Row after row with strict impunity
The headstones yield their names to the element,
The wind whirrs without recollection;
In the riven troughs the splayed leaves
Pile up, of nature the casual sacrament
To the seasonal eternity of death;
Then driven by the fierce scrutiny
Of heaven to their election in the vast breath,
They sough the rumour of mortality.

Autumn is desolation in the plot
Of a thousand acres where these memories grow
From the inexhaustible bodies that are not 
Dead, but feed the grass row after rich row.
Think of the autumns that have come and gone!--
Ambitious November with the humors of the year,
With a particular zeal for every slab,
Staining the uncomfortable angels that rot
On the slabs, a wing chipped here, an arm there:
The brute curiosity of an angel's stare
Turns you, like them, to stone,
Transforms the heaving air
Till plunged to a heavier world below
You shift your sea-space blindly
Heaving, turning like the blind crab.

     Dazed by the wind, only the wind
     The leaves flying, plunge

You know who have waited by the wall
The twilight certainty of an animal,
Those midnight restitutions of the blood
You know--the immitigable pines, the smoky frieze
Of the sky, the sudden call: you know the rage,
The cold pool left by the mounting flood,
Of muted Zeno and Parmenides.
You who have waited for the angry resolution
Of those desires that should be yours tomorrow,
You know the unimportant shrift of death
And praise the vision
And praise the arrogant circumstance
Of those who fall
Rank upon rank, hurried beyond decision--
Here by the sagging gate, stopped by the wall. 

     Seeing, seeing only the leaves
     Flying, plunge and expire

Turn your eyes to the immoderate past,
Turn to the inscrutable infantry rising
Demons out of the earth they will not last.
Stonewall, Stonewall, and the sunken fields of hemp,
Shiloh, Antietam, Malvern Hill, Bull Run.
Lost in that orient of the thick and fast
You will curse the setting sun.

     Cursing only the leaves crying
     Like an old man in a storm

You hear the shout, the crazy hemlocks point
With troubled fingers to the silence which
Smothers you, a mummy, in time.

                               The hound bitch
Toothless and dying, in a musty cellar
Hears the wind only.
     
                    Now that the salt of their blood
Stiffens the saltier oblivion of the sea,
Seals the malignant purity of the flood,
What shall we who count our days and bow
Our heads with a commemorial woe
In the ribboned coats of grim felicity,
What shall we say of the bones, unclean,
Whose verdurous anonymity will grow?
The ragged arms, the ragged heads and eyes
Lost in these acres of the insane green?
The gray lean spiders come, they come and go;
In a tangle of willows without light
The singular screech-owl's tight
Invisible lyric seeds the mind
With the furious murmur of their chivalry.

     We shall say only the leaves
     Flying, plunge and expire

We shall say only the leaves whispering
In the improbable mist of nightfall
That flies on multiple wing:
Night is the beginning and the end
And in between the ends of distraction
Waits mute speculation, the patient curse
That stones the eyes, or like the jaguar leaps
For his own image in a jungle pool, his victim.

What shall we say who have knowledge 
Carried to the heart?  Shall we take the act
To the grave?  Shall we, more hopeful, set up the grave
In the house?  The ravenous grave?

                                   Leave now
The shut gate and the decomposing wall:
The gentle serpent, green in the mulberry bush, 
Riots with his tongue through the hush--
Sentinel of the grave who counts us all!

From Selected Poems by Allen Tate, published by Charles Scribner's Sons. Copyright © 1937 by Charles Scribner's Sons. Used with permission.

A penny for the Old Guy

                              I

We are the hollow men 
We are the stuffed men 
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when 
We whisper together 
Are quiet and meaningless
As wind in dry grass 
Or rats’ feet over broken glass
In our dry cellar

Shape without form, shade without colour. 
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us—if at all—not as lost 
Violent souls, but only 
As the hollow men 

                              II

Eyes I dare not meet in dreams 
In death’s dream kingdom 
These do not appear:
There, the eyes are 
Sunlight on a broken column 
There, is a tree swinging
And voices are 
In the wind’s singing 
More distant and more solemn 
Than a fading star.

Let me be no nearer 
In death’s dream kingdom 
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves 
No nearer—

Not that final meeting 
In the twilight kingdom

                              III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.

Is it like this
In death’s other kingdom
Waking alone
At the hour when we are 
Trembling with tenderness 
Lips that would kiss
Form prayers to broken stone.

                              IV

The eyes are not here 
There are no eyes here 
In this valley of dying stars 
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places 
We grope together 
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless 
The eyes reappear 
As the perpetual star
Multifoliate rose 
Of death’s twilight kingdom 
The hope only 
Of empty men.

                              V

Here we go round the prickly pear 
Prickly pear prickly pear 
Here we go round the prickly pear 
At five o’clock in the morning.

Between the idea 
And the reality 
Between the motion 
And the act 
Falls the Shadow

                                  For Thine is the Kingdom

Between the conception 
And the creation
Between the emotion 
And the response 
Falls the Shadow

                                  Life is very long

Between the desire 
And the spasm 
Between the potency 
And the existence 
Between the essence 
And the descent 
Falls the Shadow

                                  For Thine is the Kingdom

For Thine is 
Life is
For Thine is the

This is the way the world ends 
This is the way the world ends 
This is the way the world ends 
Not with a bang but a whimper.

This poem is in the public domain. Published in Poem-a-Day on July 20, 2024, by the Academy of American Poets.

There’s farmers and there s farmers,
There s many a field and field,
But none of the farmers round about
Can haul such harvest-wagons out
As I from an acre s yield.

There’s plenty and plenty of farmers
That leave the ground by the fence,
Thinking it s nice if a patch of roses
Should scratch out the hay and tickle their noses
With nice little wild-rose scents.

I’m not like other farmers,
I make my farming pay;
I never go in for sentiment,
And seeing that roses yield no rent
I cut the stuff away.

A very good thing for farmers
If they would learn my way;
For crops are all that a good field grows,
And nothing is worse than a sniff of rose
In the good strong smell of hay.

This poem is in the public domain, and originally appeared in Poems about God (Henry Holt and Co, 1919).