The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
Such as the lobster
cracking loose
from its exoskeleton
after moons of moulting,
or the viper that squeezes
out of the skin
of its remembrance,
this oracle invites you
to rewild yourself,
to unbox, detox, and de-
clutter your blood.
Break free from the mold
you made for yourself,
for the animal
in you that craves
routines like sugar,
addicted to the stress
of your comforts. Sling
your arm around the waist
of your discomfort
like it’s a new lover
in these uncharted
seas and distances
untraversed. Take
and give glee.
Summon surprise.
Something whim-
sical this way comes.
It smells something
like wishes wrapped
in wind as you
trod the winding path
through
the forests
of your interior.
Be warned. You will
bewilder beloveds.
Hush. Some
events are better
experienced than
explained. Take soul.
Your joy is your job;
and yours alone.
Hire your
self every day.
Climb into your traveling
shoes knowing that
there, too, will
be dancing.
Copyright © 2025 by Samantha Thornhill. Originally published in Poem-a-Day on July 31, 2025, by the Academy of American Poets.
—after Freda Epum
the day could do without
me. The ice outside glitters around
my car’s tires like a pageant
dress. Only digital utterances between
myself and the world for at least
a week. The last time he visited, my friend
noted the lack of natural light
in my downstairs apartment,
the posthumous-grey bleeding into
the mood. Aught of light
in the bedroom due to the blackout
curtains. But sometimes,
the day heckles, with its high-
bitch sun and melting snow. Some
days, I lay in the morgue
of darkness, hyper-alone,
and the sunlight, so audacious, paints
the color back onto my cheeks.
Copyright © 2025 by Taylor Byas. Originally published in Poem-a-Day on August 1, 2025, by the Academy of American Poets.
Over the screech of the morning
traffic of Eagle Rock Boulevard
I thought I heard the rooster
from my parents’ backyard,
calling. They lived close enough,
it could have been. I’d been
awake for hours but was still
in bed looking out the window
where a flock of red-crowned parrots
skated through the blue.
The Echo Park Parrots.
The Pasadena Parrots. The Silver-
lake Parrots. Everyone wants
to own the birds, yet
here they were this morning,
serenading me.
They come and go, they came
and went. In my dreams, I’m sometimes
a chicken. I fly from one man
to the next, hoping their arms
are strong like guava branches,
strong enough to roost
in for the night, ripe with seeds.
I’m malnourished in my dreams
because there are no trees, just birds
in nonstop flight and song.
Copyright © 2025 by Leonel Sánchez Lopez. Originally published in Poem-a-Day on August 6, 2025, by the Academy of American Poets.
translated from the Chinese by Ezra Pound
While my hair was still cut straight across my forehead
I played about the front gate, pulling flowers
You came by on bamboo stilts, playing horse,
You walked about my seat, playing with blue plums.
And we went on living in the village of Chokan:
Two small people, without dislike or suspicion.
At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never looked back.
At fifteen I stopped scowling,
I desired my dust to be mingled with yours
Forever and forever, and forever.
Why should I climb the lookout?
At sixteen you departed,
You went into far Ku-to-Yen, by the river of swirling eddies,
And you have been gone five months.
The monkeys make sorrowful noise overhead.
You dragged your feet when you went out.
By the gate now, the moss is grown, the different mosses,
Too deep to clear them away!
The leaves fall early this autumn, in wind.
The paired butterflies are already yellow with August
Over the grass in the West garden,
They hurt me.
I grow older,
If you are coming down through the narrows of the river Kiang,
Please let me know beforehand,
And I will come out to meet you,
As far as Cho-fu-Sa.
This poem is in the public domain. Published in Poem-a-Day on August 9, 2025, by the Academy of American Poets.
translated by Florence Ayscough and Amy Lowell
The heavy clouds are broken and blowing,
And once more I can see the wide common stretching beyond the four sides of the city.
Open the door. Half of the moon-toad is already up,
The glimmer of it is like smooth hoar-frost spreading over ten thousand li.
The river is a flat, shining chain.
The moon, rising, is a white eye to the hills;
After it has risen, it is the bright heart of the sea.
Because I love it—so—round as a fan,
I hum songs until the dawn.
This poem is in the public domain. Published in Poem-a-Day on May 30, 2021, by the Academy of American Poets.
translated from the Chinese by Florence Wheelock Ayscough
I
The many-coloured clouds make me think of her upper garments, of her lower garments;
Flowers make me think of her face.
The Spring wind brushes the blossoms against the balustrade,
In the heavy dew they are bright and tinted diversely.
If it were not on the Heaped Jade Mountain that I saw her,
I must have met her at the Green Jasper Terrace, or encountered her by accident in the moon.
II
A branch of opulent, beautiful flowers, sweet-scented under frozen dew.
No love-night like that on the Sorceress Mountain for these;
Their bowels ache in vain.
Pray may I ask who, in the Palace of Han, is her equal?
Even the “Flying Swallow” is to be pitied, since she must rely upon ever new adornments.
III
The renowned flower, and she of a loveliness to overthrow Kingdoms——both give happiness.
Each receives a smile from the Prince when he looks at them.
The Spring wind alone can understand and explain the boundless jealousy of the flower,
Leaning over the railing of the balcony at the North side of the aloe-wood pavilion.
This poem is in the public domain. Published in Poem-a-Day on May 11, 2024, by the Academy of American Poets.