It was like this:
you were happy, then you were sad,
then happy again, then not.

It went on.
You were innocent or you were guilty.
Actions were taken, or not.

At times you spoke, at other times you were silent.
Mostly, it seems you were silent—what could you say?

Now it is almost over.

Like a lover, your life bends down and kisses your life.

It does this not in forgiveness—
between you, there is nothing to forgive—
but with the simple nod of a baker at the moment
he sees the bread is finished with transformation.

Eating, too, is a thing now only for others.

It doesn’t matter what they will make of you
or your days: they will be wrong,
they will miss the wrong woman, miss the wrong man,
all the stories they tell will be tales of their own invention.

Your story was this: you were happy, then you were sad,
you slept, you awakened.
Sometimes you ate roasted chestnuts, sometimes persimmons.

—2002

Originally published in After (HarperCollins, 2006); all rights reserved. Copyright © by Jane Hirshfield. Reprinted with the permission of the author.

Haven’t found anyone 
From the old gang.
They must be still in hiding,
Holding their breaths
And trying not to laugh.

Our street is down on its luck
With windows broken
Where on summer nights 
One heard couples arguing,
Or saw them dancing to the radio.

The redhead we were 
All in love with,
Who sat on the fire escape,
Smoking late into the night, 
Must be in hiding too.

The skinny boy 
On crutches
Who always carried a book,
May not have 
Gotten very far.

Darkness comes early 
This time of year
Making it hard 
To recognize familiar faces 
In those of strangers.

Copyright © 2018 by Charles Simic. Originally published in Poem-a-Day on March 13, 2018, by the Academy of American Poets

The narrow clearing down to the river
I walk alone, out of breath

my body catching on each branch.
Small children maneuver around me.

Often, I want to return to my old body
a body I also hated, but hate less

given knowledge.
Sometimes my friends—my friends

who are always beautiful & heartbroken
look at me like they know

I will die before them.
I think the life I want

is the life I have, but how can I be sure?
There are days when I give up on my body

but not the world. I am alive.
I know this. Alive now

to see the world, to see the river
rupture everything with its light.

Copyright © 2017 by Hieu Minh Nguyen. Originally published in Poem-a-Day on January 27, 2016, by the Academy of American Poets.

and there was light.
Now God says, Give them a little theatrical lighting
 
and they’re happy,
and we are. So many of us
 
dressing each morning, testing
endless combinations, becoming in our mirrors
 
more ourselves, imagining,
in an entrance, the ecstatic
 
weight of human eyes.
Now that the sun is sheering
 
toward us, what is left
but to let it close in
 
for our close-up? Let us really feel
how good it feels
 
to be still in it, making
every kind of self that can be
 
looked at. God, did you make us
to be your bright accomplices?
 
God, here are our shining spines.
Let there be no more dreams of being
 
more than a beginning.
Let it be
 
that to be is to be
backlit, and then to be only that light.

Copyright © 2018 by Mary Szybist. Originally published in Poem-a-Day on March 1, 2018, by the Academy of American Poets.

You who threw the rock at the back of my head
        as hard as you could at four because you thought
this was how to make a stone skip on the ocean,
        I have watched you in the dark of a yard
where we can only see each other by a lamp left on
        some rooms away. We can see only
one another’s chin. Soon, you will stay up
        through the night after I fall
into a laughing sleep. Two moths dust
        the same screen for remembered light.
We have all been removed from the lyrics, brother,
        our names will be stricken from the papers.

When I think of you and me and recall some
        adolescent sunrise, standing on rooftops,
blue still the island but the bowl of it about
        to fill with light, it is perhaps strange and horrible
to know one day one of us will die
        and the other will be alive, volume turned up,
his mouth now weighing twice as much.
        We cannot be excused from this
device of road and harrow, from this weight
        we heft and heave. So, you will be the sister.
And I will be the sister. And you—
        you are about to give me my words.
 

Copyright © 2015 by Jay Deshpande. Originally published in Poem-a-Day on October 12, 2015, by the Academy of American Poets.

your body still your body
your arms still wing
your mouth still a gun
 
          you tragic, misfiring bird
 
you have all you need to be a hero
don’t save the world, save yourself
 
you worship too much & you worship too much
 
when prayer doesn’t work:      dance, fly, fire
 
this is your hardest scene
when you think the whole sad thing might end
 
but you live      oh, you live
 
everyday you wake you raise the dead
 
          everything you do is a miracle
 

From Don’t Call Us Dead (Graywolf Press, 2017) Copyright © 2017 by Danez Smith. Used by permission of The Permissions Company, Inc., on behalf of Graywolf Press, www.graywolfpress.org.

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow:
You are not wrong who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand--
How few! yet how they creep
Through my fingers to the deep,
While I weep--while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

This poem is in the public domain.

Sometimes I don’t know if I’m having a feeling
so I check my phone or squint at the window
with a serious look, like someone in a movie
or a mother thinking about how time passes.
Sometimes I’m not sure how to feel so I think
about a lot of things until I get an allergy attack.
I take my antihistamine with beer, thank you very much,
sleep like a cut under a band aid, wake up
on the stairs having missed the entire party.
It was a real blast, I can tell, for all the vases
are broken, the flowers twisted into crowns
for the young, drunk, and beautiful. I put one on
and salute the moon, the lone face over me
shining through the grates on the front door window.
You have seen me like this before, such a strange
version of the person you thought you knew.
Guess what, I’m strange to us both. It’s like
I’m not even me sometimes. Who am I? A question
for the Lord only to decide as She looks over
my résumé. Everything is different sometimes.
Sometimes there is no hand on my shoulder
but my room, my apartment, my body are containers
and I am thusly contained. How easy to forget
the obvious. The walls, blankets, sunlight, your love.

Copyright © 2015 by Matthew Siegel. Originally published in Poem-a-Day on June 8, 2015, by the Academy of American Poets.

I lie here thinking of you:—

the stain of love
is upon the world!
Yellow, yellow, yellow
it eats into the leaves,
smears with saffron
the horned branches that lean
heavily
against a smooth purple sky!
There is no light
only a honey-thick stain
that drips from leaf to leaf
and limb to limb
spoiling the colors
of the whole world—

you far off there under
the wine-red selvage of the west!

From A Books of Poems: Al Que Quiere! (The Four Seas Company, 1917).

Today I still don’t know
how to fly a kite, or let it
be flown, picked up
and assaulted by the gust
constant as sun rise
in this south that isn’t
south for those who live
here. I haven’t been swept
away either, by any face
or woman’s bare shoulder,
not even spring budding
again after a late freeze,
even though it’s more beautiful
the second time around. Like
that woman you told me about
who smiled once when you
met, and once when you both
turned to admire the distance
between you. She must have
had beautiful eyes, looked
at you without blinking,
squinting out any dust
that would be flying here.

Copyright © 2018 by Curtis Bauer. “Lines to a Friend in a Less Windy Place” originally appeared in Talking River Review. Used with permission of the author.