We were searching for 
ourselves, after logic 
for no good reason, 
jumping fires to take 
the heat for walking, 
wishing the blue night 
not to fall into the blue 
sky and darken what 
remained. We were 
holding on to music, 
playing the solemn 
string the healing horn, 
rolling back the meadow 
to give innocence one 
more tumble, waiting 
for the breeze to send
the screen door slamming 
open. We were rushing 
with the sea of people 
tiding over curb and 
sidewalk, twilight running 
out of light, a city pacing 
its expansion into the sky, 
block by block, new 
views burying the old,
thinking not thinking 
about the dead. We were 
who we never thought 
we’d be, at the corner 
of expectation and desire, 
the world kind and un-
kind, the rabbits scared 
the palace in ruins,
language failing the earth
in transition, the infinite 
sky divided the clouds 
dispersing premonitions. 
Come evening come 
shade, float us to your 
constellation, let the void 
draw us still; the radiologist 
turn off her light and go.
 

Copyright © 2017 by Howard Altmann. Originally published in Poem-a-Day on October 23, 2017, by the Academy of American Poets.

like the shapes we made in the things we said were demanding of us
now you ask me why the sky is a tank full of lemonade out back 
all wet tonight and bugs call up a swamp in this desert in my story 
my dad wrote all the wrong names for her on a brick that could lift 
through my mother’s window came the words arrayed in glass 
dusting San Martincito on her dresser cast in plastic with spaces in his robes
a home for the hen the dog made mild in the skirts of the mongrel saint
still lining a thin easy silence around me come the scenes all down our street 
in someone’s car music each word lifted into its own space thumps in the moon’s
heavy sleep breath there are extensions we can read what we said 
it’s such a simple printshop so mothers might tell us about what came 
to be more known     a pear tree in the commons and really 
the words left idle beside     if they could tell us about the forms
if these came to lift them if we could ask sin miedo y sin piedad
 

Copyright © 2017 by Farid Matuk. Originally published in Poem-a-Day on December 6, 2017, by the Academy of American Poets.

I remember once I ran after you and tagged the fluttering
      shirt of you in the wind.
Once many days ago I drank a glassful of something and
      the picture of you shivered and slid on top of the stuff.
And again it was nobody else but you I heard in the
      singing voice of a careless humming woman.
One night when I sat with chums telling stories at a
      bonfire flickering red embers, in a language its own
      talking to a spread of white stars:
                          It was you that slunk laughing
                          in the clumsy staggering shadows.
Broken answers of remembrance let me know you are
      alive with a peering phantom face behind a doorway
      somewhere in the city’s push and fury.
Or under a pack of moss and leaves waiting in silence
      under a twist of oaken arms ready as ever to run
      away again when I tag the fluttering shirt of you.

This poem is in the public domain.

given his showing up to teach at the U 
disheveled, jittery cigarette and cigarette and probably 
the drink, losing the very way there 
over river, river of all song, all American story 
which starts way north of St. Paul quiet or undone 
wandering south, not 
enraged mostly, something stranger. 
That’s one epic shard of John Berryman anyway.

Notorious. And par for the course in a classroom
destined, struck-by-lightning 
in sacred retrospect, the kind those long-ago students 
now can’t believe themselves 
so accidentally chosen, grateful though one 
probably claimed the poet absolutely 
bonkers then, out of his tree toward the end, 
so went the parlance. Wasn’t he 
always late—Give them back, Weirdo!—with those
brilliant papers they eked out, small dim-lit 
hours when a big fat beer would’ve 
been nice. Really nice. 
Fuck him, I hear that kid most definitely 
blurting were he young right now 
though the others—  From the get-go their
startle and reverence. But not even that malcontent 
did the damning I can’t believe 
they gave him tenure. 

Here’s where I think something else, think
of course it’s the Dream Songs that rattled him until—
as grandparents used to say—he couldn’t 
see straight. Like Dickinson’s bits of shock and light 
did her in between naps and those letters to
some vague beloved unattainable. Or Plath, her 
meticulous crushing fog. Maybe closer to Milton working 
his blindness—literally blind rage, if you want 
to talk rage—into pages soaked through with triumphant 
failure and rhyme, always 
that high orchestration, that alpha/omega big voice thing.  
And Satan, after all, as wise guy
and looming because for chrissake, Jack, get an interesting 
character in there! Someone must have
lobbed that right. 

All along, Berryman: how those Dream Songs surely
loosened a bolt or a wheel in his orderly
scholar-head, must have come at him 
like Michael the Archangel, 77 days of winged flash 
searing him to genius, some kind of
whack-a-mole version. Maybe like Gabriel
cutting that starry celebrity deal 
for a most dubious conception in the desert, near a fig tree, 
no proper human mechanics required. At last 
Berryman’s rage wasn’t rage 
but sorrow turned back on itself. With teeth. 

Henry my hero of crankiness and feigned indifference,
unspeakable industry, exhaustion 
and grief, half funny-crazy, half who-knows-what-
that-line-means. A henry whole 
universe of Henry, of 
there ought to be a law against Henry—pause 
and pause—Mister Bones: there is.  
Will be! Was! Not to say poetry’s
worth it or the most healthy fascination for the sane.
I’m just, I mean—is this love?  

There’s break, as in lucky, as in 
shatter. There’s smitten and there’s smite.

Copyright © 2018 by Marianne Boruch. Originally published in Poem-a-Day on January 19, 2018, by the Academy of American Poets.

Haven’t found anyone 
From the old gang.
They must be still in hiding,
Holding their breaths
And trying not to laugh.

Our street is down on its luck
With windows broken
Where on summer nights 
One heard couples arguing,
Or saw them dancing to the radio.

The redhead we were 
All in love with,
Who sat on the fire escape,
Smoking late into the night, 
Must be in hiding too.

The skinny boy 
On crutches
Who always carried a book,
May not have 
Gotten very far.

Darkness comes early 
This time of year
Making it hard 
To recognize familiar faces 
In those of strangers.

Copyright © 2018 by Charles Simic. Originally published in Poem-a-Day on March 13, 2018, by the Academy of American Poets

He says I live far-far away as we build a robot
out of blocks. The heart's a dollar music box
 
he chose on his last birthday wringing every
handle for the song about a star. This year
 
a star ornament dashed all colors by an artist
the summer he was born. We hung it by
 
his window like the star he sings about at night.
 
It's not a star that fell inward long ago as its light
fled out. Every troubled night that first year
 
of his life I held him on my chest and called
his name into his sleep until he calmed
 
enough to watch the moon arc past the blinds
above us. Do you have two hearts
 
because you're a boy and a girl? You're a girl
but you're my dad and not and then he says
 
his mother’s partner’s name. Nothing changes
until it must I told myself when I lay down
 
on the surgeon’s table. Drowsy now he sings
again about the star which is a song about
 
a traveler grateful for the light to chart a course. 

Copyright © 2019 by Jordan Rice. Originally published in Poem-a-Day on January 30, 2019, by the Academy of American Poets.