When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
This poem is in the public domain.
The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not.—Great God! I'd rather be
A pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.
This poem is in the public domain.
“What is dying is the willingness to be in denial.”
—angel Kyodo williams
The heron flew away
and I wanted to tell someone
how long it stayed,
how close I got,
how much I missed it
even as it stood
to watch me,
large-eyed animal
that I am, terrible
at believing what I can’t see.
You see fire in the home
where we live: the world
in cardiac arrest.
A heart attack
is not the onset I want to say
to someone, it’s the flare.
It illuminates what’s already here:
the forests
illuminated, the earth
lit as an origin story.
Here you are,
I say instead,
aloud, surprised
at how close
I’ve been holding you
in the dark.
Flame yields
no new landscape.
It bares the contours
like a map
so we can see
where we’ve been all along,
can see one another
as we walk, and say,
for once, nothing
at the fire’s steady flight,
like a heron
lifting in loud beats,
our silent mouths open
as if to give it a tunnel.
Copyright © 2021 by Leah Naomi Green. Originally published in Poem-a-Day on May 1, 2021, by the Academy of American Poets.
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
From Homage to Clio by W. H. Auden, published by Random House. Copyright © 1960 W. H. Auden, renewed by the Estate of W. H. Auden. Used by permission of Curtis Brown, Ltd.
Someone will walk into your life, Leave a footprint on your heart, Turn it into a mudroom cluttered With encrusted boots, children's mittens, Scratchy scarves— Where you linger to unwrap Or ready yourself for rough exits Into howling gales or onto Frozen car seats, expulsions Into the great outdoors where touch Is muffled, noses glisten, And breaths stab, So that when you meet someone Who is leaving your life You will be able to wave stiff Icy mitts and look forward To an evening in spring When you can fold winter away Until your next encounter with A chill so numbing you strew The heart's antechamber With layers of rural garble.
From The World in a Minute by Gary Lenhart. Copyright © 2010 by by Gary Lenhart. Used by permission of Hanging Loose Press.
Wait, for now.
Distrust everything if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become interesting.
Second-hand gloves will become lovely again;
their memories are what give them
the need for other hands. The desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.
Wait.
Don’t go too early.
You’re tired. But everyone’s tired.
But no one is tired enough.
Only wait a little and listen:
music of hair,
music of pain,
music of looms weaving our loves again.
Be there to hear it, it will be the only time,
most of all to hear your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.
Copyright © 1980 by Galway Kinnell. From Mortal Acts, Mortal Words (Mariner Books, 1980). Used with permission of Houghton Mifflin Harcourt.