Two Butterflies went out at Noon—
And waltzed above a Farm—
Then stepped straight through the Firmament
And rested on a Beam—
And then—together bore away
Upon a shining Sea—
Though never yet, in any Port—
Their coming mentioned—be—
If spoken by the distant Bird—
If met in Ether Sea
By Frigate, or by Merchantman—
No notice—was—to me—
This poem is in the public domain.
I cannot live with You –
It would be Life –
And Life is over there –
Behind the Shelf
The Sexton keeps the Key to –
Putting up
Our Life – His Porcelain –
Like a Cup –
Discarded of the Housewife –
Quaint – or Broke –
A newer Sevres pleases –
Old Ones crack –
I could not die – with You –
For One must wait
To shut the Other’s Gaze down –
You – could not –
And I – could I stand by
And see You – freeze –
Without my Right of Frost –
Death's privilege?
Nor could I rise – with You –
Because Your Face
Would put out Jesus’ –
That New Grace
Glow plain – and foreign
On my homesick Eye –
Except that You than He
Shone closer by –
They’d judge Us – How –
For You – served Heaven – You know,
Or sought to –
I could not –
Because You saturated Sight –
And I had no more Eyes
For sordid excellence
As Paradise
And were You lost, I would be –
Though My Name
Rang loudest
On the Heavenly fame –
And were You – saved –
And I – condemned to be
Where You were not –
That self – were Hell to Me –
So We must meet apart –
You there – I – here –
With just the Door ajar
That Oceans are – and Prayer –
And that White Sustenance –
Despair –
Reprinted by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Thomas H. Johnson, ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1951, 1955, 1979 by the President and Fellows of Harvard College.
If I should die,
And you should live,
And time should gurgle on,
And morn should beam,
And noon should burn,
As it has usual done;
If birds should build as early,
And bees as bustling go,—
One might depart at option
From enterprise below!
’T is sweet to know that stocks will stand
When we with daisies lie,
That commerce will continue,
And trades as briskly fly.
It makes the parting tranquil
And keeps the soul serene,
That gentlemen so sprightly
Conduct the pleasing scene!
That is solemn we have ended,—
Be it but a play,
Or a glee among the garrets,
Or a holiday,
Or a leaving home; or later,
Parting with a world
We have understood, for better
Still it be unfurled.
This poem is in the public domain. Published in Poem-a-Day on December 26, 2020, by the Academy of American Poets.
Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.
“Remember.” Copyright © 1983 by Joy Harjo from She Had Some Horses by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.
Put down that bag of potato chips, that white bread, that bottle of pop.
Turn off that cellphone, computer, and remote control.
Open the door, then close it behind you.
Take a breath offered by friendly winds. They travel the earth gathering essences of plants to clean.
Give it back with gratitude.
If you sing it will give your spirit lift to fly to the stars’ ears and back.
Acknowledge this earth who has cared for you since you were a dream planting itself precisely within your parents’ desire.
Let your moccasin feet take you to the encampment of the guardians who have known you before time, who will be there after time. They sit before the fire that has been there without time.
Let the earth stabilize your postcolonial insecure jitters.
Be respectful of the small insects, birds and animal people who accompany you.
Ask their forgiveness for the harm we humans have brought down upon them.
Don’t worry.
The heart knows the way though there may be high-rises, interstates, checkpoints, armed soldiers, massacres, wars, and those who will despise you because they despise themselves.
The journey might take you a few hours, a day, a year, a few years, a hundred, a thousand or even more.
Watch your mind. Without training it might run away and leave your heart for the immense human feast set by the thieves of time.
Do not hold regrets.
When you find your way to the circle, to the fire kept burning by the keepers of your soul, you will be welcomed.
You must clean yourself with cedar, sage, or other healing plant.
Cut the ties you have to failure and shame.
Let go the pain you are holding in your mind, your shoulders, your heart, all the way to your feet. Let go the pain of your ancestors to make way for those who are heading in our direction.
