If I must die,
you must live
to tell my story
to sell my things
to buy a piece of cloth
and some strings,
(make it white with a long tail)
so that a child, somewhere in Gaza
while looking heaven in the eye
awaiting his dad who left in a blaze—
and bid no one farewell
not even to his flesh
not even to himself—
sees the kite, my kite you made, flying up above
and thinks for a moment an angel is there
bringing back love
If I must die
let it bring hope
let it be a tale
November 27, 2011
From If I Must Die: Poetry and Prose by Refaat Alareer (OR Books, 2024), compiled by Yousef M. Aljamal. Copyright © 2024 by Refaat Alareer. Reprinted by permission of the Refaat Alareer estate.
There are 33 joints in each foot—
hinges of flesh, bone, and bioelectric fire.
It began with Adam and Eve,
and the first suspicion of pain.
Fingers, those ten cephalic feelers,
mapped each other’s dermatomes—
a moist cartography,
each twitch an omen.
They curled into prayers or fists or pleas,
their joints aching with remembered grip,
phantom swellings, clicking doubts
that flared in the absence of injury.
Ankles, those delicate gyroscopes,
tilted in communion,
bones rolling over sinew like tides over sand—
but always, the mind mishears the surf.
Heel, arch, ball, toe—
a sacred sequence of contact and release,
now catalogued nightly in fretful repetition:
Is this stiffness new? Did that bone shift?
The feet, those twin archives of motion,
carried them through Eden’s loam,
through grit, through ash,
through every imagined rupture.
Each step a gospel of nerve and nail,
each crack a Morse code warning.
Anxiety loops around the metatarsals
like ivy climbing calcium walls.
Diagnosis: hallux valgus,
recommend surgical intervention.
But the real ache grows
in the space between scans.
Copyright © 2026 by Kashiana Singh. Originally published in Poem-a-Day on May 30, 2026, by the Academy of American Poets.
Stars and people and daffodils won’t last forever.
Hands down, forever will succumb to a single sensation,
one last heaven, one last shudder
lost voice carried over the winds of the body, the canyons
of the hands in a shower, snow or warm? Last ashes
of satisfaction dance above an open mouth, teeth like light
in an emptied room, the wet music of the tongue.
Somebody will find the edge to all of humanity’s joy, a flood,
a punctuation will flood her with its certainty,
or them, or us, all at once, and that lonely breach
will ripple through, on and out, with indefatigable atoms.
Those asking hands never to slow their speeding ship
one last starry daffodil excess will blow its soft dunes,
that lost voice, back, over everything that ever came
before. Until emptied out. And if you slow, if you slowly reach
across your own body until you feel it, too, even now?
You can come to an end, even now. It lasts, wanting to.
Copyright © 2023 by Tobias Wray. Originally published in Poem-a-Day on November 24, 2023, by the Academy of American Poets.
I never saw a wild thing
sorry for itself.
A small bird will drop frozen dead from a bough
without ever having felt sorry for itself.
From Pansies: Poems (Alfred A. Knopf, 1929). This poem is in the public domain.
All but Death can be
Adjusted ;
Dynasties repaired,
Systems settled in their
Sockets,
Centuries removed, —
Wastes of lives resown
With colors
By superior springs,
Death — unto itself exception —
Is exempt from change.
From The Further Poems of Emily Dickinson (Little, Brown, and Company, 1929), edited by Martha Dickinson Bianchi and Alfred Leete Hampson. This poem is in the public domain.