The whirring internal machine, its gears
grinding not to a halt but to a pace that emits
a low hum, a steady and almost imperceptible
hum: the Greeks would not have seen it this way.

Simply put, it was a result of black bile,
the small fruit of the gall bladder perched
under the liver somehow over-ripened
and then becoming fetid. So the ancients

would have us believe. But the overly-emotional
and contrarian Romans saw it as a kind of mourning
for one’s self. I trust the ancients but I have never 
given any of this credence because I cannot understand

how one does this, mourn one’s self.
Down by the shoreline—the Pacific 
wrestling with far more important 
philosophical issues—I recall the English notion

of it being a wistfulness, something John Donne
wore successfully as a fashion statement.
But how does one wear wistfulness well
unless one is a true believer? 

The humors within me are unbalanced, 
and I doubt they were ever really in balance
to begin with, ever in that rare but beautiful
thing the scientists call equilibrium.

My gall bladder squeezes and wrenches, 
or so I imagine. I am wistful and morose
and I am certain black bile is streaming 
through my body as I walk beside this seashore.

The small birds scrambling away from the advancing 
surf; the sun climbing overhead shortening shadows; 
the sound of the waves hushing the cries of gulls: 
I have no idea where any of this ends up.

To be balanced, to be without either
peaks or troughs: do tell me what that is like…
This contemplating, this mulling over, often leads 
to a moment a few weeks from now,

the one in which everything suddenly shines
with clarity, where my fingers race to put down 
the words, my fingers so quick on the keyboard 
it will seem like a god-damned miracle.

Copyright © 2020 by C. Dale Young. Originally published in Poem-a-Day on October 13, 2020, by the Academy of American Poets.

Say what you want about my mother/ I know

her cruelty knew no bounds

neglect

never a warm hug

kind word

every year when school came/fall

I looked at the flyers of back to school clothes

Nothing

I wore rags/hand me downs

As soon as I worked she made me pay rent

and that was the message engraved into me

instead of being taught responsibility

I was taught I owed

her rent

the ground I stood on and had no rights

My father’s neglect

The patches put over his eyes

not to see

never a book

nothing

She suffered from mental illness

was selfish

Through blinds

Through stories I get glimpses

Say what you want but she is the greatest fighter

She is going now

She cobbles out a life from the women she watches on housewives shows

Their competition

My neighbor buys a wreath

My mother buys a bigger one

She tells my father when I visit

Strike up the barbeque

She buys corn

pretends it’s a party

I see she has lost weight this visit

the depression she believes there is a man coming to destroy things

and there are bugs

She constantly buys poison

I know I can’t talk to her about depression/the drugs

So I say as gently as I can

Keep your spirits up/ then you will gain back the weight

On the morning I am leaving

She dresses up in nice clothes

And a pair of coral earrings I gave her

She said she’d been skipping meals

But on the morning before I left

perhaps just as a child to show me

She piled her plate full of scrambled eggs with ketchup

And she ate.

From Funeral Diva (City Lights Books, 2020). This poem originally appeared in The Brooklyn Rail. Used with the permission of City Lights Books and the author. 

REASON                /               UNREASON

 

the brain is                 

           an unlit synagogue 

easily charted               

           in dark waters

using machines            

           it can baffle faith

& therapy        

           it can asphyxiate

don’t worry                 

           the drowning dogs

your pretty head          

           painted for the gods

it’s simple                    

           to rage & riot & rot

to manage                    

           the vacant parking lot

with the appropriate     

           knives   do what some

medicines                    

           can not

Copyright © 2017 by sam sax. “Post-Diagnosis” originally appeared in Madness (Penguin, 2017). Reprinted with permission of the author.

The internal organs were growling
According to them
They did all of the work while
Skin got all of the attention
He’s an organ just like us
They groused
Even the heart, which, a
Century ago, was the Queen
Of metaphors, but now
Was reduced to the greetings
Cards section of CVS,
Chimed in

They decided to call skin
On the carpet.
Skin arrived from Cannes
Where he’d been the subject
Of much fuss as actresses
Fed him luxurious skin
Food prepared by Max Factor
Estée Lauder, L’Oreal,
And Chanel
They
Caressed him daily
Sometimes for hours before
They made the red carpet
Shine

He was petted
And preened

Others
Pleaded with him
To erase wrinkles to
Make them look younger
To tighten their chins

Skin tried to appease the
Critics, greeting them with
His familiar “give me some skin”
But his gesture went unheeded