Ask for forgiveness.
Call upon the help of those who love you. These helpers take many forms: animal, element, bird, angel, saint, stone, or ancestor.
Call your spirit back. It may be caught in corners and creases of shame, judgment, and human abuse.
You must call in a way that your spirit will want to return.
Speak to it as you would to a beloved child.
Welcome your spirit back from its wandering. It may return in pieces, in tatters. Gather them together. They will be happy to be found after being lost for so long.
Your spirit will need to sleep awhile after it is bathed and given clean clothes.
Now you can have a party. Invite everyone you know who loves and supports you. Keep room for those who have no place else to go.
Make a giveaway, and remember, keep the speeches short.
Then, you must do this: help the next person find their way through the dark.
Reprinted from Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
Once the world was perfect, and we were happy in that world.
Then we took it for granted.
Discontent began a small rumble in the earthly mind.
Then Doubt pushed through with its spiked head.
And once Doubt ruptured the web,
All manner of demon thoughts
Jumped through—
We destroyed the world we had been given
For inspiration, for life—
Each stone of jealousy, each stone
Of fear, greed, envy, and hatred, put out the light.
No one was without a stone in his or her hand.
There we were,
Right back where we had started.
We were bumping into each other
In the dark.
And now we had no place to live, since we didn’t know
How to live with each other.
Then one of the stumbling ones took pity on another
And shared a blanket.
A spark of kindness made a light.
The light made an opening in the darkness.
Everyone worked together to make a ladder.
A Wind Clan person climbed out first into the next world,
And then the other clans, the children of those clans, their children,
And their children, all the way through time—
To now, into this morning light to you.
From Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
Once the world was perfect, and we were happy in that world.
Then we took it for granted.
Discontent began a small rumble in the earthly mind.
Then Doubt pushed through with its spiked head.
And once Doubt ruptured the web,
All manner of demon thoughts
Jumped through—
We destroyed the world we had been given
For inspiration, for life—
Each stone of jealousy, each stone
Of fear, greed, envy, and hatred, put out the light.
No one was without a stone in his or her hand.
There we were,
Right back where we had started.
We were bumping into each other
In the dark.
And now we had no place to live, since we didn’t know
How to live with each other.
Then one of the stumbling ones took pity on another
And shared a blanket.
A spark of kindness made a light.
The light made an opening in the darkness.
Everyone worked together to make a ladder.
A Wind Clan person climbed out first into the next world,
And then the other clans, the children of those clans, their children,
And their children, all the way through time—
To now, into this morning light to you.
From Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
Once the world was perfect, and we were happy in that world.
Then we took it for granted.
Discontent began a small rumble in the earthly mind.
Then Doubt pushed through with its spiked head.
And once Doubt ruptured the web,
All manner of demon thoughts
Jumped through—
We destroyed the world we had been given
For inspiration, for life—
Each stone of jealousy, each stone
Of fear, greed, envy, and hatred, put out the light.
No one was without a stone in his or her hand.
There we were,
Right back where we had started.
We were bumping into each other
In the dark.
And now we had no place to live, since we didn’t know
How to live with each other.
Then one of the stumbling ones took pity on another
And shared a blanket.
A spark of kindness made a light.
The light made an opening in the darkness.
Everyone worked together to make a ladder.
A Wind Clan person climbed out first into the next world,
And then the other clans, the children of those clans, their children,
And their children, all the way through time—
To now, into this morning light to you.
From Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
for Audre Lorde
This city is made of stone, of blood, and fish.
There are Chugatch Mountains to the east
and whale and seal to the west.
It hasn't always been this way, because glaciers
who are ice ghosts create oceans, carve earth
and shape this city here, by the sound.
They swim backwards in time.
Once a storm of boiling earth cracked open
the streets, threw open the town.
It's quiet now, but underneath the concrete
is the cooking earth,
and above that, air
which is another ocean, where spirits we can't see
are dancing joking getting full
on roasted caribou, and the praying
goes on, extends out.
