(sign at a railroad crossing in Kenya)

In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line—
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another. And one person's reputation may hide
The reputation of another. One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia
Antica one tomb
May hide a number of other tombs. In love, one reproach may hide another,
One small complaint may hide a great one.
One injustice may hide another—one colonial may hide another,
One blaring red uniform another, and another, a whole column. One bath
may hide another bath
As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple
Hide Life is incredibly complex, as in the prose of Gertrude Stein
One sentence hides another and is another as well. And in the laboratory
One invention may hide another invention,
One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple—this is a painting
By someone after Matisse. One waits at the tracks until they pass,
These hidden doubles or, sometimes, likenesses. One identical twin
May hide the other. And there may be even more in there! The obstetrician
Gazes at the Valley of the Var. We used to live there, my wife and I, but
One life hid another life. And now she is gone and I am here.
A vivacious mother hides a gawky daughter. The daughter hides
Her own vivacious daughter in turn. They are in
A railway station and the daughter is holding a bag
Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by
the mother's
And has to carry that one, too. So one hitchhiker
May deliberately hide another and one cup of coffee
Another, too, until one is over-excited. One love may hide another love
or the same love
As when "I love you" suddenly rings false and one discovers
The better love lingering behind, as when "I'm full of doubts"
Hides "I'm certain about something and it is that"
And one dream may hide another as is well known, always, too. In the
Garden of Eden
Adam and Eve may hide the real Adam and Eve.
Jerusalem may hide another Jerusalem.
When you come to something, stop to let it pass
So you can see what else is there. At home, no matter where,
Internal tracks pose dangers, too: one memory
Certainly hides another, that being what memory is all about,
The eternal reverse succession of contemplated entities. Reading
A Sentimental Journey look around
When you have finished, for Tristram Shandy, to see
If it is standing there, it should be, stronger
And more profound and theretofore hidden as Santa Maria Maggiore
May be hidden by similar churches inside Rome. One sidewalk
May hide another, as when you're asleep there, and
One song hide another song; a pounding upstairs
Hide the beating of drums. One friend may hide another, you sit at the
foot of a tree
With one and when you get up to leave there is another
Whom you'd have preferred to talk to all along. One teacher,
One doctor, one ecstasy, one illness, one woman, one man
May hide another. Pause to let the first one pass.
You think, Now it is safe to cross and you are hit by the next one. It
can be important
To have waited at least a moment to see what was already there.

My father fell from the boat.
His balance had been poor for some time.
He had gone out in the boat with his dog
hunting ducks in a marsh near Trempealeau, Wisconsin. 
No one else was near
save the wiry farmer scraping the gutters in the cow barn
who was deaf in one ear from years of machines—
and he was half a mile away.
My father fell from the boat
and the water pulled up around him, filled
his waders and this drew him down.
He descended into water the color of weak coffee.
The dog went into the water too,
thinking perhaps this was a game. 
I must correct myself—dogs do not think as we do—
they react, and the dog reacted by swimming
around my father’s head. This is not a reassuring story
about a dog signaling for help by barking,
or, how by licking my father’s face, encouraged him
to hold on. The dog eventually tired and went ashore
to sniff through the grass, enjoy his new freedom
from the attentions of his master,
indifferent to my father’s plight. 
The water was cold, I know that,
and my father has always chilled easily. 
That he was cold is a certainty, though
I have never asked him about this event. 
I do not know how he got out of the water.
I believe the farmer went looking for him
after my mother called in distress, and then drove
to the farm after my father did not return home. 
My mother told me of this event in a hushed voice,
cupping her hand over the phone and interjecting
cheerful non sequiturs so as not to be overheard. 
To admit my father’s infirmity
would bring down the wrath of the God of Nothingness
who listens for a tremulous voice and comes rushing in
to sweep away the weak with icy, unloving breath. 
But that god was called years before
during which time he planted a kernel in my father’s brain
which grew, freezing his tongue,
robbing him of his equilibrium.
The god was there when he fell from the boat,
whispering from the warren of my father’s brain,
and it was there when my mother, noting the time,
knew that something was amiss. This god is a cold god,
a hungry god, selfish and with poor sight.
This god has the head of a dog.