It’s interesting to me there’s a minimum
but no maximum wage. One without the other
seems like pants without legs or love
without someone to love. So what
are the groups? People
who want no minimum or maximum wage;
people who want a minimum
but no maximum wage; people
who want a minimum
and maximum wage; and people
who want to eat. A minimum wage
of twenty bucks an hour
is roughly eight hundred a week,
or forty grand a year,
or 1.6 million in a life. There’s
your maximum wage—1.6 million a year.
If you earn in a year
what I earn my entire life,
you deserve the right
to be happy about it
in a gated community
where you don’t have to be ashamed
of the dance of your joy.
I deserve the right
to put heirloom tomatoes
in the salad now and then.
Such as when my kid
got her cast off
and her hand looked fine,
like it intended to go on waving
at moonlight and birds.
And I never thought about it
but slipped the insurance card
out of my wallet and slid it over.
And the car started
the first time
for the drive home
to our little bungalow
that needs a new paint job,
but that’ll happen this summer,
right before we go to a lake
for a few days and I open a beer
one night and think, I have a place
in whatever this is.
Then listen to the stars
saying nothing in peace,
though what passes for peace
is a mystery to me,
not unlike who’s behind
the universe or why so many people
in unions voted for people
who wanted to kill unions, but we did
and they died, unions died.
Now where on earth
am I supposed to send the flowers?

Copyright © 2017 Bob Hicok. Used with permission of the author. This poem originally appeared in The Southern Review, Summer 2017.

Translated by Jae Kim
 

     Down in this sewer, have I become my friend? By the manmade waters where my school principal killed himself, geese cried. On the other side of the barbed-wire fence is a large cloudchimney. I put on a straw hat I picked up in the gutters.

     When the clouds bent over, the geese cackled their beaks wide-open. The cry of the machine as it pushed the clouds through the conveyor into the chimney. Where are the better suicides?

     My father built his house on the waters’ edge, and every day he packed the clouds in, spun the machine. Those who wanted to sleep bought Father’s pillow. All night, eyes peeled, I bent my body and straightened my body, over and over. Each time my bones popped, snapped, I escaped through the chimney. I thought about what kind of crying to do.

     Near sundown, I urged him, let’s go where there’s a crowd, but in the machine the geese were bleeding. For a good night’s sleep we need wet feathers, said Father. I sucked on my lips while counting the tags on the pillows. I believe the essence of those who died better deaths must go to the sewer, where innumerable sleeps flow.

     When spinning the cotton machinery, I wore my hat. White feathers rose from the waters where those who killed themselves lay facedown. I took my hand, stepped on the feathers and went to school in the mornings. Waddling, I forged ahead.


베개

     이 하수도에서 나는 나의 친구가 된 것일까. 교장 선생님이 자살한 개천가에서 거위들이 울었다. 철조망 밖에는 커다란 구름 굴뚝. 나는 하수도 밑에서 주운 맥고모자를 썼다.

     구름이 몸을 굽혔을 때 거위들은 썩썩 부리를 벌렸다. 열을 맞춰 구름을 굴뚝 안으로 밀어 넣는 기계 울음소리. 왜 더 나은 자살은 보이지 않는 것일까?

     아버지는 천변 끝에 집을 지었는데 매일매일 구름을 기계 안에 넣고 돌렸다. 잠들고 싶은 자들은 아버지의 베개를 사 갔다. 나는 밤새도록 눈을 부릅뜨고 몸을 굽혔다 폈다. 뼈들이 덜그럭거릴 때마다 도망쳐서 굴뚝까지 올라갔다. 어떤 울음소리를 내야 할지 생각했다.

     저물녘이 되면 많은 사람이 있는 곳으로 가자고 재촉했지만 기계 안에서 거위들이 피를 흘리고 있었다. 깊은 잠을 위해 촉촉한 깃털을 넣어야 한다는 아버지. 나는 베개 라벨지 숫자를 세며 입술을 빨았다. 아무래도 더 좋게 죽은 자들의 기운은 수많은 잠이 흘러가는 하수도로 가야 한다.