Brain did all the talking
Brain said, “Here’s the skinny
Why do you get
All of the press
Your color
Your texture discussed
Endlessly
Nicole Kidman never

Did an ad about us

Cole Porter never
Wrote a song about us
Nor were we mentioned
In a Thornton Wilder novel
You’ve given us no
Skin in the game”

“What about the nasty
Things they say about
Me,” skin replied
“What about skin deep
For superficiality
Or
Skin trade
To denote something
Unsavory

How would you
Like acne rashes
Eczema

Boils
Pellagra
Leprosy
And
Conditions
That astonish
Even dermatologists

I wear my blemishes
In public while you guys
Hide yours”

“Without me and heart
You’d be nothing,” the brain said
“That’s not true,” protested
The liver, “without me he’d
Be nothing”
“No,” the kidney said
“It’s me who keeps the
Body functioning”
The bladder and
The kidney began
To quarrel with
Gallbladder
The lung twins spoke
Up
“Without us
He couldn’t breathe”
Even the esophagus
And the thyroid
And the pancreas
Joined the outbreak
“What about us?”

The eyes said
“Without eyes you
Can’t see”

Their squabble distracted
Them
When they looked
Up from their dust up
Skin’s
Helicopter was up
He was scheduled to
Address a convention of
Plastic surgeons at
The Beverly Hills
Hotel
Escaping by the skin
Of his teeth
His opponents gave
Chase
But above the roar
Of the chopper
They heard him say
“Don’t worry fellas
I got you covered”

Copyright © 2021 by Ishmael Reed. Originally published in Poem-a-Day on February 26, 2021, by the Academy of American Poets.

Sometimes it seems as though some puppet-player,
   A clenched claw cupping a craggy chin
Sits just beyond the border of our seeing,
   Twitching the strings with slow, sardonic grin.

This poem is in the public domain. Published in Poem-a-Day on July 26, 2020, by the Academy of American Poets.

Each night, the suffer-
Gleamed stars above
Texas crush down & I do

Not know how to say
No thank you, please
To the jawing ghosts

That show up to gnaw
Furrows in my chest.
The wind whispers

Hotly. Nightjars
Polish the darkness
Free of moths.

I refuse to let go
Of my paranoia
Because it assures

Me that I am alive,
Living the dream,
A limited edition

One-life-in a life-
Time offer of bones
That glow in the dark.

Morning comes metallic
Over the lakes of blood
I bucket by bucket splash

Out of the window. Wiping
Sweat from my brow

I am like Baby, Baby, how
Lovely is all this glitter?

Copyright © 2017 Alex Lemon. Used with permission of the author. This poem originally appeared in Kenyon Review, November/December 2017

I do not care to talk to you although
  Your speech evokes a thousand sympathies,
  And all my being’s silent harmonies
Wake trembling into music. When you go
It is as if some sudden, dreadful blow
  Had severed all the strings with savage ease.
  No, do not talk; but let us rather seize
This intimate gift of silence which we know.
  Others may guess your thoughts from what you say,
As storms are guessed from clouds where darkness broods.
  To me the very essence of the day
Reveals its inner purpose and its moods;
  As poplars feel the rain and then straightway
Reverse their leaves and shimmer through the woods. 

This poem is in the public domain. 

The river is high. I'd love to smoke pot 
with the river. I'd love it if rain 
sat at my table and told me what it's like 
to lick Edith Piaf's grave. I go along thinking 
I'm separate from trash day 
and the weird hairdo my cat wakes up with 
but I am of the avalanche 
as much as I am its tambourine. 
The river is crashing against my sleep 
like it took applause apart and put it back together 
as a riot of wet mouths 
adoring my ears, is over my head
when it explains string theory 
and affection to me, 
when it tells me to be the code breaker, 
not the code. What does that mean? 
Why does lyric poetry exist?
When will water open its mouth 
and tell us how to be clouds, how to rise
and morph and die and flourish and be reborn
all at the same time, all without caring
if we have food in our teeth or teeth in our eyes
or hair in our soup or a piano in our pockets,
just play the damned tune. The river is bipolar 
but has flushed its meds, I'm dead 
but someone has to finish all the cheese 
in the fridge, we're a failed species
if suction cups are important, if intelligence
isn't graded on a curve, 
but if desperation counts, if thunderstorms 
are the noise in our heads given a hall pass 
and rivers swell because orchestras 
aren't always there when we need them, well then, 
I still don't know a thing.

Copyright © 2019 by Bob Hicok. Originally published in Poem-a-Day on July 11, 2019, by the Academy of American Poets.