I beg for invisible fire.
Every night I pray to love,
please invent yourself.
I imagine a place after this place
and I laugh quietly to no one
as the hair on my chin
weeds through old makeup.
When I go to sleep
I am vinegar inside clouded glass.
The world comes to an end
when I wake up and wonder
who will be next to me.
Police sirens and coyote howls
blend together in morning’s net.
Once, I walked out past the cars
and stood on a natural rock formation
that seemed placed there to be stood on.
I felt something like kinship.
It was the first time.
Once, I believed god
was a blanket of energy
stretched out around
our most vulnerable
places,
when really,
she’s the sound
of a promise
breaking
Copyright © 2020 by Joshua Jennifer Espinoza. Originally published in Poem-a-Day on October 14, 2020, by the Academy of American Poets.
I can laugh now.
Have you not heard my laughter?
It leads the winds:
They come tumbling and bubbling after.
I have learned to laugh.
I have learned to laugh with my spirit
And with my soul.
Listen. Do you not hear it?
I shall quench the world.
I shall sear the stars with my laughter;
Shrivel the moon and the sun
And make new ones after.
For life’s skeleton
I shall make flesh from desires;
Then of my mounting laughter
Build it a temple with mocking spires.
I shall laugh to heaven.
I shall laugh below hell and above.
I shall laugh forever.
It was laughter God died of.
From On a Grey Thread (Will Ransom, 1923) by Elsa Gidlow. This poem is in the public domain.
The mirror is dirty from the detritus of dailiness—
I look in the mirror and am freckled.
A week out from being cleaned, maybe two, maybe more,
The Milky Way shows itself in the secret silver,
This star chart in my own bathroom,
Aglow not in darkness but with the lights on,
Everything suddenly so clear.
It is not smear I am looking at, but galaxies.
It is not toothpaste and water spots—
When I look in the mirror, it is writing and numbers,
Musical notes, 1s and 0s, Morse-like codes, runes.
I am looking over into the other side,
And over there, whoever they are, it turns out
They look a lot like me. Like me, but freckled.
Copyright © 2016 by Alberto Ríos. Originally published in Poem-a-Day on September 2, 2016, by the Academy of American Poets.
Over the land freckled with snow half-thawed
The speculating rooks at their nests cawed
And saw from elm-tops, delicate as flowers of grass,
What we below could not see, Winter pass.
This poem is in the public domain.
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together for the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I’m telling you about it
From The Collected Poems of Frank O’Hara by Frank O’Hara, copyright © 1971 by Maureen Granville-Smith, Administratrix of the Estate of Frank O’Hara, copyright renewed 1999 by Maureen O’Hara Granville-Smith and Donald Allen. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.
Sometimes when you start to ramble
or rather when you feel you are starting to ramble
you will say Well, now I’m rambling
though I don’t think you ever are.
And if you ever are I don’t really care.
And not just because I and everyone really
at times falls into our own unspooling
—which really I think is a beautiful softness
of being human, trying to show someone else
the color of all our threads, wanting another to know
everything in us we are trying to show them—
but in the specific,
in the specific of you
here in this car that you are driving
and in which I am sitting beside you
with regards to you
and your specific mouth
parting to give way
to the specific sweetness that is
the water of your voice
tumbling forth—like I said
I don’t ever really mind
how much more
you might keep speaking
as it simply means
I get to hear you
speak for longer.
What was a stream
now a river.
Copyright © 2023 by Anis Mojgani. Originally published in Poem-a-Day on May 18, 2023, by the Academy of American Poets.
I love you
because the Earth turns round the sun
because the North wind blows north
sometimes
because the Pope is Catholic
and most Rabbis Jewish
because the winters flow into springs
and the air clears after a storm
because only my love for you
despite the charms of gravity
keeps me from falling off this Earth
into another dimension
I love you
because it is the natural order of things
I love you
like the habit I picked up in college
of sleeping through lectures
or saying I’m sorry
when I get stopped for speeding
because I drink a glass of water
in the morning
and chain-smoke cigarettes
all through the day
because I take my coffee Black
and my milk with chocolate
because you keep my feet warm
though my life a mess
I love you
because I don’t want it
any other way
I am helpless
in my love for you
It makes me so happy
to hear you call my name
I am amazed you can resist
locking me in an echo chamber
where your voice reverberates
through the four walls
sending me into spasmatic ecstasy
I love you
because it’s been so good
for so long
that if I didn’t love you
I’d have to be born again
and that is not a theological statement
I am pitiful in my love for you
The Dells tell me Love
is so simple
the thought though of you
sends indescribably delicious multitudinous
thrills throughout and through-in my body
I love you
because no two snowflakes are alike
and it is possible
if you stand tippy-toe
to walk between the raindrops
I love you
because I am afraid of the dark
and can’t sleep in the light
because I rub my eyes
when I wake up in the morning
and find you there
because you with all your magic powers were
determined that
I should love you
because there was nothing for you but that
I would love you
I love you
because you made me
want to love you
more than I love my privacy
my freedom my commitments
and responsibilities
I love you ’cause I changed my life
to love you
because you saw me one Friday
afternoon and decided that I would
love you
I love you I love you I love you
“Resignation” from The Collected Poetry of Nikki Giovanni: 1968–1998 by Nikki Giovanni. Copyright compilation © 2003 by Nikki Giovanni. Reprinted by permission of HarperCollins Publishers.
I would return to you in a jacket of gold leaves
drawn tight
against the city wind
whipping around corners through button holes over
cobbled streets park lanes
cordoned-off barbarian herds
of steel and glass and concrete ground zero for crowds
of absence. We’d lift off beyond the brick
toward choked stars, moons outshined by neon
and by anxious day, moons perched on dark spires
golden lions
we’d wrap our naïve wings around
to embrace the artifice of it all
and the reality: the heat here is unbearable
and I miss the need to be warm, that need to look
forward to nights alone with you with no morning on our minds
no time
no need to claw through
restaurants packed with bridge and tunnel drunk
on the filth and the beauty.
For here
there is no comparison
no autumn as autumn no snow to justify
a hot drink or a fat meal the fish is delicious
and the beer even better but not the same.
Some say the grass
is greener as if it’s law
and more
that I try to recreate
metropolis each time a baobab drops a beetle
to flee every time winter floods the sand
to mute the night—
boats eclipsing the mainland sprawl
trading with another language transformed before my ears:
tell me how you lived
your dream and I will tell you who you are
every night, every single night and with a wingspan
I resurrect in a cold sweat
and off in the distance
there are drums
drums beating the island
like drums and outside the window an unexpected laugh
drums in concert
with the percussive horn
of the ferry to you.
There’s nothing romantic about this
nothing absolute I am reminded of
everything that went wrong everything that went right
and when I wake
if I wake, may the flash not wax
our feathers
may it not melt our wings
Copyright © 2024 by Adam Wiedewitsch. Originally published in Poem-a-Day on January 1, 2024, by the Academy of American Poets.