     솜틀 기계를 돌릴 때에는 모자를 썼다. 자살한 자들이 엎드린 개천에서 흰 깃털이 날아올랐다. 나는 내 손을 잡고 깃털을 밟으면서 아침마다 학교에 갔다. 뒤뚱거리며 계속해서 앞으로 나아갔다.

From Sister. Copyright © 2010 by Lee Young-ju. Used with the permission of the author.

One
Testimony in trials that never got heard

my lovers teeth are white geese flying above me
my lovers muscles are rope ladders under my hands

we were driving home slow
my lover and I, across the long Bay Bridge,
one February midnight, when midway
over in the far left lane, I saw a strange scene:

one small young man standing by the rail,
and in the lane itself, parked straight across
as if it could stop anything, a large young
man upon a stalled motorcycle, perfectly
relaxed as if he’d stopped at a hamburger stand;
he was wearing a peacoat and levis, and
he had his head back, roaring, you
could almost hear the laugh, it
was so real.

“Look at that fool,” I said, “in the
middle of the bridge like that,” a very
womanly remark.

Then we heard the meaning of the noise
of metal on a concrete bridge at 50
miles an hour, and the far left lane
filled up with a big car that had a
motorcycle jammed on its front bumper, like
the whole thing would explode, the friction
sparks shot up bright orange for many feet
into the air, and the racket still sets
my teeth on edge.

When the car stopped we stopped parallel
and Wendy headed for the callbox while I
ducked across those 6 lanes like a mouse
in the bowling alley. “Are you hurt?” I said,
the middle-aged driver had the greyest black face,
“I couldn’t stop, I couldn’t stop, what happened?”

Then I remembered. “Somebody,” I said, “was on
the motorcycle.” I ran back,
one block? two blocks? the space for walking
on the bridge is maybe 18 inches, whoever
engineered this arrogance. in the dark
stiff wind it seemed I would
be pushed over the rail, would fall down
screaming onto the hard surface of
the bay, but I did not. I found the tall young man
who thought he owned the bridge, now lying on
his stomach, head cradled in his broken arm.

He had glasses on, but somewhere he had lost
most of his levis, where were they?
and his shoes. Two short cuts on his buttocks,
and that was the only mark except his thin white
seminal tubes were all strung out behind; no
child left in him; and he looked asleep.

I plucked wildly at his wrist, then put it
down; there were two long haired women
holding back the traffic just behind me
with their bare hands, the machines came
down like mad bulls, I was scared, much
more than usual, I felt easily squished
like the earthworms crawling on a busy
sidewalk after the rain; I wanted to
leave.
 And met the driver, walking back.

“The guy is dead.” I gripped his hand,
the wind was going to blow us off the bridge.

“Oh my God,” he said, “haven’t I had enough
trouble in my life?” He raised his head,
and for a second was enraged and yelling,
at the top of the bridge—“I was just driving
home!” His head fell down. “My God, and
now I’ve killed somebody.”

I looked down at my own peacoat and levis,
then over at the dead man’s friend, who
was bawling and blubbering, what they would
call hysteria in a woman. “It isn’t possible”
he wailed, but it was possible, it was
indeed, accomplished and unfeeling, snoring
in its peacoat, and without its levis on.

He died laughing: that’s a fact.

I had a woman waiting for me,
in her car and in the middle of the bridge,
I’m frightened, I said.
I’m afraid, he said, stay with me,
please don’t go, stay with me, be
my witness—“No,” I said, “I’ll be your
witness—later,” and I took his name
and number, “but I can’t stay with you,
I’m too frightened of the bridge, besides
I have a woman waiting
and no license—
and no tail lights—“
So I left—
as I have left so many of my lovers.

we drove home
shaking, Wendy’s face greyer
than any white person’s I have ever seen.
maybe he beat his wife, maybe he once
drove taxi, and raped a lover
of mine—how to know these things?
we do each other in, that’s a fact.

who will be my witness?
death wastes our time with drunkenness
and depression
death, who keeps us from our
lovers.
he had a woman waiting for him,
I found out when I called the number
days later

“Where is he” she said, “he’s disappeared.”
“He’ll be all right” I said, “we could
have hit the guy as easy as anybody, it
wasn’t anybody’s fault, they’ll know that,”
women so often say dumb things like that,
they teach us to be sweet and reassuring,
and say ignorant things, because we dont invent
the crime, the punishment, the bridges

that same week I looked into the mirror
and nobody was there to testify;
how clear, an unemployed queer woman
makes no witness at all,
nobody at all was there for
those two questions: what does
she do, and who is she married to?

