for my favorite auntie, Jeanette
Sometimes I think I’m never going to write a poem again
and then there’s a full moon.
I miss being in love but I miss
myself most when I’m gone.
In the salty wet air of my ancestry
my auntie peels a mango with her teeth
and I’m no longer
writing political poems; because there are
mangoes and my favorite memory is still alive.
I’m digging for meaning but haunted by purpose
and it’s an insufficient approach.
What’s the margin of loss on words not spent today?
I’m getting older. I’m buying smaller images to travel light.
I wake up, I light up, I tidy, and it’s all over now.
Copyright © 2021 by Camonghne Felix. Originally published in Poem-a-Day on July 7, 2021, by the Academy of American Poets.
And they will gather by the well, its dark water a mirror to catch whatever stars slide by in the slow precession of the skies, the tilting dome of time, over all, a light mist like a scrim, and here and there some clouds that will open at the last and let the moon shine through; it will be at the wheel’s turning, when three zeros stand like paw-prints in the snow; it will be a crescent moon, and it will shine up from the dark water like a silver hook without a fish—until, as we lean closer, swimming up from the well, something dark but glowing, animate, like live coals— it is our own eyes staring up at us, as the moon sets its hook; and they, whose dim shapes are no more than what we will become, take up their long-handled dippers of brass, and one by one, they catch the moon in the cup-shaped bowls, and they raise its floating light to their lips, and with it, they drink back our eyes, burning with desire to see into the gullet of night: each one dips and drinks, and dips, and drinks, until there is only dark water, until there is only the dark.
From The Girl with Bees in Her Hair by Eleanor Rand Wilner. Copyright © 2004 by Eleanor Rand Wilner. Used by permission of Copper Canyon Press, www.coppercanyonpress.org. All rights reserved.
I, too, am tired of it. And yet, like an old love,
it comes to us, illuminating the bare walls
of our houses, catching its hems
on our thresholds, carrying its little cup of blossoms.
We are done with it.
Aren’t we done with it?
We have told ourselves
only grace can change us;
we have told ourselves
the craft is not the magic;
we have told ourselves
the myths are in our hands.
And yet, Issa wrote to us, and ever.
Let us walk out through the summer grass
and be there. Let us look up through the deepest leaves
and open. Let us wait, then,
while the ancient things
are woken, because haven’t
we always been lonely,
haven’t we looked up
into the wild skies
and asked, too, to be luminous
and ruined,
and risen like this cold stone in the darkness
and changed in it as radiantly as we can?
Copyright © 2020 by Joseph Fasano. This poem originally appeared in South Florida Poetry Journal. Reprinted with permission of the author.
Streetlights out again I'm walking in the dark lugging groceries up the steps to the porch whose yellow bulb is about to go too, when a single familiar strand intersects my face, the filament slides across my glasses which seem suddenly perfectly clean, fresh, and my whole tired day slows down walking into such a giant thread is a surprise every time, though I never kill them, I carry them outside on plastic lids or open books, they live so plainly and eat the mosquitoes. Distant cousins to the scorpion, mine are pale & small, dark & discreet. More like the one who lived in the corner of the old farm kitchen under the ivy vase and behind the single candle-pot--black with curved crotchety legs. Maya, weaver of illusions, how is it we trust the web, the nest, the roof over our heads, we trust the stars our guardians who gave us our alphabet? We trust the turtle's shell because it, too, says house and how can we read the footprints of birds on shoreline sand, & October twigs that fall to the ground in patterns that match the shell & stars? I feel less and less like a single self, more like a weaver, myself, spelling out formulae from what's given and from words.
From Reactor by Judith Vollmer. Copyright © 2004 by Judith Vollmer. Reprinted by permission of the University of Wisconsin Press. All rights reserved.
I remember
The crackle of the palm trees
Over the mooned white roofs of the town…
The shining town…
And the tender fumbling of the surf
On the sulphur-yellow beaches
As we sat…a little apart…in the close-pressing night.
The moon hung above us like a golden mango,
And the moist air clung to our faces,
Warm and fragrant as the open mouth of a child
And we watched the out-flung sea
Rolling to the purple edge of the world,
Yet ever back upon itself…
As we…
Inadequate night…
And mooned white memory
Of a tropic sea…
How softly it comes up
Like an ungathered lily.
This poem is in the public domain. Published in Poem-a-Day on August 15, 2015, by the Academy of American Poets.