I want to believe Don West
when he writes: none of mine
ever made their living by driving slaves.
But in my grandfather’s mouth that utterance
would’ve taken on another meaning:
In the memory my mother shares,
he is flitting across Louisville
in his taxi, passing back-and-forth
like a cardinal, red-faced, proud-breasted,
delivering Black folks their dry cleaning—
had to, she tells me, as part of his route—
but once he started his second shift and turned
on the cab light, he wouldn’t accept
Black fare. I recall him reciting
the early presidents’
racist pseudoscience—American
at its liver—to rationalize his hatred
of my father, his denial
of my Blackness. That denial a peril
I survived, a cliff he could have driven me over
at any moment of my childhood. Maybe,
I want to think, because they were poor men
who labored, farmed tobacco and dug for oil,
my grandfather’s people resisted
slavery, felt a kinship with my father’s people.
Or that because my grandfather
was one of eleven mouths to feed
on their homestead—reduced to dirt
across the Great Depression—
he had a white identity to be proud of, a legacy
that didn’t join our names
in a bill of sale, but in struggle.
I search his surname and it travels
back to Germany, appears
on the deed to the house he inherited,
retired and died in, poor-white resentment
inflaming his stomach and liver.
But when I search the name I share with my father,
my only inheritance disappears
into the 19th century, sixth generation:
my ancestor bred
to produce 248 offspring
for his owner, from whence comes
our family name. Mr. West, here
we are different. Here, is where
my grandfather found his love for me discordant
as the voice of the dead whispering
history. Here is where we are connected,
not by class, but blood & slavery.
Copyright © 2020 by Joy Priest. Originally published in Poem-a-Day on August 28, 2020, by the Academy of American Poets.
Pour O pour that parting soul in song, O pour it in the sawdust glow of night, Into the velvet pine-smoke air to-night, And let the valley carry it along. And let the valley carry it along. O land and soil, red soil and sweet-gum tree, So scant of grass, so profligate of pines, Now just before an epoch's sun declines Thy son, in time, I have returned to thee, Thy son, I have in time returned to thee. In time, for though the sun is setting on A song-lit race of slaves, it has not set; Though late, O soil, it is not too late yet To catch thy plaintive soul, leaving, soon gone, Leaving, to catch thy plaintive soul soon gone. O Negro slaves, dark purple ripened plums, Squeezed, and bursting in the pine-wood air, Passing before they stripped the old tree bare One plum was saved for me, one seed becomes An everlasting song, a singing tree, Caroling softly souls of slavery, What they were, and what they are to me, Caroling softly souls of slavery.
This poem is in the public domain.
I shall hate you
Like a dart of singing steel
Shot through still air
At even-tide,
Or solemnly
As pines are sober
When they stand etched
Against the sky.
Hating you shall be a game
Played with cool hands
And slim fingers.
Your heart will yearn
For the lonely splendor
Of the pine tree
While rekindled fires
In my eyes
Shall wound you like swift arrows.
Memory will lay its hands
Upon your breast
And you will understand
My hatred.
From The Book of American Negro Poetry (Harcourt, Brace and Company, 1922) edited by James Weldon Johnson. This poem is in the public domain.