I am the woman who stopped on the bridge
and this is the man who was there
our lovers teeth are white geese flying
above us, but we ourselves are
easily squished.

keep the women small and weak
and off the street, and off the
bridges, that’s the way, brother
one day I will leave you there,
as I have left you there before,
working for death.

we found out later
what we left him to.
Six big policemen answered the call,
all white, and no child in them.
they put the driver up against his car
and beat the hell out of him.
What did you kill that poor kid for?
you mutherfucking nigger.
that’s a fact.

Death only uses violence
when there is ant kind of resistance,
the rest of the time a slow
weardown will do.

They took him to 4 different hospitals
til they got a drunk test report to fit their
case, and held him five days in jail
without a phone call.
how many lovers have we left.

there are as many contradictions to the game,
as there are players.
a woman is talking to death,
though talk is cheap, and life takes a long time
to make
right. He got a cheesy lawyer
who had him cop a plea, 15 to 20
instead of life
Did I say life?

the arrogant young man who thought he
owned the bridge, and fell asleep on it
died laughing: that’s a fact.
the driver sits out his time
off the street somewhere,
does he have the most vacant of
eyes, will he die laughing?

 

Two
They don’t have to lynch the women anymore

death sits on my doorstep
cleaning his revolver

death cripples my feet and sends me out
to wait for the bus alone,
then comes by driving a taxi.

the woman on our block with 6 young children
has the most vacant of eyes
death sits in her bedroom, loading
his revolver

they don’t have to lynch the women
very often anymore, although
they used to—the lord and his men
went through the villages at night, beating &
killing every woman caught
outdoors.
the European witch trials took away
an independent people; two different villages
—after the trials were through that year—
had left in them, each—
one living woman:
one

What were those other women up to? had they
run over someone? stopped on the wrong bridge?
did they have teeth like
any kind of geese, or children
in them?

 

Three
This woman is a lesbian be careful

In the military hospital where I worked
as a nurse’s aide, the walls of the halls
were lined with howling women
waiting to deliver
or to have some parts removed.
One of the big private rooms contained
the general’s wife, who needed
a wart taken off her nose.
we were instructed to give her special attention
not because of her wart or her nose
but because of her husband, the general.

as many women as men die, and that’s a fact.

At work there was one friendly patient, already
claimed, a young woman burnt apart with X-ray,
she had long white tubes instead of openings;
rectum, bladder, vagina—I combed her hair, it
was my job, but she took care of me as if
nobody’s touch could spoil her.
ho ho death, ho death
have you seen the twinkle in the dead woman’s eye?

when you are a nurse’s aide
someone suddenly notices you
and yells about the patient’s bed,
and tears the sheets apart so you
can do it over, and over
while the patient waits
doubled over in her pain
for you to make the bed again
and no one ever looks at you,
only at what you do not do

Here, general, hold this soldier’s bed pan
for a moment, hold it for a year—
then we’ll promote you to making his bed.
we believe you wouldn’t make such messes

if you had to clean up after them.

that’s a fantasy.
this woman is a lesbian, be careful.

When I was arrested and being thrown out
of the military, the order went out: dont anybody
speak to this woman, and for those three
long months, almost nobody did: the dayroom, when
I entered it, fell silent til I had gone; they
were afraid, they knew the wind would blow
them over the rail, the cops would come,
the water would run into their lungs.
Everything I touched
was spoiled. They were my lovers, those
women, but nobody had taught us how to swim.
I drowned, I took 3 or 4 others down
when I signed the confession of what we
had done                together.

No one will ever speak to me again.

