Sometimes I think that people are the fingers
of God, like the blind ocean touching land,
and life’s a Braille that I won’t understand
if I’m not touching you and we’re not singers
kissing a song out of our mouths in bed.
Tonight I fumble keys in darkness by
my door and try to feel my way inside
to cook alone and watch TV; instead
I walk down California to the seething
blackness out there beyond the glowing beach
and stand a long time listening to each
heave, the ocean like the planet breathing.
It’s done with raging windily and wild.
Tonight it whispers, Shush, it whispers, Child.
 

I know not why, but it is true—it may,
In some way, be because he was a child
Of the fierce sun where I first wept and smiled—
I love the dark-browed Poe. His feverish day
Was spent in dreams inspired, that him beguiled,
When not along his path shone forth one ray
Of light, of hope, to guide him on the way,
That to earth's cares he might be reconciled.
Not one of all Columbia's tuneful choir
Has pitched his notes to such a matchless key
As Poe—the wizard of the Orphic lyre!
Not one has dreamed, has sung, such songs as he,
   Who, like an echo came, an echo went,
   Singing, back to his mother element.

                                           I.

As the blind Milton’s memory of light,
The deaf Beethoven’s phantasy of tone,
Wrought joys for them surpassing all things known
In our restricted sphere of sound and sight,—
So while the glaring streets of brick and stone
Vex with heat, noise, and dust from morn till night,
I will give rein to Fancy, taking flight
From dismal now and here, and dwell alone
With new-enfranchised senses. All day long,
Think ye ’t is I, who sit ’twixt darkened walls,
While ye chase beauty over land and sea?
Uplift on wings of some rare poet’s song,
Where the wide billow laughs and leaps and falls,
I soar cloud-high, free as the winds are free.

                                           II.

Who grasps the substance? who ’mid shadows strays?
He who within some dark-bright wood reclines,
’Twixt sleep and waking, where the needled pines
Have cushioned all his couch with soft brown sprays?
He notes not how the living water shines,
Trembling along the cliff, a flickering haze,
Brimming a wine-bright pool, nor lifts his gaze
To read the ancient wonders and the signs.
Does he possess the actual, or do I,
Who paint on air more than his sense receives,
The glittering pine-tufts with closed eyes behold,
Breathe the strong resinous perfume, see the sky
Quiver like azure flame between the leaves,
And open unseen gates with key of gold?
 

They talk of short-lived pleasure—be it so—
Pain dies as quickly: stern, hard-featured pain
Expires, and lets her weary prisoner go.
The fiercest agonies have shortest reign;
And after dreams of horror, comes again
The welcome morning with its rays of peace.
Oblivion, softly wiping out the stain,
Makes the strong secret pangs of shame to cease:
Remorse is virtue’s root; its fair increase
Are fruits of innocence and blessedness:
Thus joy, o’erborne and bound, doth still release
His young limbs from the chains that round him press.
Weep not that the world changes—did it keep
A stable changeless state, ’twere cause indeed to weep.