I say most sincerely and desperately, HAPPY NEW YEAR! 

Having rowed a little farther away from the cliff

Which is my kind of religion

Adrift in the darkness but readying oars

How can there be too many stars and hands, I ask you

                               —

I would be disingenuous if I said "being understood" were not important to me 

Between the ceiling of private dream and the floor of public speech 

Between the coin and the hand it crosses

Mercantilists' and governors' and preachers' alike

The imagination and its products so often rebuff purpose

And some of us don't like it, and want to make it mean

I would never shoot you, even if you were the only meat around

                               —

Anyway, I empathize with your lower division semester (which sounds
         kinda Dante, to me)

Snow-bound sounds gorgeous and inconvenient

Like the idea of ending on the internal rhyme of psychics and clients

Though I too privilege the "shiny" 

And of course, I want to be approved of, so much 

Despite the image I've been savoring, the one of the self-stitching wound
 
Yes, I want to write that self-healing wound poem, the one with
         cocoon closed up with thorns

We are getting such lovely flourishes from our poets

Fathomless opportunities for turning literacy into event

It's the drama of feeling we find such an aesthetic problem, 
         these days

Copyright © 2008 by Dana Levin. First appeared in American Poetry Review. Reprinted with permission of the author.

we have given up on knocking. 
Incoming! we say, with our eyes lowered for modesty,
or, Hello! or sometimes, Sorry, sorry! 
You have to pass through everyone’s bedroom
to get to the kitchen. We only have two bathrooms. 
As a courtesy, nobody will poop while you are showering,
but they might have to do their makeup or shave 
if they are in a rush, if we have somewhere to be,
so you can recognize every person by their whistle 
through a wet shower curtain, you haven’t seen your own face
on an unfogged mirror in weeks. It doesn’t matter,
self-consciousness has no currency here. 
If you were nosy, I suppose the little bathroom trashcans 
would spill their secrets to you, but why bother, 
privacy is a language we don’t speak.
Someone is always awake before you, 
the smell of coffee easing you into a today
they have already entered, 
a bridge you will never need to cross first,
and no matter how latenight your owl,
there is always someone still awake 
to eat popcorn with, to whisper your daily report to,
to compare notes on what good news you each caught in your nets.
In bed, you say, Goodnight! in one direction 
and someone says it back, then turns and passes it, 
so you fall asleep to the echo of goodnights down the long hallway
’til it donuts its way back around to your pillow. 
Someone is doing a load of laundry,
if anyone wants to add some extra socks?
Someone is clearing the dishes, 
someone has started singing Gershwin in the backyard 
and you can’t help but harmonize,
and for a moment what you always hoped was true
finally is: loneliness has forgotten your address,
french toast browning on the stovetop,
the sound of everyone you love
clear as the sun giggling through the window,
not even a doorknob between you.

Copyright © 2023 by Sarah Kay. Originally published in Poem-a-Day on May 2, 2023, by the Academy of American Poets.

REASON                /               UNREASON

 

the brain is                 

           an unlit synagogue 

easily charted               

           in dark waters

using machines            

           it can baffle faith

& therapy        

           it can asphyxiate

don’t worry                 

           the drowning dogs

your pretty head          

           painted for the gods

it’s simple                    

           to rage & riot & rot

to manage                    

           the vacant parking lot

with the appropriate     

           knives   do what some

medicines                    

           can not

Copyright © 2017 by sam sax. “Post-Diagnosis” originally appeared in Madness (Penguin, 2017). Reprinted with permission of the author.

It was like this:
you were happy, then you were sad,
then happy again, then not.

It went on.
You were innocent or you were guilty.
Actions were taken, or not.

At times you spoke, at other times you were silent.
Mostly, it seems you were silent—what could you say?

Now it is almost over.

Like a lover, your life bends down and kisses your life.

It does this not in forgiveness—
between you, there is nothing to forgive—
but with the simple nod of a baker at the moment
he sees the bread is finished with transformation.

Eating, too, is a thing now only for others.

It doesn’t matter what they will make of you
or your days: they will be wrong,
they will miss the wrong woman, miss the wrong man,
all the stories they tell will be tales of their own invention.

Your story was this: you were happy, then you were sad,
you slept, you awakened.
Sometimes you ate roasted chestnuts, sometimes persimmons.

—2002

Originally published in After (HarperCollins, 2006); all rights reserved. Copyright © by Jane Hirshfield. Reprinted with the permission of the author.