I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
“Eat in the kitchen,”
Then.

Besides,
They'll see how beautiful I am
And be ashamed—

I, too, am America.

From The Collected Poems of Langston Hughes, published by Knopf and Vintage Books. Copyright © 1994 by the Estate of Langston Hughes. All rights reserved. Used by permission of Harold Ober Associates Incorporated.

I want to grow old with you.
Old, old.

So old we pad through the supermarket
using the shopping cart as a cane that steadies us.

I’ll wait at register two in my green sweater
with threadbare elbows, smiling
because you’ve forgotten the bag of day-old pastries.

The cashier will tell me a joke about barbers as I wait.
He repeats the first line three times
but the only word I understand is barber.

Over the years we’ve caught inklings
of our shrinking frames and hunched spines.

You’re a little confused
looking for me at the wrong register with a bag
of almost-stale croissants clenched in your hand.

The first time I held your hand it felt enormous in my own.
Sasquatch, I teased you, a million years ago.

Over here, I yell, but not in a mad way.

We’re laughing.
You have a bright yellow pin on your coat that says, Shalom!

Senior Discount, you say.
But the cashier already knows us.
We’re everyone’s favorite customers.

Copyright © 2016 by Ali Liebegott. Originally published in Poem-a-Day on August 30, 2016, by the Academy of American Poets.

won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

Lucille Clifton, “won’t you celebrate with me” from Collected Poems of Lucille Clifton. Copyright © 1991 by Lucille Clifton. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., boaeditions.org.

Never, never, never, never, never.
—King Lear

Even now I can’t grasp “nothing” or “never.”
They’re unholdable, unglobable, no map to nothing.
Never? Never ever again to see you?
An error, I aver. You’re never nothing,
because nothing’s not a thing.
I know death is absolute, forever,
the guillotineguttingnever to which we never say goodbye.
But even as I think “forever” it goes “ever”
and “ever” and “ever.” Ever after.
I’m a thing that keeps on thinking. So I never see you
is not a thing or think my mouth can ever. Aver:
You’re not “nothing.” But neither are you something.
Will I ever really get never?
You’re gone. Nothing, never—ever.

Copyright © 2015 by Meghan O'Rourke. Originally published in Poem-a-Day on July 13, 2015, by the Academy of American Poets.

I had the passion 
but not the stamina
nor the discipline, 
no one knew how
to discipline me so 
they just let me be,

Let me play along,
let me think I was
somebody, I could
be somebody, even
without the no-how.

Never cared one bit 
when my bow didn’t
match the rest of the 
orchestra, I could get 
their notes right but 
always a little beyond,

sawing my bow across
the strings, cuttin it up
even if I wasn’t valuable
even if I lacked respect
for rules of European
thought and composure.

A crescendo of trying
to be somebody,
a decrescendo of trying 
to belong, I played along
o yes, I play along. 

 

Copyright © 2020 by Nikki Wallschlaeger. Originally published in Poem-a-Day on January 28, 2020, by the Academy of American Poets.

My pants could maybe fall down when I dive off the diving board.
My nose could maybe keep growing and never quit.
Miss Brearly could ask me to spell words like stomach and special.
     (Stumick and speshul?)
I could play tag all day and always be "it."
Jay Spievack, who's fourteen feet tall, could want to fight me.
My mom and my dad—like Ted's—could want a divorce.
Miss Brearly could ask me a question about Afghanistan.
     (Who's Afghanistan?)
Somebody maybe could make me ride a horse.
My mother could maybe decide that I needed more liver.
My dad could decide that I needed less TV.
Miss Brearly could say that I have to write script and stop printing.
     (I'm better at printing.)
Chris could decide to stop being friends with me.

The world could maybe come to an end on next Tuesday.
The ceiling could maybe come crashing on my head.
I maybe could run out of things for me to worry about.
And then I'd have to do my homework instead.

From If I Were in Charge of the World and Other Worries . . ., published by Macmillan, 1981. Used with permission.

one is hard & the other tried to be

          one is fast & the other was faster

                    one is loud & one is a song
                    with one note & endless rest
          
                     one's whole life is a flash

        both spend their life
        trying to find a warmth to call home

both spark quite the debate,
some folks want to protect them/some think we should just get rid
                                      of the damn things all together.

Copyright © 2014 by Danez Smith. Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database

His artfully unkempt strawberry blonde head sports outsized headphones.  Like a contemporary bust.  Behold the innocence of the freckles, ripe pout of cherry lips.  As if the mere sight of the world hurts him, he squints greenly and applies saline drops.  You dream him crying over you.  For the duration of a subway ride you fall blindly in love.  Until he exits.  Or you exit, returning home to the one you truly love to ravish him.

Copyright © 2013 by Joseph O. Legaspi. From Subways (Thrush Press, 2013). Used with permission of the author.