—Issa Rae

Everybody Black is my hometown team. Everybody Black 
dropped the hottest album of the year, easy. Everybody Black 
is in this show, so I’m watching. Everybody Black is in this movie, 
so I’m watching. Everybody Black wore it better, tell the truth. 
Everybody Black’s new book was beautiful. How you don’t 
know about Everybody Black?! Everybody Black mad 
underrated. Everybody Black remind me of someone I know. 
I love seeing Everybody Black succeed. I hope Everybody Black 
get elected. Everybody Black deserves the promotion more than 
anybody. I want Everybody Black to find somebody special. 
Everybody Black is good peoples. Everybody Black been through 
some things. Everybody Black don’t get the credit they’re due. I met 
Everybody Black once and they were super chill and down-to-earth. 
I believe in Everybody Black. There’s something about Everybody Black.

Copyright © 2018 by Cortney Lamar Charleston. Originally published in Poem-a-Day on January 15, 2018, by the Academy of American Poets.

* bring us to dark knots the black
eyes along white aspen skin to scrape
with a rock on surface where I press
I carve the initials of all and **
*** bring us to a returning no
an urning a vessel of corpse
ash in the active state of being
held by two hands positioned
gripping the sides to tip
and scatter my night dream
of an acquaintance who
presented me a ledger opened
to a page handwritten in pencil
dates names and meetings ****
***** I said I don’t want to
see it I don’t want to know
if my father betrayed me
as the words left
my dream mouth I woke I shook
to the bone a hot line notched
from heart to elbow throbbing
vein-ache in my body how
I’d replaced another man’s name
-a man I once loved I mean to say-
with the word father in a flash
the sleeping eye ripped me
from denial I’m not so complex
see my mind unclothed
is a crying newborn
predictable
aspen leaves in untimed
wind-filled rhythm my mother
turned eighty what at that age is left
to surprise though
                                        suddenly

the tone here shifts to listen
she said I don’t know if I ever said
when I was pregnant with you
I found out he’d cheated
I threw ****** into the yard
I locked him out
pregnant with you I cried
and I cried so long and hard
I thought I was going to
die yes she said it a heavy bass line
beneath aspen music and timbre
I sit on the patio to smoke I think
at night always at night maybe
cause I was born / at night or
my name means night God bless
my mother she believed
my name meant pure
spirit so it may be the darkest
hours are when I’m purest
when I am I          I am fluid
a clear stream over rock or
*******
as poetry goes ********
I think about a baby in utero I can’t help
but wonder what the baby knows
a study says babies and toddlers
remember
through impression not specifics
I rummage the syllables and stress
of each line in *********
impression is a mark
on the surface
caused by pressure or
a quick undetailed sketch or
the imitation
of someone / I
carried her nine months
beneath my own skin her small toes
relaxed her eyes shut
within me her fingertips
pressed into palms she made
                                                                    a fist
                                                                    or was it

a symbol
for the Sun what rising
what of battle my child knows
scares me to the pure
the one I           I burn in question

 

*            may all the grief
**          may all
***        the loss
****                  all your misdeeds
*****                love of my soul
******              all his things
******* spit in a cup
********          night is a womb
*********        the definition

Copyright © 2018 by Layli Long Soldier. Originally published in Poem-a-Day on January 11, 2018, by the Academy of American Poets.

What is the point of travel
For a DeafBlind person
Other than the food the people the shops
And all that

*
 
Part one young
Question mother father
Know right name
Work some day

*

The mutant four-fingered carrot
Is in the pot and growing
Sweeter as it relaxes
Its grip

*

When we say good morning
In Japanese Sign Language
We pull down a string
To greet each other in a new light

Copyright © 2018 by John Lee Clark. Originally published in Poem-a-Day on January 10, 2018, by the Academy of American Poets.

Because I did not have to smell the cow’s fear,
because I did not have to pin the man, watch his eyes
go feral, because I did not have to drag the stones
that formed in the child’s body, because I did not sheathe
my hands in dank soil, or skirt the machine’s battering, the needles
knitting my lower back, because when the factory collapsed
I smelled no smoke, and no one made me kneel at the cop’s boots
and count the pulse slowing beside me as every sound
soured, because my hands have never had to resist being comforted
by the warmth of blood, because the plastic-
wrapped meat and the mousetraps, because my job
was to stay clean and thankful and mostly imaginary, I have been stealing
what little I can:
                           onions. sandpaper. handfuls of skin.
the dumpster’s metal groan. hurried breath. hot knives.

