A web of sewer, pipe, and wire connects each house to the others.
In 206 a dog sleeps by the stove where a small gas leak causes him
to have visions; visions that are rooted in nothing but gas.
Next door, a man who has decided to buy a car part by part
excitedly unpacks a wheel and an ashtray.
He arranges them every which way. It’s really beginning to take
shape.
Out the garage window he sees a group of ugly children
enter the forest. Their mouths look like coin slots.
A neighbor plays keyboards in a local cover band.
Preparing for an engagement at the high school prom,
they pack their equipment in silence.
Last night they played the Police Academy Ball and all
the officers slow-danced with target range silhouettes.
This year the theme for the prom is the Tetragrammaton.
A yellow Corsair sails through the disco parking lot
and swaying palms presage the lot of young libertines.
Inside the car a young lady wears a corsage of bullet-sized rodents.
Her date, the handsome cornerback, stretches his talons over the
molded steering wheel.
They park and walk into the lush starlit gardens behind the disco
just as the band is striking up.
Their keen eyes and ears twitch. The other couples
look beautiful tonight. They stroll around listening
to the brilliant conversation. The passionate speeches.
Clouds drift across the silverware. There is red larkspur,
blue gum, and ivy. A boy kneels before his date.
And the moon, I forgot to mention the moon.
From Actual Air (Drag City, 2003) by David Berman Copyright © 2003 by David Berman. Used with the permission of Cassie Berman and Drag City.
I remember Kitty saying we shared a deep longing for
the consolation prize, laughing as we rinsed the stagecoach.
I remember the night we camped out
and I heard her whisper
“think of me as a place” from her sleeping bag
with the centaur print.
I remember being in her father’s basement workshop
when we picked up an unknown man sobbing
over the shortwave radio
and the night we got so high we convinced ourselves
that the road was a hologram projected by the headlight beams.
I remember how she would always get everyone to vote
on what we should do next and the time she said
“all water is classic water” and shyly turned her face away.
At volleyball games her parents sat in the bleachers
like ambassadors from Indiana in all their midwestern schmaltz.
She was destroyed when they were busted for operating
a private judicial system within U.S. borders.
Sometimes I’m awakened in the middle of the night
by the clatter of a room service cart and I think back on Kitty.
Those summer evenings by the government lake,
talking about the paradox of multiple Santas
or how it felt to have your heart broken.
I still get a hollow feeling on Labor Day when the summer ends
and I remember how I would always refer to her boyfriends
as what’s-his-face, which was wrong of me and I’d like
to apologize to those guys right now, wherever they are:
No one deserves to be called what’s-his-face.
From Actual Air (Drag City, 2003) by David Berman Copyright © 2003 by David Berman. Used with the permission of Cassie Berman and Drag City.
I was in a dreamstate and this was causing a problem
with the traffic. I felt lonely, like I’d missed the boat,
or I’d found the boat and it was deserted. In the middle
of the road a child’s shoe glistened. I walked around it.
It woke me up a little. The child had disappeared. Some
mysteries are better left alone. Others are dreary, distasteful,
and can disarrange a shadow into a thing of unspeakable beauty.
Whose child is that?
“Go, Youth,” from Worshipful Company of Fletchers, published by Ecco, 1994. Copyright © 1994 by James Tate. Reprinted with permission
Half costume jewel, half parasite, you stood swaying to the music of cash registers in the distance while a helicopter chewed the linings of the clouds above the clear-cuts. And I forgave the pollen count while cabbage moths teased up my hair before your flowers fell apart when they turned into seeds. How resigned you were to your oblivion, unlistening to the cumuli as they swept past. And soon those gusts will mill you, when the backhoe comes to dredge your roots, but that is not what most impends, as the chopper descends to the hospital roof so that somebody's heart can be massaged back into its old habits. Mine went a little haywire at the crest of the road, on whose other side you lay in blossom. As if your purpose were to defibrillate me with a thousand electrodes, one volt each.
From On the Spectrum of Possible Deaths by Lucia Perillo. Copyright © 2012 by Lucia Perillo. Reprinted with permission of Copper Canyon Press. All rights reserved.