—i pull the hate
on a rope ladder to the resting zone…
               H
                   H
                       H
    pull the A on down.
A
     A
          A
           Put that sick A to bed. Get well, A. Pinched
           fire. Bring the T down now
                                                         
                                                                  T
                                                                        T
                                                                              T
    Roman cross before the Christian thing.
Bump bump. Put that T to bed. Put
         that Garamond T
to bed before we kill someone with it. Such as:
    Whack-whack. Weapon contractors in Virginia.
Whack. Get well T. Won’t kill with you.
            Now. Being
         able to breathe for the E,
breathe into the prongs. Slide on its back.
                                                          
   Put the E to bed. Get well, E.
Weird shapes around campfires
         below the mind.
Tiny fires with hurt earth spirits
         as in Aeschylus. Resting letters now
           so they can live—

From Seasonal Works with Letters on Fire (Wesleyan University Press, 2013). Copyright © 2013 by Brenda Hillman. Used with permission of Wesleyan University Press.

I am so small walking on the beach 
at night under the widening sky. 
The wet sand quickens beneath my feet 
and the waves thunder against the shore. 

I am moving away from the boardwalk 
with its colorful streamers of people 
and the hotels with their blinking lights. 
The wind sighs for hundreds of miles. 

I am disappearing so far into the dark 
I have vanished from sight. 
I am a tiny seashell 
that has secretly drifted ashore 

and carries the sound of the ocean 
surging through its body. 
I am so small now no one can see me. 
How can I be filled with such a vast love?

From Lay Back the Darkness by Edward Hirsch Copyright © 2003 by Edward Hirsch. Excerpted by permission of Knopf, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

After last night’s rain the woods
smell sensual—a mixture of leaves and musk.
The morels have disappeared, and soon I’ll come across
those yellow chanterelles, the kind they sell
in town at the farmers’ market. Once I saw
the Swedish woman who raises her own food
foraging for them, two blond boys
quarreling near the pickup, and the next morning
they were selling them from their stand beside the road.

Out here, among last year’s dead
leaves with the new shoots of spruces
poking through them, I’ve come to the place where light
brightens a glade of ferns and the log someone else
placed here—carved “B.W.”—where I sometimes sit
to listen to the birds. Today the sun is breaking through
the wet branches, revealing a clean sky,
brilliant, cerulean. Then, suddenly, a raft of scudding clouds

promising more rain. If it comes, I’ll read all afternoon—
Henry James, or maybe Eudora Welty’s
Delta Wedding, where so many characters
vie for attention I can never keep them straight.
Here, there’s no one else, no one to worry over
or argue with or love. Maybe the earth was meant
only for this: small comings and goings
on the forest floor, the understory astir
with its own secret life. If I sit still enough
among the damp trees, sometimes I see the world
without myself in it, and—it always surprises me—
nothing at all is lost.

Copyright © 2017 Patricia Hooper. Used with permission of the author. This poem originally appeared in The Southern Review, Spring 2017.


                                           I.

As the blind Milton’s memory of light,
The deaf Beethoven’s phantasy of tone,
Wrought joys for them surpassing all things known
In our restricted sphere of sound and sight,—
So while the glaring streets of brick and stone
Vex with heat, noise, and dust from morn till night,
I will give rein to Fancy, taking flight
From dismal now and here, and dwell alone
With new-enfranchised senses. All day long,
Think ye ’t is I, who sit ’twixt darkened walls,
While ye chase beauty over land and sea?
Uplift on wings of some rare poet’s song,
Where the wide billow laughs and leaps and falls,
I soar cloud-high, free as the winds are free.

                                           II.

Who grasps the substance? who ’mid shadows strays?
He who within some dark-bright wood reclines,
’Twixt sleep and waking, where the needled pines
Have cushioned all his couch with soft brown sprays?
He notes not how the living water shines,
Trembling along the cliff, a flickering haze,
Brimming a wine-bright pool, nor lifts his gaze
To read the ancient wonders and the signs.
Does he possess the actual, or do I,
Who paint on air more than his sense receives,
The glittering pine-tufts with closed eyes behold,
Breathe the strong resinous perfume, see the sky
Quiver like azure flame between the leaves,
And open unseen gates with key of gold?
 

This poem is in the public domain.