When the starvation-hair appears
all over my body, you call it fascinating,
which is not the same as beautiful.
I never decide what to wish for first,
food or you. Or rather, eating food again
or never again eating you. Your favorite part
of me, my cupped hipbone, empty
as a half mango scooped clean of its flesh.
Your least favorite part, my hunger.

I learn to fill myself with other things:
the julienned light in the bedroom, mouthfuls
of Debussy from the old piano, the endless suck
of the toilet, which, bravely, never stops running.
Even vowels become impossible luxuries,
so round they seem indulgent against my tongue.

I consider violence after hearing that on death row
you get one last perfect meal. I imagine the photo
in the newspaper story, where I look so
beautiful.

I think of the woman in the Bible
who asks for John’s head on a platter.
Maybe she was only hungry.
Maybe she wanted to be satisfied.

From Santa Tarantula (University of Notre Dame Press, 2024) by Jordan Pérez. Copyright © 2024 by Jordan Pérez. Used with the permission of the publisher.

Like everything delicious, I was warned against it.
Those mornings, I’d slowly descend the stairs
in my plaid Catholic school uniform skirt, find my parents
eating behind newspapers, coned in separate silences.
The only music was the throat-clearing rasp of toast
being scraped with too-little butter, three passes
of the blade, kkrrrrr, kkrrrr, kkrrr, battle hymn of the eighties.
When I pulled the butter close, my mother’s eyes
would twitch to my knife, measuring my measuring--
the goal, she’d shared from Weight Watchers,
a pat so thin the light shines through. If I disobeyed,
indulged, slathered my toast to glistening lace,
I’d earn her favorite admonition, predictable as Sunday’s
dry communion wafer: “A moment on the lips . . .”
I couldn’t stop my head from chiming, forever on the hips.

Hips? They were my other dangerous excess.
I was growing them in secret beneath my skirt,
and when I walked the dog after breakfast
and a truck whooshed past from behind, the trucker’s eyes
sizzling mine in his rear view, I knew my secret
wouldn’t stay a secret long. They were paired, up top,
by a swelling, flesh rising like cream to fill, then overfill
the frothy training bra. Everything softening on the shelf,
milk-made. Meanwhile, at breakfast, sitting on my secret,
I’d concede, scrape kkrrrrr, kkrrrr, kkrrr, lay down
my weapon, dry toast sticking in my craw. I’d think
of the girl from school, seventeen to my fourteen,
who crawled out the window of first-period bio
to meet her boyfriend from the Navy base. She’d collar
his peacoat, draw his mouth to her white neck,
or so I kept imagining. Slut, the girls whispered, watching
her struggling back through the window, throat
pinked from cold and his jaw’s dark stubble,
kkrrrrr, kkrrrr, kkrrr. Only fourth period,
and already I was hungry for lunch, or something.

Thank you, Republican parents, thank you,
Catholic education, thank you, Reganomics—
words I never knew I’d write. But I hereby acknowledge
repression’s inadvertent gifts. Folks who came of age
in liberal families, permissive cities, the free-love sixties,
how far they must go to transgress—
Vegas, latex, sex tapes, a sugaring of the nostrils?
Yet how close at hand rebellion is for me.
Merely making married love with my married husband,
I’m a filthy whore. Merely sitting down to breakfast
and raising the butter knife, I’m living on the edge.

 

—2019

Published in American Poetry Review (March/April, 2020: 40). Used with permission by the author.

Tonight, as you undress, I watch your wondrous
flesh that’s swelled again, the way a river swells
when the ice relents. Sweet relief
just to regard the sheaves of your hips,
your boundless breasts and marshy belly.
I adore the acreage
of your thighs and praise the promising
planets of your ass.
O, you were lean that terrifying year
you were unraveling, as though you were returning
to the slender scrap of a girl I fell in love with.
But your skin was vacant, a ripped sack,
sugar spilling out and your bones insistent.
O praise the loyalty of the body
that labors to rebuild its palatial realm.
Bless butter. Bless brie.
Sanctify schmaltz. And cream and cashews.
Stoke the furnace
of the stomach and load the vessels. Darling,
drench yourself in opulent oil,
the lamp of your body glowing. May you always
flourish enormous and sumptuous,
be marbled with fat, a great vault that
I can enter, the cathedral where I pray.

From Indigo (Copper Canyon Press, 2020) by Ellen Bass. Copyright © 2020 by Ellen Bass. Used with permission of The Permissions Company, LLC on behalf of Copper Canyon Press, coppercanyonpress.org.

i know the grandmother one had hands
but they were always in bowls
folding, pinching, rolling the dough
making the bread
i know the grandmother one had hands
but they were always under water
sifting rice
bluing clothes
starching lives
i know the grandmother one had hands
but they were always in the earth
planting seeds
removing weeds
growing knives
burying sons
i know the grandmother one had hands
but they were always under
the cloth
pushing it along
helping it birth into
skirt
dress
curtains to lock out
night
i know the grandmother one had hands
but they were always inside
the hair
parting
plaiting
twisting it into rainbows
i know the grandmother one had hands
but they were always inside
pockets
holding the knots
counting the twisted veins
holding onto herself
let her hands disappear
into sky
i know the grandmother one had hands
but they were always inside the clouds
poking holes for
the rain to fall.

Breath of the Song: New and Selected Poems (Carolina Wren Press, 2005). Copyright © 2005 by Jaki Shelton Green. Used with the permission of the author.

some days        you seem
so disappointed, love   but you knew 

what it was.
i am your dread wife. 

you will not throw me out 
of eden            i walk myself to the door. 

o! 
there is no snake          i plant the tree. 

i pluck the apple       i bite.
the pomegranate          the passion fruit

whatever the fuck. 
i am feast unto myself.  

in this wilderness         the feral things name me. 

& i was raised to one day wash 
my husband’s feet at night.

of course i molted        made myself a woman 
who unmakes home. 

refused to be whittled to a fine point              
but you like me piercing.

beloved                        i will not 
only writhe when coming. 

my vow: break through this shell         fully impossible.
your vow: lap every slick of the yolk. 

Copyright © 2023 by Elizabeth Acevedo. Originally published in Poem-a-Day on May 5, 2023, by the Academy of American Poets.