The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

It's fast and cool as running water, the way we forget
the names of friends with whom we talked and talked
the long drives up and down the coast.

I say I love and I love and I love. However, the window
will not close. However, the hawk searches
for its nest after a storm. However, the discarded
nail longs to hide its nakedness inside the tire.

Somewhere in Cleveland or Tempe, a pillow
still smells like M_____'s hair.
In a bus station, a child is staring
at L____'s rabbit tattoo. I've bartered everything
to keep from doing my soul's paperwork.

Here is a partial list of artifacts:
mirror, belt, half-finished 1040 form (married, filing jointly), mateless walkie-talkie, two blonde eyelashes, set of acrylic paints with all the red and yellow used up, buck knife, dog collar, camping tent (sleeps two), slivers of cut-up credit cards, ashtray in the shape of a naked woman, pen with teeth marks, bottom half of two-piece bathing suit, pill bottles containing unfinished courses of antibiotics, bank statements with the account number blacked out, maps of London, maps of Dubuque, sweatshirts with the mascots of colleges I didn't attend, flash cards for Spanish verbs (querer, perder, olvidar), Canadian pocket change, fork with two tines pushed together.

Forgetfulness means to be full
of forgetting, like a glass

overflowing with cool water, though I'd always
thought of it as the empty pocket

where the hand finds
nothing: no keys, no ticket, no change.

One night, riding the train home from the city,
will I see a familiar face across from me? How many times
will I ask Is it you? before I realize
it's my own reflection in the window?

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

My hero bares his nerves along my wrist
That rules from wrist to shoulder,
Unpacks the head that, like a sleepy ghost,
Leans on my mortal ruler,
The proud spine spurning turn and twist.

And these poor nerves so wired to the skull
Ache on the lovelorn paper
I hug to love with my unruly scrawl
That utters all love hunger
And tells the page the empty ill.

My hero bares my side and sees his heart
Tread, like a naked Venus,
The beach of flesh, and wind her bloodred plait;
Stripping my loin of promise,
He promises a secret heat.

He holds the wire from the box of nerves
Praising the mortal error
Of birth and death, the two sad knaves of thieves,
And the hunger's emperor;
He pulls the chain, the cistern moves.