom

in deadlock, her spirit the bedrock of her community.

She knows hope is like a stubborn

ship gripping a dock,

a truth: that you can’t stop a dreamer

or knock down a dream.

How could this not be her city

su nación

our country

our America,

our American lyric to write—

a poem by the people, the poor,

the Protestant, the Muslim, the Jew,

the native, the immigrant,

the black, the brown, the blind, the brave,

the undocumented and undeterred,

the woman, the man, the nonbinary,

the white, the trans,

the ally to all of the above

and more?

Tyrants fear the poet.

Now that we know it

we can’t blow it.

We owe it

to show it

not slow it

although it

hurts to sew it

when the world

skirts below it.       

Hope—

we must bestow it

like a wick in the poet

so it can grow, lit,

bringing with it

stories to rewrite—

the story of a Texas city depleted but not defeated

a history written that need not be repeated

a nation composed but not yet completed.

There’s a poem in this place—

a poem in America

a poet in every American

who rewrites this nation, who tells

a story worthy of being told on this minnow of an earth

to breathe hope into a palimpsest of time—

a poet in every American

who sees that our poem penned

doesn’t mean our poem’s end.

There’s a place where this poem dwells—

it is here, it is now, in the yellow song of dawn’s bell

where we write an American lyric

we are just beginning to tell.

Copyright © 2017 by Amanda Gorman. Reprinted from Split This Rock's The Quarry: A Social Justice Database.

(at St. Mary’s)

may the tide

that is entering even now

the lip of our understanding

carry you out

beyond the face of fear

may you kiss

the wind then turn from it

certain that it will

love your back may you

open your eyes to water

water waving forever

and may you in your innocence

sail through this to that

From Quilting: Poems 1987–1990 by Lucille Clifton. Copyright © 2001 by Lucille Clifton. Reprinted with permission of BOA Editions Ltd. All rights reserved.

          III

Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and

changing everything carefully

spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and

without breaking anything.

Copyright 1923, 1925, 1951, 1953, © 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976 by George J. Firmage. From The Complete Poems: 1904-1962 by E. E. Cummings, Edited by George J. Firmage. Reprinted by permission of Liveright Publishing Corporation. All rights reserved.

won’t you celebrate with me

what i have shaped into

a kind of life? i had no model.

born in babylon

both nonwhite and woman

what did i see to be except myself?

i made it up

here on this bridge between

starshine and clay,

my one hand holding tight

my other hand; come celebrate

with me that everyday

something has tried to kill me

and has failed.

Lucille Clifton, “won’t you celebrate with me” from Collected Poems of Lucille Clifton. Copyright © 1991 by Lucille Clifton. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., boaeditions.org.

Let America be America again.

Let it be the dream it used to be.

Let it be the pioneer on the plain

Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—

Let it be that great strong land of love

Where never kings connive nor tyrants scheme

That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty

Is crowned with no false patriotic wreath,

But opportunity is real, and life is free,

Equality is in the air we breathe.

(There’s never been equality for me,

Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark?

And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,

I am the Negro bearing slavery’s scars.

I am the red man driven from the land,

I am the immigrant clutching the hope I seek—

And finding only the same old stupid plan

Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,

Tangled in that ancient endless chain

Of profit, power, gain, of grab the land!

Of grab the gold! Of grab the ways of satisfying need!

Of work the men! Of take the pay!

Of owning everything for one’s own greed!

I am the farmer, bondsman to the soil.

I am the worker sold to the machine.

I am the Negro, servant to you all.

I am the people, humble, hungry, mean—

Hungry yet today despite the dream.

Beaten yet today—O, Pioneers!

I am the man who never got ahead,

The poorest worker bartered through the years.

Yet I’m the one who dreamt our basic dream

In the Old World while still a serf of kings,

Who dreamt a dream so strong, so brave, so true,

That even yet its mighty daring sings

In every brick and stone, in every furrow turned

That’s made America the land it has become.

O, I’m the man who sailed those early seas

In search of what I meant to be my home—

For I’m the one who left dark Ireland’s shore,

And Poland’s plain, and England’s grassy lea,

And torn from Black Africa’s strand I came

To build a “homeland of the free.”

The free?

Who said the free? Not me?

Surely not me? The millions on relief today?

The millions shot down when we strike?

The millions who have nothing for our pay?

For all the dreams we’ve dreamed

And all the songs we’ve sung

And all the hopes we’ve held

And all the flags we’ve hung,

The millions who have nothing for our pay—

Except the dream that’s almost dead today.

O, let America be America again—

The land that never has been yet—

And yet must be—the land where every man is free.

The land that’s mine—the poor man’s, Indian’s, Negro’s, ME—

Who made America,

Whose sweat and blood, whose faith and pain,

Whose hand at the foundry, whose plow in the rain,

Must bring back our mighty dream again.

Sure, call me any ugly name you choose—

The steel of freedom does not stain.

From those who live like leeches on the people’s lives,

We must take back our land again,

America!

O, yes,

I say it plain,

America never was America to me,

And yet I swear this oath—

America will be!

Out of the rack and ruin of our gangster death,

The rape and rot of graft, and stealth, and lies,

We, the people, must redeem

The land, the mines, the plants, the rivers.

The mountains and the endless plain—

All, all the stretch of these great green states—

And make America again!

From The Collected Poems of Langston Hughes, published by Alfred A. Knopf, Inc. Copyright © 1994 the Estate of Langston Hughes. Used with permission.