We turn and turn ourselves
Into the question. We turn ourselves against

Its gravity. An axis we defy.
The idea             spun

Current as—:     an absolute
Value, faith presents        a gift

For our unboxing—: between poles.
We are the line women.

Hungry-handed transformers
Handed lightning—: bolts, striking.

Who wants to address     America?
When I stand in               between

Two poles, I am the absolute        value of
The lyric—: I have been

Where she stands.
Between poles she is the determinant

Of—: gravity. A force, she
Stands in| |for

Her own won now. Headline—:
No flag does justice.

She scales the staff
Herself—: unflagging,

She waves.

Copyright © 2022 by Lyrae Van Clief-Stefanon. Originally published in Poem-a-Day on August 26, 2022, by the Academy of American Poets.

If I have run my course and seek the pearls
My Psyche fain would drink at Mermelon
And rest content in wine and nectar cup
Who knows but that the gods have found me whole
And in their stewardship of man would bless
The sweating lover fickle man once knew?

I know that I might pull the tendon bands
That hold my soul together—ay, might bend
Each nerve and muscle spirit fain would keep—
That I might hear the maddening cheers of men
Who when the morrow dawns forget the games
And cast instead the dice in market place.

But I have found sweeter peace than fame;
And in the evening dwell on heights divine,
Betwixt my lips a rose from Cupid’s hands,
Upon my brow the laurel Belvidere
Entwines from tree beside the throne of Zeus
And flowing from my speech Athene’s words
Dipped long in wisdom’s fount to heal the soul.

From Caroling Dusk (Harper & Brothers, 1927), edited by Countee Cullen. This poem is in the public domain.

I find an upscale bistro with a big screen at the bar.
The Williams Sisters will step out on to this Center Court,
for the very first time as a team. I celebrate the event
with my very first Cosmopolitan. I feel like a kid

watching TV in the Before Times: miraculously, Nat King Cole or
Pearl Bailey would appear on the Dinah Shore Show or Ed Sullivan.
Amazed, we’d run to the phone, call up the aunts and cousins.
Quick! Turn on Channel 10!... Three minutes of pride...

Smiling at no one in particular, I settle in to enjoy the match.
What is the commentator saying? He thinks it’s important
to describe their opponents to us: one is “dark,”
the other “blonde.” He just can’t bring himself to say:

Venus & Serena. Look at these two Classy Sisters:
Serious. Strategic. Black. Pounding History.

Copyright © 2020 by Kate Rushin. Originally published in Poem-a-Day on August 13, 2020, by the Academy of American Poets.

I split every bit of sunlight at College Park’s ball court—
land of sweaty Rebook tees & patriotic wristbands—
escalating to the rim like every player on that court would do

to the Lafayette Square Mall mezzanine on weekends.
Every bit of tangled shine around my neck: a hypotenuse
of intention. Highlights are the only lights in my low-rise

space of sneaker to shin & elbow to crown. The only time
I dunked, the court exploded like a party hearing “You
Gots to Chill” for the first time. & when the smoke cleared,

I hung as tight as a sweaty headband on that rim, talking
smack to the other nine ballers & to their nine mamas. Then
the slipping & cracking. Then the next two months left-handing

jumpers, blurry scribbles on my cast, the basketball rotating
as insistently as the back-spinning apple that split Galileo’s wig.

From Map to the Stars (Penguin Books, 2017). Copyright © 2017 by Adrian Matejka. Used with the permission of the author.

Twenty-two stalwarts in stripes and shorts
    Kicking a ball along,
Set in a square of leather-lunged sports
    Twenty-two thousand strong,
Some of them shabby, some of them spruce,
    Savagely clamorous all,
Hurling endearments, advice or abuse,
    At the muscular boys on the ball. 

Stark and stiff ’neath a stranger’s sky
    A few hundred miles away,
War-worn, khaki-clad figures lie,
    Their faces rigid and grey—
Stagger and drop where the bullets swarm,
    Where the shrapnel is bursting loud,
Die, to keep England safe and warm—
    For a vigorous football crowd!

Football’s a sport, and a rare sport too,
    Don’t make it a source of shame.
To-day there are worthier things to do.
    Englishmen, play the game!
A truce to the League, a truce to the Cup,
    Get to work with a gun.
When our country’s at war, we must all back up—
    It’s the only thing to be done!

This poem is in the public domain.

 

His speed and strength, which is the strength of ten
years, races me home from the pool.
First I am ahead, Niké, on my bicycle,
no hands, and the Times crossword tucked in my rack,
then he is ahead, the Green Hornet,
buzzing up Witherspoon,
flashing around the corner to Nassau Street.