I read this somewhere; I wasn’t there:
in WWII the US army had invented some floating
amphibian tanks, and took them over to
the coast of Europe to unload them,
the landing ships all drawn up in a fleet,
and everybody watching. Each tank had a
crew of 6 and there were 25 tanks.
The first went down the landing planks
and sank, the second, the third, the
fourth, the fifth, the sixth went down
and sank. They weren’t supposed
to sink, the engineers had
made a mistake. The crews looked around
wildly for the order to quit,
but none came, and in the sight of
thousands of men, each 6 crewmen
saluted his officers, battened down
his hatch in turn and drove into the
sea, and drowned, until all 25 tanks
were gone. did they have vacant
eyes, die laughing, or what? what
did they talk about, those men,
as the water came in?

was the general their lover?

 

Four
A Mock Interrogation

Have you ever held hands with a woman?

Yes, many times—women about to deliver, women about to have breasts removed, wombs removed, miscarriages, women having epileptic fits, having asthma, cancer, women having breast bone marrow sucked out of them by nervous or indifferent interns, women with heart condition, who were vomiting, overdosed, depressed, drunk, lonely to the point of extinction: women who had been run over, beaten up. deserted. starved. women who had been bitten by rats; and women who were happy, who were celebrating, who were dancing with me in large circles or alone, women who were climbing mountains or up and down walls, or trucks and roofs and needed a boost up, or I did; women who simply wanted to hold my hand because they liked me, some women who wanted to hold my hand because they liked me better than anyone.

These were many women?

Yes. many.

What about kissing? Have you kissed any women?

I have kissed many women.

When was the first woman you kissed with serious feeling?

The first woman ever I kissed was Josie, who I had loved at such a distance for months. Josie was not only beautiful, she was tough and handsome too. Josie had black hair and white teeth and strong brown muscles. Then she dropped out of school unexplained. When she came back she came back for one day only, to finish the term, and there was a child in her. She was all shame, pain, and defiance. Her eyes were dark as the water under a bridge and no one would talk to her, they laughed and threw things at her. In the afternoon I walked across the front of the class and looked deep into Josie’s eyes and I picked up her chin with my hand, because I loved her, because nothing like her trouble would ever happen to me, because I hated it that she was pregnant and unhappy, and an outcast. We were thirteen.

You didn’t kiss her?

How does it feel to be thirteen and having a baby?

You didn’t actually kiss her?

Not in fact.

You have kissed other women?

Yes, many, some of the finest women I know, I have kissed. women who were lonely, women I didn’t know and didn’t want to, but kissed because that was a way to say yes we are still alive and loveable, though separate, women who recognized a loneliness in me, women who were hurt, I confess to kissing the top of a 55 year old woman’s head in the snow in boston, who was hurt more deeply than I have ever been hurt, and I wanted her as a very few people have wanted me—I wanted her and me to own and control and run the city we lived in, to staff the hospital I knew would mistreat her, to drive the transportation system that had betrayed her, to patrol the streets controlling the men who would murder or disfigure or disrupt us, not accidently with machines, but on purpose, because we are not allowed on the street alone—

Have you ever committed any indecent acts with women?

Yes, many. I am guilty of allowing suicidal women to die before my eyes or in my ears or under my hands because I thought I could do nothing, I am guilty of leaving a prostitute who held a knife to my friend’s throat because we would not sleep with her, we thought she was old and fat and ugly; I am guilty of not loving her who needed me; I regret all the women I have not slept with or comforted, who pulled themselves away from me for lack of something I had not the courage to fight for, for us, our life, our planet, our city, our meat and potatoes, our love. These are indecent acts, lacking courage, lacking a certain fire behind the eyes, which is the symbol, the raised fist, the sharing of resources, the resistance that tells death he will starve for lack of the fat of us, our extra. Yes I have committed acts of indecency with women and most of them were acts of omission. I regret them bitterly.

 

Five
Bless this day oh cat our house

“I was allowed to go
3 places, growing up,” she said—
“3 places, no more.
there was a straight line from my house
to school, a straight line from my house
to church, a straight line from my house
to the corner store.”
her parents thought something might happen to her.
but nothing ever did.

my lovers teeth are white geese flying above me
my lovers muscles are rope ladders under my hands
we are the river of life and the fat of the land
death, do you tell me I cannot touch this woman?
if we use each other up
on each other
that’s a little bit less for you
a little bit less for you, ho
death, ho ho death.