Nora and I go walking down 4th Avenue
and know it is all happening.
On a park bench we see someone's Athabascan
grandmother, folded up, smelling like 200 years
of blood and piss, her eyes closed against some
unimagined darkness, where she is buried in an ache
in which nothing makes
sense.
We keep on breathing, walking, but softer now,
the clouds whirling in the air above us.
What can we say that would make us understand
better than we do already?
Except to speak of her home and claim her
as our own history, and know that our dreams
don't end here, two blocks away from the ocean
where our hearts still batter away at the muddy shore.
And I think of the 6th Avenue jail, of mostly Native
and Black men, where Henry told about being shot at
eight times outside a liquor store in L.A., but when
the car sped away he was surprised he was alive,
no bullet holes, man, and eight cartridges strewn
on the sidewalk
all around him.
Everyone laughed at the impossibility of it,
but also the truth. Because who would believe
the fantastic and terrible story of all of our survival
those who were never meant
to survive?
Copyright © 2008 by Joy Harjo. From She Had Some Horses (W. W. Norton, 2008). Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database.
Sun makes the day new.
Tiny green plants emerge from earth.
Birds are singing the sky into place.
There is nowhere else I want to be but here.
I lean into the rhythm of your heart to see where it will take us.
We gallop into a warm, southern wind.
I link my legs to yours and we ride together,
Toward the ancient encampment of our relatives.
Where have you been? they ask.
And what has taken you so long?
That night after eating, singing, and dancing
We lay together under the stars.
We know ourselves to be part of mystery.
It is unspeakable.
It is everlasting.
It is for keeps.
MARCH 4, 2013, CHAMPAIGN, ILLINOIS
Reprinted from Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
The world begins at a kitchen table. No matter what, we must eat to live.
The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.
We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.
It is here that children are given instructions on what it means to be human. We make men at it, we make women.
At this table we gossip, recall enemies and the ghosts of lovers.
Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.
This table has been a house in the rain, an umbrella in the sun.
Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.
We have given birth on this table, and have prepared our parents for burial here.
At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.
Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.
From The Woman Who Fell From the Sky (W. W. Norton, 1994) by Joy Harjo. Copyright © 1994 by Joy Harjo. Used with permission of the author.
The world begins at a kitchen table. No matter what, we must eat to live.
The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.
We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.
It is here that children are given instructions on what it means to be human. We make men at it, we make women.
At this table we gossip, recall enemies and the ghosts of lovers.
Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.
This table has been a house in the rain, an umbrella in the sun.
Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.
We have given birth on this table, and have prepared our parents for burial here.
At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.
Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.
From The Woman Who Fell From the Sky (W. W. Norton, 1994) by Joy Harjo. Copyright © 1994 by Joy Harjo. Used with permission of the author.
You can’t begin just anywhere. It’s a wreck.
Shrapnel and the eye
Of a house, a row of houses. There’s a rat scrambling
From light with fleshy trash in its mouth. A baby strapped
to its mother’s back, cut loose.
Soldiers crawl the city,
the river, the town, the village,
the bedroom, our kitchen. They eat everything.
Or burn it.
They kill what they cannot take. They rape. What they cannot kill
they take.
Rumors fall like rain.
Like bombs.
Like mother and father tears
swallowed for restless peace.
Like sunset slanting toward a moonless midnight.
Like a train blown free of its destination. Like a seed
fallen where
there is no chance of trees or anyplace for birds to live.
No, start here. Deer peer from the edge of the woods.
We used to see woodpeckers
The size of the sun, and were greeted
by chickadees with their good morning songs.
We’d started to cook outside, slippery with dew and laughter,
ah those smoky sweet sunrises.
We tried to pretend war wasn’t going to happen.
Though they began building their houses all around us
and demanding more.
They started teaching our children their god’s story,
A story in which we’d always be slaves.
No. Not here.
You can’t begin here.
This is memory shredded because it is impossible to hold with words,
even poetry.
