What if you knew you'd be the last
to touch someone?
If you were taking tickets, for example,
at the theater, tearing them,
giving back the ragged stubs,
you might take care to touch that palm,
brush your fingertips
along the life line's crease.
When a man pulls his wheeled suitcase
too slowly through the airport, when
the car in front of me doesn't signal,
when the clerk at the pharmacy
won't say Thank you, I don't remember
they're going to die.
A friend told me she'd been with her aunt.
They'd just had lunch and the waiter,
a young gay man with plum black eyes,
joked as he served the coffee, kissed
her aunt's powdered cheek when they left.
Then they walked half a block and her aunt
dropped dead on the sidewalk.
How close does the dragon's spume
have to come? How wide does the crack
in heaven have to split?
What would people look like
if we could see them as they are,
soaked in honey, stung and swollen,
reckless, pinned against time?
From The Human Line (Copper Canyon Press, 2007). Copyright © 2007 by Ellen Bass. Used with the permission of The Permissions Company, Inc., on behalf of Copper Canyon Press.
I had no idea that the gate I would step through
to finally enter this world
would be the space my brother's body made. He was
a little taller than me: a young man
but grown, himself by then,
done at twenty-eight, having folded every sheet,
rinsed every glass he would ever rinse under the cold
and running water.
This is what you have been waiting for, he used to say to me.
And I'd say, What?
And he'd say, This—holding up my cheese and mustard sandwich.
And I'd say, What?
And he'd say, This, sort of looking around.
From What the Living Do (W. W. Norton, 1997). Copyright © 1997 by Marie Howe. Used with the permission of the author.
Some deaths take the slow turn in the light from dusk to night.
My father takes his time is trying to befriend him.
When he goes with it he will go.
He will trust death as a friend near the end of his life.
There were not many late nights he did his drinking at home.
And worked one job for 50 years he didn’t gamble or cheat.
Was home for dinner every night he listened to us talk in silence.
Now death walks by his side of the bed sinks, his body
Weighs the mattress down the hall it breaks into a sprint.
I witness it encroach step by step he eases into lethargy.
Hair and skin looking so thin was he always so thin?
A creaking sound walks around the house I hear the weight of delirium.
He can’t sleep with the noise of him gasping echoes.
When he awakes he dreams his father yelling, Get Up.
Someone’s at the door knocking.
Copyright © 2022 by Celeste Guzmán Mendoza. Originally published in Poem-a-Day on January 6, 2022, by the Academy of American Poets.