Bless this day oh cat our house
help me be not such a mouse
death tells the woman to stay home
and then breaks in the window.

I read this somewhere, I wasnt there:
In feudal Europe, if a woman committed adultery
her husband would sometimes tie her
down, catch a mouse and trap it
under a cup on her bare belly, until
it gnawed itself out, now are you
afraid of mice?

 

Six
Dressed as I am, a young man once called
me names in Spanish

a woman who talks to death
is a dirty traitor

inside a hamburger joint and
dressed  as I am, a young man once called me
names in Spanish
then he called me queer and slugged me.
first I thought the ceiling had fallen down
but there was the counterman making a ham
sandwich, and there was I spread out on his
counter.

For God’s sake I said when
I could talk, this guy is beating me up
can’t you call the police or something,
can’t you stop him? he looked up from
working on his sandwich, which was my
sandwich, I had ordered it. He liked
the way I looked. “There’s a pay phone
right across the street” he said.

I couldn’t listen to the Spanish language
for weeks afterward, without feeling the
most murderous of urges, the simple
association of one thing to another,
so damned simple.

The next day I went to the police station
to become an outraged citizen
Six big policemen stood in the hall,
all white and dressed as they do
they were well pleased with my story, pleased
at what had gotten beat out of me, so
I left them laughing, went home fast
and locked my door.
For several nights I fantasized the scene
again, this time grabbing a chair
and smashing it over the bastard’s head,
killing him. I called him a spic, and
killed him. my face healed. his didnt.
no child in me.

now when I remember I think:
maybe he was Josie’s baby.
all the chickens come home to roost,
all of them.

 

Seven
Death and disfiguration

One Christmas eve my lovers and I
we left the bar, driving home slow
there was a woman lying in the snow
by the side of the road. She was wearing
a bathrobe and no shoes, where were
her shoes? she had turned the snow
pink, under her feet. she was an Asian
woman, didn’t speak much English, but
she said a taxi driver beat her up
and raped her, throwing her out of his
care.
what on earth was she doing there
on a street she helped to pay for
but doesn’t own?
doesn’t she know to stay home?

I am a pervert, therefore I’ve learned
to keep my hands to myself in public
but I was so drunk that night,
I actually did something loving
I took her in my arms, this woman,
until she could breathe right, and
my friends are perverts too
they touched her too
we all touched her.
“You’re going to be all right”
we lied. She started to cry
“I’m 55 years old” she said
and that said everything.

Six big policemen answered the call
no child in them.
they seemed afraid to touch her,
then grabbed her like a corpse and heaved her
on their metal stretcher into the van,
crashing and clumsy.
She was more frightened than before.
they were cold and bored.
‘don’t leave me’ she said.
‘she’ll be all right’ they said.
we left, as we have left all of our lovers
as all lovers leave all lovers
much too soon to get the real loving done.

 

Eight
a mock interrogation

Why did you get into the cab with him, dressed as you are?

I wanted to go somewhere.

Did you know what the cab driver might do
if you got into the cab with him?

I just wanted to go somewhere.

How many times did you
get into the cab with him?

I dont remember.

If you dont remember, how do you know it happened to you?

 

Nine
Hey you death

ho and ho poor death
our lovers teeth are white geese flying above us
our lovers muscles are rope ladders under our hands
even though no women yet go down to the sea in ships
except in their dreams.

only the arrogant invent a quick and meaningful end
for themselves, of their own choosing.
everyone else knows how very slow it happens
how the woman’s existence bleeds out her years,
how the child shoots up at ten and is arrested and old
how the man carries a murderous shell within him
and passes it on.

we are the fat of the land, and
we all have our list of casualties

to my lovers I bequeath
the rest of my life

I want nothing left of me for you, ho death
except some fertilizer
for the next batch of us
who do not hold hands with you
who do not embrace you
who try not to work for you
or sacrifice themselves or trust
or believe you, ho ignorant
death, how do you know
we happened to you?

wherever our meat hangs on our own bones
for our own use
your pot is so empty
death, ho death
you shall be poor

"A Woman Is Talking to Death" from Judy Grahn's The Judy Grahn Reader (Aunt Lute Press, 2009). wwwauntlute.com