What was said to the rose that made it open was said
to me here in my chest.

What was told the cypress that made it strong
and straight, what was

whispered the jasmine so it is what it is, whatever made
sugarcane sweet, whatever

was said to the inhabitants of the town of Chigil in
Turkestan that makes them

so handsome, whatever lets the pomegranate flower blush
like a human face, that is

being said to me now. I blush. Whatever put eloquence in
language, that's happening here.

The great warehouse doors open; I fill with gratitude,
chewing a piece of sugarcane,

in love with the one to whom every that belongs!

The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.

I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worse suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshippers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretence
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slab of ham,
but I come from the province of the gods
where meanings are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mother was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.

Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look--my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.

And an astronomer said, Master, what of Time?
     And he answered:
     You would measure time the measureless and the immeasurable.
     You would adjust your conduct and even direct the course of your spirit according to hours and seasons.
     Of time you would make a stream upon whose bank you would sit and watch its flowing.

     Yet the timeless in you is aware of life’s timelessness,
     And knows that yesterday is but today’s memory and tomorrow is today’s dream. 
     And that that which sings and contemplates in you is still dwelling within the bounds of that first moment which scattered the stars into space.
     Who among you does not feel that his power to love is boundless?
     And yet who does not feel that very love, though boundless, encompassed within the centre of his being, and moving not from love thought to love thought, nor from love deeds to other love deeds?
     And is not time even as love is, undivided and spaceless?

     But if in your thought you must measure time into seasons, let each season encircle all the other seasons,
     And let today embrace the past with remembrance and the future with longing. 

And a youth said, Speak to us of Friendship.
    And he answered, saying:
    Your friend is your needs answered.
    He is your field which you sow with love and reap with thanksgiving.
    And he is your board and your fireside.
    For you come to him with your hunger, and you seek him for peace.

    When your friend speaks his mind you fear not the “nay” in your own mind, nor do you withhold the “ay.”
    And when he is silent your heart ceases not to listen to his heart;
    For without words, in friendship, all thoughts, all desires, all expectations are born and shared, with joy that is unacclaimed.
    When you part from your friend, you grieve not;
    For that which you love most in him may be clearer in his absence, as the mountain to the climber is clearer from the plain.
    And let there be no purpose in friendship save the deepening of the spirit.
    For love that seeks aught but the disclosure of its own mystery us not love but a net cast forth: and only the unprofitable is caught.

    And let your best be for your friend.
    If he must know the ebb of your tide, let him know its flood also.
    For what is your friend that you should seek him with hours to kill?
    Seek him always with hours to live.
    For it is his to fill your need but not your emptiness.
    And in the sweetness of friendship let there be laughter, and sharing of pleasures.
    For in the dew of little things the heart finds its morning and is refreshed.

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

Light breaks where no sun shines;
Where no sea runs, the waters of the heart
Push in their tides;
And, broken ghosts with glow-worms in their heads,
The things of light
File through the flesh where no flesh decks the bones.

A candle in the thighs
Warms youth and seed and burns the seeds of age;
Where no seed stirs,
The fruit of man unwrinkles in the stars,
Bright as a fig;
Where no wax is, the candle shows its hairs.

Dawn breaks behind the eyes;
From poles of skull and toe the windy blood
Slides like a sea;
Nor fenced, nor staked, the gushers of the sky
Spout to the rod
Divining in a smile the oil of tears.

Night in the sockets rounds,
Like some pitch moon, the limit of the globes;
Day lights the bone;
Where no cold is, the skinning gales unpin
The winter's robes;
The film of spring is hanging from the lids.

Light breaks on secret lots,
On tips of thought where thoughts smell in the rain;
When logics dies,
The secret of the soil grows through the eye,
And blood jumps in the sun;
Above the waste allotments the dawn halts.