Be near me now,
My tormenter, my love, be near me—
At this hour when night comes down,
When, having drunk from the gash of sunset, darkness comes
With the balm of musk in its hands, its diamond lancets,
When it comes with cries of lamentation,
                                             with laughter with songs;
Its blue-gray anklets of pain clinking with every step.
At this hour when hearts, deep in their hiding places,
Have begun to hope once more, when they start their vigil
For hands still enfolded in sleeves;
When wine being poured makes the sound
                                             of inconsolable children
                      who, though you try with all your heart,
                                             cannot be soothed.
When whatever you want to do cannot be done,
When nothing is of any use;
—At this hour when night comes down,
When night comes, dragging its long face,
                                             dressed in mourning,
Be with me,
My tormenter, my love, be near me.

From The True Subject by Faiz Ahmed Faiz, translated by Naomi Lazard. © 1987 Princeton University Press. Reprinted by permission of Princeton University Press.

Masons, when they start upon a building,
Are careful to test out the scaffolding;

Make sure that planks won’t slip at busy points,
Secure all ladders, tighten bolted joints.

And yet all this comes down when the job’s done
Showing off walls of sure and solid stone.

So if, my dear, there sometimes seem to be
Old bridges breaking between you and me

Never fear. We may let the scaffolds fall
Confident that we have built our wall.

“Scaffolding” from Opened Ground: Selected Poems 1966–1996​ by Seamus Heaney. Copyright © 1998 by Seamus Heaney.

The eye chews the apple,
sends the brain
an image of the un-apple. Which is similar
to the way I throw my voice
like a Frisbee, like salt
over a shoulder, a birthday party
where someone’s brother
is grilling hot dogs, a little speed
in his blood,
some red balloons. The eye
is the most deceptive
organ in the body.
Followed closely by the hand,
which refuses to accept
that touch comes down
to the repulsion of electrons,
so that when I hold
the hand of the person I love,
mostly I am pushing
him away. Which has something to do
with the striking resemblance
between a bag
of individually wrapped candies
and the human heart.
The sticky glass
of their shattering. How love
can crack like a tooth
kissing a sidewalk,
the way right now someone’s car leapfrogs
a sidewalk, her body
making love to the windshield
and becoming
the windshield. And still the fireflies glow
with their particular sorrow.
The police tape
separating the mind from everything
that is not the mind
proves imaginary. My eyes
find the face
of the person I love
and pull out their fork and knife.

Copyright © 2016 by Ruth Madievsky. Originally published in Poem-a-Day on September 23, 2016, by the Academy of American Poets.