We cannot live, except thus mutually
We alternate, aware or unaware,
The reflex act of life: and when we bear
Our virtue onward most impulsively,
Most full of invocation, and to be
Most instantly compellant, certes, there
We live most life, whoever breathes most air
And counts his dying years by sun and sea.
But when a soul, by choice and conscience, doth
Throw out her full force on another soul,
The conscience and the concentration both make
mere life, Love. For Life in perfect whole
And aim consummated, is Love in sooth,
As nature's magnet-heat rounds pole with pole.

This poem is in the public domain.

On the beach at night alone,
As the old mother sways her to and fro, singing her husky song,
As I watch the bright stars shining, I think a thought of the clef of the universes, and of the future.

A vast similitude interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets
All distances of place however wide,
All distances of time, all inanimate forms,
All souls, all living bodies, though they be ever so different, or in different worlds,
All gaseous, watery, vegetable, mineral processes, the fishes, the brutes,
All nations, colors, barbarisms, civilizations, languages,
All identities that have existed or may exist on this globe, or any globe,
All lives and deaths, all of the past, present, future,
This vast similitude spans them, and always has spann’d,
And shall forever span them and compactly hold and enclose them.

This poem is in the public domain.

I split every bit of sunlight at College Park’s ball court—
land of sweaty Rebook tees & patriotic wristbands—
escalating to the rim like every player on that court would do

to the Lafayette Square Mall mezzanine on weekends.
Every bit of tangled shine around my neck: a hypotenuse
of intention. Highlights are the only lights in my low-rise

space of sneaker to shin & elbow to crown. The only time
I dunked, the court exploded like a party hearing “You
Gots to Chill” for the first time. & when the smoke cleared,

I hung as tight as a sweaty headband on that rim, talking
smack to the other nine ballers & to their nine mamas. Then
the slipping & cracking. Then the next two months left-handing

jumpers, blurry scribbles on my cast, the basketball rotating
as insistently as the back-spinning apple that split Galileo’s wig.

From Map to the Stars (Penguin Books, 2017). Copyright © 2017 by Adrian Matejka. Used with the permission of the author.

Facing the mirror, I put on my face
Apply a thin layer of makeup
But not like usual this time, not like each night
Tonight, I become an adolescent boy!

A fifteen-year-old boy's shirt and blazer
A fifteen-year-old boy's slacks
Strangely enough, they fit me well
I become a boy just before his beard comes in

This bet I wager takes hardly any cash
Not even as dangerous as a bet I suppose
Secretly switch jack for queen
And all is well, no one will know
(Repaint a rusty boat and at the right time
The launching ceremony will commence
All eyes on deck focused on the bow)

No longer will I envy any man or woman
I do not need perfume or pistols
Just think and I can be
Concrete woman
Or abstract man

The night grows long
Preparations done, I am ready to go
Among people who are
Neither husband nor lover
Farewell, unfamiliar adolescent in the mirror
Until that boyish dawn one step this side of man

From The Forest of Eyes by Tada Chimako, translated by Jeffrey Angles. Copyright © 2010 by Tada Chimako and Jeffrey Angles. Used by permission of University of California Press. All rights reserved.

Now cosmos in bloom and snow-in-summer
opening along the garden’s stone borders,

a moment toward a little good fortune,
water from the watering can,

to blossom, so natural, it seems, and still
the oldest blooms outside my door are flourishing

according to their seedtime. 
They have lived as in trust

of tended ground, not of many seasons
as the lingering bud in late summer,

when leaves have reached their greenest,
when a chill enters the nights,

when a star I’ve turned to, night after night,
vanished in the shift of constellations. 

But when on a bare branch,
even in August, a sprig starts,

sprig to stem—as if to say, See,
there’s kinship with the perennials

you think so hardy—voice
the moment among the oaks, toast

the spring in summer, as once each May
a shot of vodka is poured on bare dirt

among gravestones to quench the dead,
among the first stars of this new evening.

 

Copyright © 2017 by James Brasfield. Originally published in Poem-a-Day on August 17, 2017, by the Academy of American Poets.