These memories were left here with the trees:
The torn pocket of your daughter’s hand-sewn dress,
the sash, the lace.
The baby’s delicately beaded moccasin still connected to the foot,
A young man’s note of promise to his beloved—
No! This is not the best place to begin.
Everyone was asleep, despite the distant bombs.
Terror had become the familiar stranger.
Our beloved twin girls curled up in their nightgowns,
next to their father and me.
If we begin here, none of us will make it to the end
Of the poem.
Someone has to make it out alive, sang a grandfather
to his grandson, his granddaughter,
as he blew his most powerful song into the hearts of the children.
There it would be hidden from the soldiers,
Who would take them miles, rivers, mountains
from the navel cord place of the origin story.
He knew one day, far day, the grandchildren would return,
generations later over slick highways, constructed over old trails
Through walls of laws meant to hamper or destroy, over stones
bearing libraries of the winds.
He sang us back
to our home place from which we were stolen
in these smoky green hills.
Yes, begin here.
From An American Sunrise: Poems by Joy Harjo. Copyright © 2019 by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.
You can’t begin just anywhere. It’s a wreck.
Shrapnel and the eye
Of a house, a row of houses. There’s a rat scrambling
From light with fleshy trash in its mouth. A baby strapped
to its mother’s back, cut loose.
Soldiers crawl the city,
the river, the town, the village,
the bedroom, our kitchen. They eat everything.
Or burn it.
They kill what they cannot take. They rape. What they cannot kill
they take.
Rumors fall like rain.
Like bombs.
Like mother and father tears
swallowed for restless peace.
Like sunset slanting toward a moonless midnight.
Like a train blown free of its destination. Like a seed
fallen where
there is no chance of trees or anyplace for birds to live.
No, start here. Deer peer from the edge of the woods.
We used to see woodpeckers
The size of the sun, and were greeted
by chickadees with their good morning songs.
We’d started to cook outside, slippery with dew and laughter,
ah those smoky sweet sunrises.
We tried to pretend war wasn’t going to happen.
Though they began building their houses all around us
and demanding more.
They started teaching our children their god’s story,
A story in which we’d always be slaves.
No. Not here.
You can’t begin here.
This is memory shredded because it is impossible to hold with words,
even poetry.
These memories were left here with the trees:
The torn pocket of your daughter’s hand-sewn dress,
the sash, the lace.
The baby’s delicately beaded moccasin still connected to the foot,
A young man’s note of promise to his beloved—
No! This is not the best place to begin.
Everyone was asleep, despite the distant bombs.
Terror had become the familiar stranger.
Our beloved twin girls curled up in their nightgowns,
next to their father and me.
If we begin here, none of us will make it to the end
Of the poem.
Someone has to make it out alive, sang a grandfather
to his grandson, his granddaughter,
as he blew his most powerful song into the hearts of the children.
There it would be hidden from the soldiers,
Who would take them miles, rivers, mountains
from the navel cord place of the origin story.
He knew one day, far day, the grandchildren would return,
generations later over slick highways, constructed over old trails
Through walls of laws meant to hamper or destroy, over stones
bearing libraries of the winds.
He sang us back
to our home place from which we were stolen
in these smoky green hills.
Yes, begin here.
From An American Sunrise: Poems by Joy Harjo. Copyright © 2019 by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.
Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.
“Remember.” Copyright © 1983 by Joy Harjo from She Had Some Horses by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.
I had a beautiful dream I was dancing with a tree.
—Sandra Cisneros
Some things on this earth are unspeakable:
Genealogy of the broken—
A shy wind threading leaves after a massacre,
Or the smell of coffee and no one there—
Some humans say trees are not sentient beings,
But they do not understand poetry—
Nor can they hear the singing of trees when they are fed by
Wind, or water music—
Or hear their cries of anguish when they are broken and bereft—
Now I am a woman longing to be a tree, planted in a moist, dark earth
Between sunrise and sunset—
I cannot walk through all realms—
I carry a yearning I cannot bear alone in the dark—
What shall I do with all this heartache?
