More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.

Copyright © 2017 by Ada Limón. Originally published in Poem-a-Day on May 15, 2017, by the Academy of American Poets.

            Je suis belle, ô mortels! comme un rêve de pierre
           (Baudelaire)

These poisoned sensations have to be
Accepted if they’re to be
Overcome. Looking
Up calories on my phone

Not that I’m counting 
Don’t even like numbers
It’s something vestigial
It comes in bad minutes

To teach my body something's in control
Something little & unholy, wrong idea
Of information, chiseling a transparent minute
Into myself with the afterimage of a form

If I did this kind of thing
On the bigger machine it’d be
Worse. Worse
Things than this are bombing

The world. A terrible
Fate is coming to power tomorrow. I’m reading
The early poems of Sherman Alexie. Desolation
Of secular life. I remember the luxury of speculating

All mystical traditions grew up
In the souls of a disciplined few
Turned in on themselves while under
Occupation by tyrants. That was then. This

Morning I could see one comfort: to become rock
Hard. Could imagine one comfort:
To have become rock. I had no
Imagination. I had his. I had theirs. “Formalism

& grammar are ways to be thin...” masochism
Merely thought of, the idea of a calorie
Most boring way to feel womanly doing itself to me
This morning I was panicking, burning, I was desperate

Scanning the body of my bedfellow
Its beautiful cheeks & chin
& long smooth abdomen
My silence growing fat like an old fruit

Still making me sick
It makes me sick I longed
For the wrong thing
I longed for death. I dreamed of stone

sent by hand

19 January 2017

 

Copyright © 2017 by Ariana Reines. Originally published in Poem-a-Day on May 5, 2017, by the Academy of American Poets.

When Beauty and Beauty meet
   All naked, fair to fair,
The earth is crying-sweet,
   And scattering-bright the air,
Eddying, dizzying, closing round,
   With soft and drunken laughter;
Veiling all that may befall
   After—after—

Where Beauty and Beauty met,
   Earth’s still a-tremble there,
And winds are scented yet,
   And memory-soft the air,
Bosoming, folding glints of light,
   And shreds of shadowy laughter;
Not the tears that fill the years
   After—after—
 

This poem is in the public domain. 

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter—bitter,” he answered;

“But I like it
“Because it is bitter,
“And because it is my heart.”
 

This poem is in the public domain. 

New York Public Library, Edna St. Vincent Millay archives

Because Norma saved even the grocery lists,
              it was no surprise to find a lock of hair

                            coiled and glued loosely into the scrapbook,
crimped and rusty, more weird

and alive than any calling card or photograph,
              letter, erotic or otherwise, sweeter

                            than the candy kisses fixed upon the page.
I shouldn’t have touched it, but in those days

I was always hungry. Despite the rare books
              librarian lurking, I set my thumb against it.

                            Weightless, dusty, it warmed at my touch.
By 1949, all the grocery lists affirmed

the same fixations: Liverwurst, Olives, Cookies, Scotch. 
              Liverwurst, Olives, Cookies, Scotch, penciled

                            on squares of insipid paper. By 1950,
unsteady on her feet; by year’s end, dead at the foot

of the stairs. As I placed the book of relics
              back into its archival box, a single

                            copper wire fell from the page,
bright tendril on the table. I lifted it,

casket of DNA, protein, lipids, and still Titian red.
              Really, was I wrong to swallow it?  
 

Copyright © 2017 by Ann Townsend. Originally published in Poem-a-Day on June 27, 2017, by the Academy of American Poets.

For years I have seen
dead animals on the highway
 
and grieved for them
only to realize they are
 
not dead animals
they are t shirts
 
or bits of blown tire
and I have found
 
myself with this
excess of grief
 
I have made with
no object to let
 
it spill over and
I have not known
 
where to put it or
keep it and then today
 
I thought I know
I can give it to you
 

Copyright © 2017 by Heather Christle. Originally published in Poem-a-Day on September 18, 2017, by the Academy of American Poets.