Of course, she was not chosen to deliver
any of the official hail-and-farewells. Would, in fact,
have skipped the whole pomp and circumstance crap
if the principal had not threatened to hold her diploma hostage,
if her parents had not pleaded with her to celebrate
the milestone for their sakes—so she donned
the rented robe, the dorky mortarboard, and paraded
down the auditorium aisles with her beaming so-called peers.

Lots of introductions. Lots of momentous occasions
and memories—many of which Ms. S was already
eager to forget. But she listened politely to the usual
promises of new beginnings, the exhortations to follow
dreams and change the world—even got a bit teary eyed
at the prospect that one of them actually might.
Then the ritual flipping of the tassels, the alma mater
one last time off-key, the filing out to hugs and congratulations
and vows to stay in touch she knew she’d never keep.

Ms. S had her eye on distant horizons, some vague
anywhere-else-but-here place where her brief past
could be erased and all the potential her teachers had,
for years, claimed she was wasting, would be realized,
where she would finally hear her life’s calling
calling her into the life she was meant to have.

The world, she thought, is my oyster.

Of course, being an inland girl, she had never
actually seen an oyster up close. Had yet to discover
how hard the damn things were to crack.

Copyright © 2018 Grace Bauer. This poem originally appeared in Tin House, Winter 2018. Used with permission of the authors.

I measure every Grief I meet
With narrow, probing, eyes – 
I wonder if It weighs like Mine – 
Or has an Easier size.

I wonder if They bore it long – 
Or did it just begin – 
I could not tell the Date of Mine – 
It feels so old a pain – 

I wonder if it hurts to live – 
And if They have to try – 
And whether – could They choose between – 
It would not be – to die – 

I note that Some – gone patient long – 
At length, renew their smile –  
An imitation of a Light
That has so little Oil – 

I wonder if when Years have piled –  
Some Thousands – on the Harm –  
That hurt them early – such a lapse
Could give them any Balm –  

Or would they go on aching still
Through Centuries of Nerve – 
Enlightened to a larger Pain –  
In Contrast with the Love –  

The Grieved – are many – I am told –  
There is the various Cause –  
Death – is but one – and comes but once –  
And only nails the eyes –  

There's Grief of Want – and grief of Cold –  
A sort they call "Despair" –  
There's Banishment from native Eyes – 
In sight of Native Air –  

And though I may not guess the kind –  
Correctly – yet to me
A piercing Comfort it affords
In passing Calvary –  

To note the fashions – of the Cross –  
And how they're mostly worn –  
Still fascinated to presume
That Some – are like my own – 

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College.

For Uncle Paul N’nem

hell nah over my dead—i paid mine. I checked
Black & subtraction knows what it did. made Black
a box to check. subtraction doesn’t know how even
a sigh seasons the roux & the second breath my mother
was always trying to catch. american. emergency.
subtraction doesn’t know Black’s many bodies & body’s
of water. though subtraction does. sunken. gifting the sea’s
new strange stones. subtraction reopened the barbershops &
bowling alleys. insists church. sent us home with inhalers &
half-assed sentences: in god - we - the people - vs - degradation
vs - a new packaged deliverance. homicide. hallelujah.
i’ll be damned. i’ll be back before i’ll be buried. i been Black
& ain’t slept since. subtraction needs my blood to water
their weapons to subtract my blood. do you see the necessity
for dreaming? or else the need to stay awake. to watch. worried.
the hand. invisible. make a peace sign. then a pistol.

Copyright © 2020 by Donte Collins. Originally published in Poem-a-Day on June 10, 2020, by the Academy of American Poets.