For thee the sun doth daily rise, and set
Behind the curtain of the hills of sleep, 
And my soul, passing through the nether deep, 
Broods on thy love, and never can forget. 
For thee the garlands of the wood are wet, 
For thee the daisies up the meadow’s sweep
Stir in the sidelong light, and for thee weep
The drooping ferns above the violet. 
For thee the labour of my studious ease
I ply with hope, for thee all pleasures please, 
Thy sweetness doth the bread of sorrow leaven; 
And from thy noble lips and heart of gold
I drink the comfort of the faiths of old, 
Any thy perfection is my proof of heaven. 

This poem is in the public domain. Published in Poem-a-Day on December 22, 2019, by the Academy of American Poets.

I loved you before I was born.
It doesn't make sense, I know.

I saw your eyes before I had eyes to see.
And I've lived longing 
for your ever look ever since.
That longing entered time as this body. 
And the longing grew as this body waxed.
And the longing grows as the body wanes.
The longing will outlive this body.

I loved you before I was born.
It doesn't make sense, I know.

Long before eternity, I caught a glimpse
of your neck and shoulders, your ankles and toes.
And I've been lonely for you from that instant.
That loneliness appeared on earth as this body. 
And my share of time has been nothing 
but your name outrunning my ever saying it clearly. 
Your face fleeing my ever
kissing it firmly once on the mouth.

In longing, I am most myself, rapt,
my lamp mortal, my light 
hidden and singing. 

I give you my blank heart.
Please write on it
what you wish. 

From The Undressing: Poems by Li-Young Lee. Copyright © 2018 by Li-Young Lee. Used by permission of W. W. Norton & Company, Inc.

If thou must love me, let it be for nought
Except for love's sake only. Do not say,
"I love her for her smile—her look—her way
Of speaking gently,—for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day"—
For these things in themselves, Belovèd, may
Be changed, or change for thee—and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity's wiping my cheeks dry:
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love's sake, that evermore
Thou mayst love on, through love's eternity.

This poem is in the public domain.

                 Why I love thee?
     Ask why the seawind wanders,
Why the shore is aflush with the tide,
Why the moon through heaven meanders;
Like seafaring ships that ride
On a sullen, motionless deep;
      Why the seabirds are fluttering the strand
       Where the waves sing themselves to sleep
         And starshine lives in the curves of the sand!

This poem is in the public domain. Published in Poem-a-Day on April 20, 2019, by the Academy of American Poets.

When our two souls stand up erect and strong,  
Face to face, silent, drawing nigh and nigher,  
Until the lengthening wings break into fire  
At either curvèd point,—what bitter wrong  
Can the earth do to us, that we should not long 
Be here contented? Think. In mounting higher,  
The angels would press on us and aspire  
To drop some golden orb of perfect song  
Into our deep, dear silence. Let us stay  
Rather on earth, Belovèd,—where the unfit 
Contrarious moods of men recoil away  
And isolate pure spirits, and permit  
A place to stand and love in for a day,  
With darkness and the death-hour rounding it.

This poem is in the public domain.

Of all the thoughts of God that are  
Borne inward unto souls afar,  
Along the Psalmist's music deep,  
Now tell me if that any is,  
For gift or grace, surpassing this— 
'He giveth His belovèd sleep'?  
  
What would we give to our beloved?  
The hero's heart to be unmoved,  
The poet's star-tuned harp, to sweep,  
The patriot's voice, to teach and rouse,
The monarch's crown, to light the brows?  
He giveth His belovèd, sleep.  
  
What do we give to our beloved?  
A little faith all undisproved,  
A little dust to overweep,  
And bitter memories to make  
The whole earth blasted for our sake.  
He giveth His belovèd, sleep.  
  
'Sleep soft, beloved!' we sometimes say,  
But have no tune to charm away
Sad dreams that through the eye-lids creep.  
But never doleful dream again  
Shall break the happy slumber when  
He giveth His belovèd, sleep.  
  
O earth, so full of dreary noises!
O men, with wailing in your voices!  
O delvèd gold, the wailers heap!  
O strife, O curse, that o'er it fall!  
God strikes a silence through you all,  
He giveth His belovèd, sleep.
  
His dews drop mutely on the hill;  
His cloud above it saileth still,  
Though on its slope men sow and reap.  
More softly than the dew is shed,  
Or cloud is floated overhead,
He giveth His belovèd, sleep.  
  
Aye, men may wonder while they scan  
A living, thinking, feeling man  
Confirmed in such a rest to keep;  
But angels say, and through the word 
I think their happy smile is heard—  
'He giveth His belovèd, sleep.'  
  
For me, my heart that erst did go  
Most like a tired child at a show,  
That sees through tears the mummers leap, 
Would now its wearied vision close,  
Would child-like on His love repose,  
Who giveth His belovèd, sleep.  
  
And, friends, dear friends,—when it shall be  
That this low breath is gone from me,
And round my bier ye come to weep,  
Let One, most loving of you all,  
Say, 'Not a tear must o'er her fall;  
He giveth His belovèd, sleep.' 

This poem is in the public domain.

It lieth, gazing on the midnight sky, 
  Upon the cloudy mountain peak supine;  
Below, far lands are seen tremblingly; 
  Its horror and its beauty are divine. 
Upon its lips and eyelids seems to lie 
  Loveliness like a shadow, from which shrine,  
Fiery and lurid, struggling underneath,  
The agonies of anguish and of death. 
 
Yet it is less the horror than the grace  
  Which turns the gazer's spirit into stone;
Whereon the lineaments of that dead face  
  Are graven, till the characters be grown  
Into itself, and thought no more can trace; 
  'Tis the melodious hue of beauty thrown  
Athwart the darkness and the glare of pain,
Which humanize and harmonize the strain. 
 
And from its head as from one body grow, 
  As [   ] grass out of a watery rock, 
Hairs which are vipers, and they curl and flow  
  And their long tangles in each other lock,
And with unending involutions shew  
  Their mailed radiance, as it were to mock  
The torture and the death within, and saw  
The solid air with many a ragged jaw. 
 
And from a stone beside, a poisonous eft
  Peeps idly into those Gorgonian eyes; 
Whilst in the air a ghastly bat, bereft  
  Of sense, has flitted with a mad surprise  
Out of the cave this hideous light had cleft, 
  And he comes hastening like a moth that hies
After a taper; and the midnight sky  
Flares, a light more dread than obscurity. 
 
'Tis the tempestuous loveliness of terror;  
  For from the serpents gleams a brazen glare  
Kindled by that inextricable error,
  Which makes a thrilling vapour of the air  
Become a [ ] and ever-shifting mirror  
  Of all the beauty and the terror there— 
A woman's countenance, with serpent locks, 
Gazing in death on heaven from those wet rocks. 

This poem is in the public domain.

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.

This poem is in the public domain.