Oh, I should like to ride the seas,
     A roaring buccaneer;
A cutlass banging at my knees,
     A dirk behind my ear.
And when my captives’ chains would clank
     I’d howl with glee and drink,
And then flight out the quivering plank
     And watch the beggars sink.

I’d like to straddle gory decks,
     And dig in laden sands,
And know the feel of throbbing necks
     Between my knotted hands.
Oh, I should like to strut and curse
     Among my blackguard crew. . . .
But I am writing little verse,
     As little ladies do.

Oh, I should like to dance and laugh
     And pose and preen and sway,
And rip the hearts of men in half,
     And toss the bits away.
I’d like to view the reeling years
     Through astonished eyes,
And dip my finger-tips in tears,
     And give my smiles for sighs.

I’d stroll beyond the ancient bounds,
     And tap at fastened gates,
And hear the prettiest of sounds,—
     The clink of shattered fates.
My slaves I’d like to bind with thongs
     That cut and burn and chill. . . .
But I am writing little songs,
     As little ladies will.

From Enough Rope (Boni & Liveright, 1926) by Dorothy Parker. This poem is in the public domain.

I caught a tremendous fish

and held him beside the boat

half out of water, with my hook

fast in a corner of his mouth.

He didn’t fight.

He hadn’t fought at all.

He hung a grunting weight,

battered and venerable

and homely. Here and there

his brown skin hung in strips

like ancient wallpaper,

and its pattern of darker brown

was like wallpaper:

shapes like full-blown roses

stained and lost through age.

He was speckled with barnacles,

fine rosettes of lime,

and infested

with tiny white sea-lice,

and underneath two or three

rags of green weed hung down.

While his gills were breathing in

the terrible oxygen

—the frightening gills,

fresh and crisp with blood,

that can cut so badly—

I thought of the coarse white flesh

packed in like feathers,

the big bones and the little bones,

the dramatic reds and blacks

of his shiny entrails,

and the pink swim-bladder

like a big peony.

I looked into his eyes

which were far larger than mine

but shallower, and yellowed,

the irises backed and packed

with tarnished tinfoil

seen through the lenses

of old scratched isinglass.

They shifted a little, but not

to return my stare.

—It was more like the tipping

of an object toward the light.

I admired his sullen face,

the mechanism of his jaw,

and then I saw

that from his lower lip

—if you could call it a lip—

grim, wet, and weaponlike,

hung five old pieces of fish-line,

or four and a wire leader

with the swivel still attached,

with all their five big hooks

grown firmly in his mouth.

A green line, frayed at the end

where he broke it, two heavier lines,

and a fine black thread

still crimped from the strain and snap

when it broke and he got away.

Like medals with their ribbons

frayed and wavering,

a five-haired beard of wisdom

trailing from his aching jaw.

I stared and stared

and victory filled up

the little rented boat,

from the pool of bilge

where oil had spread a rainbow

around the rusted engine

to the bailer rusted orange,

the sun-cracked thwarts,

the oarlocks on their strings,

the gunnels—until everything

was rainbow, rainbow, rainbow!

And I let the fish go.

Copyright © 2011 by Elizabeth Bishop. Reprinted from Poems with the permission of Farrar, Straus and Giroux.

I’ve been thinking about the way, when you walk
down a crowded aisle, people pull in their legs
to let you by. Or how strangers still say “bless you”
when someone sneezes, a leftover
from the Bubonic plague. “Don’t die,” we are saying.
And sometimes, when you spill lemons
from your grocery bag, someone else will help you
pick them up. Mostly, we don’t want to harm each other.
We want to be handed our cup of coffee hot,
and to say thank you to the person handing it. To smile
at them and for them to smile back. For the waitress
to call us honey when she sets down the bowl of clam chowder,
and for the driver in the red pick-up truck to let us pass.
We have so little of each other, now. So far
from tribe and fire. Only these brief moments of exchange.
What if they are the true dwelling of the holy, these
fleeting temples we make together when we say, “Here,
have my seat,” “Go ahead—you first,” “I like your hat.”

“Small Kindnesses” from Bonfire Opera by Danusha Laméris, © 2020. Reprinted by permission of the University of Pittsburgh Press.