The deepest-rooted dream of a tree is to walk
Even just a little ways, from the place next to the doorway—
To the edge of the river of life, and drink—
I have heard trees talking, long after the sun has gone down:
Imagine what would it be like to dance close together
In this land of water and knowledge . . .
To drink deep what is undrinkable.
From Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
I had a beautiful dream I was dancing with a tree.
—Sandra Cisneros
Some things on this earth are unspeakable:
Genealogy of the broken—
A shy wind threading leaves after a massacre,
Or the smell of coffee and no one there—
Some humans say trees are not sentient beings,
But they do not understand poetry—
Nor can they hear the singing of trees when they are fed by
Wind, or water music—
Or hear their cries of anguish when they are broken and bereft—
Now I am a woman longing to be a tree, planted in a moist, dark earth
Between sunrise and sunset—
I cannot walk through all realms—
I carry a yearning I cannot bear alone in the dark—
What shall I do with all this heartache?
The deepest-rooted dream of a tree is to walk
Even just a little ways, from the place next to the doorway—
To the edge of the river of life, and drink—
I have heard trees talking, long after the sun has gone down:
Imagine what would it be like to dance close together
In this land of water and knowledge . . .
To drink deep what is undrinkable.
From Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
after Anis Mojgani and Audre Lorde
For those making tea in the soft light of Saturday morning
in the peaceful kitchen
in the cool house
For those with shrunken hearts still trying to love
For those with large hearts trying to forget
For those with terrors they cannot name
upset stomachs and too tight pants
For those who get cut off in traffic
For those who spend all day making an elaborate meal
that turns out mediocre
For those who could not leave
even when they knew they had to
For those who never win the lottery
or become famous
For those getting groceries on Friday nights
There is something you know
about living
that you guard with your life
your one fragile, wonderful life
wonder, as in, awe,
as in, I had no idea I would be here now.
For those who make plans and those who don’t
For those driving across the country to a highway that knows them
For the routes we take in the dark, trusting
For the roads for the woods for the dead humming in prayer
For an old record and a strong sun
For teeth bared to the wind
a pulse in the chest
a body making love to itself
There is every reason to hate it here
There is a list of things making it bearable:
your friend’s shoulder Texas barbecue a new book
a loud song a strong song a highway that knows you
sweet tea an orange cat a helping hand
an unforgettable dinner
a laugh that escapes you and deflates you
like a pink balloon left soft with room
for goodness to take hold
For those who have looked in the mirror and begged
For those with weak knees and an attitude
For those called “sensitive” or “too much”
For those not called enough
For the times you needed and went without
For the photo of you as a child
quietly icing cupcakes your hair a crackling thunderstorm
Love is coming.
It’s on its way.
Look—
Copyright © 2022 by Ariana Brown. Originally published in Poem-a-Day on October 14, 2022, by the Academy of American Poets.
Wait, for now.
Distrust everything if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become interesting.
Second-hand gloves will become lovely again;
their memories are what give them
the need for other hands. The desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.
Wait.
Don’t go too early.
You’re tired. But everyone’s tired.
But no one is tired enough.
Only wait a little and listen:
music of hair,
music of pain,
music of looms weaving our loves again.
Be there to hear it, it will be the only time,
most of all to hear your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.
Copyright © 1980 by Galway Kinnell. From Mortal Acts, Mortal Words (Mariner Books, 1980). Used with permission of Houghton Mifflin Harcourt.
is a field
as long as the butterflies say
it is a field
with their flight
it takes a long time
to see
like light or sound or language
to arrive
and keep
arriving
we have more
than six sense dialect
and i
am still
adjusting to time
the distance and its permanence
i have found my shortcuts
and landmarks
to place
where i first took form
in the field
Copyright © 2022 by Marwa Helal. Originally published in Poem-a-Day on October 3, 2022, by the Academy of American Poets.