Daily

- 1952-
These shriveled seeds we plant,
corn kernel, dried bean,
poke into loosened soil,
cover over with measured fingertips
 
These T-shirts we fold into
perfect white squares
 
These tortillas we slice and fry to crisp strips
This rich egg scrambled in a gray clay bowl
 
This bed whose covers I straighten
smoothing edges till blue quilt fits brown blanket
and nothing hangs out
 
This envelope I address
so the name balances like a cloud
in the center of sky
 
This page I type and retype
This table I dust till the scarred wood shines
This bundle of clothes I wash and hang and wash again
like flags we share, a country so close
no one needs to name it
 
The days are nouns: touch them
The hands are churches that worship the world

More by Naomi Shihab Nye

Two Countries

Skin remembers how long the years grow
when skin is not touched, a gray tunnel
of singleness, feather lost from the tail
of a bird, swirling onto a step,
swept away by someone who never saw
it was a feather. Skin ate, walked,
slept by itself, knew how to raise a 
see-you-later hand. But skin felt
it was never seen, never known as
a land on the map, nose like a city,
hip like a city, gleaming dome of the mosque
and the hundred corridors of cinnamon and rope.

Skin had hope, that's what skin does.
Heals over the scarred place, makes a road.
Love means you breathe in two countries.
And skin remembers--silk, spiny grass,
deep in the pocket that is skin's secret own.
Even now, when skin is not alone,
it remembers being alone and thanks something larger
that there are travelers, that people go places
larger than themselves.

Fuel

Even at this late date, sometimes I have to look up
the word "receive." I received his deep
and interested gaze.

A bean plant flourishes under the rain of sweet words.
Tell what you think—I'm listening.

The story ruffled its twenty leaves.

*

Once my teacher set me on a high stool
for laughing. She thought the eyes
of my classmates would whittle me to size.
But they said otherwise.

We'd laugh too if we knew how.

I pinned my gaze out the window
on a ripe line of sky.

That's where I was going.

The Man Whose Voice Has Been Taken From His Throat

remains all supple hands and gesture

skin of language
fusing its finest seam

in fluent light
with a raised finger

dance of lips
each sentence complete

he speaks to the shadow
of leaves

strung tissue paper
snipped into delicate flags

on which side of the conversation
did anyone begin?

wearing two skins
the brilliant question mark of Mexico
stands on its head
like an answer