Copyright © 2018 by Franny Choi. Originally published in Poem-a-Day on January 5, 2018, by the Academy of American Poets.

Where are you from?
      There.

Where are you headed?
      There.

What are you doing?
      Grieving.
            —Rabia Al-Adawiyya

Little brother, we are all grieving
& galaxy & goodbye. Once, I climbed inside
the old clock tower of my hometown
& found a dead bird, bathed in broken light,
like a little christ.

Little christ of our hearts, I know
planets light-years away
are under our tongues. We’ve tasted them.
We’ve climbed the staircases saying, There, there.

Little brother, we are all praying. Every morning,
I read out loud but not loud enough
to alarm anyone. Once, my love said, Please
open the door. I can hear you talk. Open the door.

Little christ of our hearts, tell anyone
you've been talking to god & see
what happens. Every day,
I open the door. I do it by looking
at my daughter on a swing—
eyes closed & crinkled, teeth bare.
I say, Good morning good morning you
little beating thing.

Little brother, we are all humming.
More & more, as I read, I sound
like my father with his book of prayers,
turning pages in his bed—a hymn
for each day of the week, a gift
from his mother, who taught me
the ten of diamonds is a win, left me
her loose prayer clothes. Bismillah.

Little christ of our hearts, forgive me,
for I loved eating the birds with lemon,
& the sound of their tiny bones. But I couldn’t
stomach the eyes of the fried fish.

Little brother, we are always hungry.
Here, this watermelon. Here, some salt
for the tomatoes. Here, this song
for the dead birds in time boxes,
& the living. That day in the clock tower,
I saw the city too, below—

                    the merchants who call, the blue awnings,
                    the corn carts, the clotheslines, the heat,
                    the gears that turn, & the remembering.

Copyright © 2018 by Zeina Hashem Beck. Originally published in Poem-a-Day on January 3, 2018, by the Academy of American Poets.

1. 	It bejins in Berlin
	
	A Historical Case
	Study 
	In Disappearance + Cultural Theft:
	Exhibit YZ:

	Brinj back to me Nefertiti 
      Her 
	Bust

Take her
From behind 
	the vitrine 
	
	For I know where to find her missinj eye
	
	Then put a woman in charje of all antiquities. 
	She-law: just because somethinj is beautiful 
	doesnt mean it was meant to be consumed; just because there are
 	tourists doesnt make it an attraction. 

2. 	everywhere anytxme atm her
	vxolatxon: guaranteed.  sxlence bought             or your settlement
 	money back. objectxfactxon xn the mxrror xs closer than xt appears.
	please mxnd the wage gap. cautxon: not chxld resxstant to open hold 	
	down 	and turn away squee geez use daxly, mornxng, and nxght
 	supported by an aroma of certified organxc heavens:

	for every gxrl who grows 
	xnto a woman
	who knows
	the best threat’s: 
	one she never 
	has to make
	
	she sublxmates your sublxmxnal
	even your affectxon has been xnfected


3. this poem cant go on without hex i mean 
	hex 
	heeee x
	hex
hex and hex
		hex 		hej heq hez hex

she was stolen bought sold lost put undex buxied alive at bixth she was dxagged in blue bxa duxing a xevolution with vixginity tests she waits then she doesnt she sh sh sh shh she left you she the best thing that happened to you then she lilililililiiii she intifada she moves with two kinds of gxace she ups the ante aging by candid defiant elegance she foxgets but nevex foxgives 

She-language complex 
she complex she so complex she complex got complex complex

4. she spends her time anxious because she knows she is better than 
you rang to say she died from being tired of your everything she knows she is fiyne; gorgeous but she hates it when she infuriates and when she jigs and is kind she minds her own business except when she is new and nervous though she is origin previous and impervious she wont stay quiet she is razor sharp and super tired she undarks, vets, wanes, and xeroxes; yaks and zzzzs the day she dreams 

5. Me tooa B  Me toob Me tooc R  Me tood Me tooe I  Me toof N  Me toog G  

Me tooh                 them 

Me tooi B  Me tooj A  Me took C Me tool K  Mem too Men too Me tooo 

Meep 

too                 Meq too 

Mer too Me too Me too Meu too Mev too Mew too Mex too Mey too Mez too 

            Me     ((too)) Me                               ((((((((((((too))))))))))))

Copyright © 2018 by Marwa Helal. Originally published in Poem-a-Day on January 30, 2018, by the Academy of American Poets.