At noon sharp he demonstrated his neat
one-and-a-half flips off the board:
Oh, brave. Did you see me, he wanted to know.
And I doing my backstroke laps was Juno
Oceanus, then for a while I watched some black
and white boys wrestling and joking, teammates, wet
plums and peaches touching each other as if

it is not necessary to make hate,
as if Whitman was right and there is no death.
A big wind at our backs, it is lovely, the maple boughs
ride up and down like ships. Do you mind
if I take off, he says. I’ll catch you later,
see you, I shout and wave, as he peels
away, pedaling hard, rocket and pilot.

From The Mother/Child Papers, by Alicia Susan Ostriker © 2009. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used with permission of the University of Pittsburgh Press.

To this day I still remember sitting
on my abuelo’s lap watching                 the Yankees hit,
                 then run, a soft wind rounding the bases
every foot tap to the white pad gentle as a       kiss.

How I loved those afternoons languidly
                 eating jamón sandwiches & drinking root beer.

Later, when I knew something about                 the blue collar
man—my father who worked with his hands & tumbled
                 into the house exhausted like heat in a rainstorm—
                                    I became a Mets fan.

Something about                 their unclean                 faces
                                       their mustaches               seemed rough
to the touch. They had names like       Wally & Dyskstra.
I was certain I would                 marry a man just like them

                 that is until                      Sammy Sosa came along

with his smile a reptile that only knew about lying in the sun.
His arms were cannons and his skin burnt cinnamon
                 that glistened in my dreams.

Everyone said he was not       beautiful.

Out on the streets where the men set up shop playing dominoes
I’d hear them say between the yelling of       capicu
                                   “como juega, pero feo como el diablo.”

I knew nothing of my history
                 of the infighting on an island on which one side swore
it was only one thing: pallid, pristine.                        & I didn’t know
                 that Sammy carried this history like a                    tattoo.

That he wished everyday to be                 white.

It is a perfect game this race war, it is everywhere,       living
                                  in the American bayou as much as
                 the Dominican dirt roads.
It makes a man do something to his skin that seems unholy.
It makes that same man change               eye color like a soft
                 summer dress slipped on slowly.
It makes a grandmother ask her granddaughter

                                  if she’s suffering
                 from something feverish
because that could be the only excuse why
                                  her hair has not been straightened
like a ballerina’s back                 dyed the color of wild
                 daffodils growing in an outfield.

Sammy hit 66 home runs one year
                                  & that was still            not                  enough
                 to make him feel handsome

or worthy of that blackness that I believe a gift
even today while black churches burn & black bodies
disappear from one day to the next the same as old
pennies.

I think of him often       barely remember what he looked like

                 but I can recall his       hunched shoulders in the
dugout                 his perfect swing
                 & how maybe he spit out       something black
from his mouth                 after
every                 single                                  strike—

Copyright © 2015 Yesenia Montilla. Originally published in the Winter 2015 issue of Prairie Schooner. Used with permission of Prairie Schooner

I understand what
a jump shot is,
certain mechanics

of the body, hand
positions, elbow
alignment, follow

through. Enough
player names to
mention around

the imaginary water-
cooler if I found
myself there. A body

at rest still needs
to hydrate. I cried
watching Bird

and Magic in that
documentary and
own a small collection

of expensive high-top
sneakers in various
colorways—used

exclusively to walk
my pets or to the
coffee shop for

an almond croissant.
Fresh to death. On
my mantle, four second

place trophies from
intramural wrestling
all before fifth grade.

Pitter patter sprawl.
I can’t remember
swimming. I mean,

I can’t swim. I can’t
drive. Sometimes
I miss a high five,

the pat on the ass.
I swung and missed
at tee-ball, golf. Traded

cards for the love
of the potential investment.
George Brett, I’ll always

love your name.
I appreciate highlights,
trick plays as much as

the next: The Statue
of Liberty, Flea Flickers,
The Changing Light

at Sandover. I was
born in the suburbs
of the city of brotherly

bullies, poor sports,
famous boo-ers and
stadium court houses.

I was the only boy
cut from my seventh
grade soccer team.

It’s in my blood to lose
at all games, even Uno,
especially Monopoly,

and when I do, I spit
into my palm or refuse
to shake hands.

Copyright © 2015 Brett Fletcher Lauer. Originally published in the Winter 2015 issue of Prairie Schooner. Used with permission of Prairie Schooner