with all my friends     & sometimes still am     
even though you can’t say that out loud 
except in a karaoke song     at a dive bar on the LES

I hate to swim but love the ocean   
all that artificial       blue for miles    
I miss my mother (who isn’t dead) & always will       

her illegible cursive on my refrigerator door  
when we go shopping       she sits in the fitting room 
while I try on bras & dresses for a wedding

I’m thirty-four & live alone     I don’t know 
the number of any doctor       who will I call in a winter 
without her     I will never pick up the phone

From So Long (Four Way Books, 2023) by Jen Levitt. Copyright © 2023 by Jen Levitt. Used with the permission of the publisher.

Once more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on. There is no obstacle
But Gregory's wood and one bare hill
Whereby the haystack- and roof-levelling wind,
Bred on the Atlantic, can be stayed;
And for an hour I have walked and prayed
Because of the great gloom that is in my mind.

I have walked and prayed for this young child an hour
And heard the sea-wind scream upon the tower,
And under the arches of the bridge, and scream
In the elms above the flooded stream;
Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.

May she be granted beauty and yet not
Beauty to make a stranger's eye distraught,
Or hers before a looking-glass, for such,
Being made beautiful overmuch,
Consider beauty a sufficient end,
Lose natural kindness and maybe
The heart-revealing intimacy
That chooses right, and never find a friend.

Helen being chosen found life flat and dull
And later had much trouble from a fool,
While that great Queen, that rose out of the spray,
Being fatherless could have her way
Yet chose a bandy-leggèd smith for man.
It's certain that fine women eat
A crazy salad with their meat
Whereby the Horn of Plenty is undone.

In courtesy I'd have her chiefly learned;
Hearts are not had as a gift but hearts are earned
By those that are not entirely beautiful;
Yet many, that have played the fool
For beauty's very self, has charm made wise,
And many a poor man that has roved,
Loved and thought himself beloved,
From a glad kindness cannot take his eyes.

May she become a flourishing hidden tree
That all her thoughts may like the linnet be,
And have no business but dispensing round
Their magnanimities of sound,
Nor but in merriment begin a chase,
Nor but in merriment a quarrel.
O may she live like some green laurel
Rooted in one dear perpetual place.

My mind, because the minds that I have loved,
The sort of beauty that I have approved,
Prosper but little, has dried up of late,
Yet knows that to be choked with hate
May well be of all evil chances chief.
If there's no hatred in a mind
Assault and battery of the wind
Can never tear the linnet from the leaf.

An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of Plenty's horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?

Considering that, all hatred driven hence,
The soul recovers radical innocence
And learns at last that it is self-delighting,
Self-appeasing, self-affrighting,
And that its own sweet will is Heaven's will;
She can, though every face should scowl
And every windy quarter howl
Or every bellows burst, be happy still.

And may her bridegroom bring her to a house
Where all's accustomed, ceremonious;
For arrogance and hatred are the wares
Peddled in the thoroughfares.
How but in custom and in ceremony
Are innocence and beauty born?
Ceremony's a name for the rich horn,
And custom for the spreading laurel tree.

From Michael Robartes and the Dancer (Cuala Press, 1921)

When the doctor suggested surgery
and a brace for all my youngest years,
my parents scrambled to take me
to massage therapy, deep tissue work,
osteopathy, and soon my crooked spine
unspooled a bit, I could breathe again,
and move more in a body unclouded
by pain. My mom would tell me to sing
songs to her the whole forty-five minute
drive to Middle Two Rock Road and forty-
five minutes back from physical therapy.
She’d say, even my voice sounded unfettered
by my spine afterward. So I sang and sang,
because I thought she liked it. I never
asked her what she gave up to drive me,
or how her day was before this chore. Today,
at her age, I was driving myself home from yet
another spine appointment, singing along
to some maudlin but solid song on the radio,
and I saw a mom take her raincoat off
and give it to her young daughter when
a storm took over the afternoon. My god,
I thought, my whole life I’ve been under her
raincoat thinking it was somehow a marvel
that I never got wet.

From The Carrying (Milkweed Editions, 2018) by Ada Limón. Copyright © 2018 by Ada Limón. Used with the permission of Milkweed Editions. milkweed.org.

So I fight all my destructive urges to give her one. A tiny globe
filled with first snow I’m determined not to shatter across blacktop.
Once, in the parking lot of Home Depot, we got into the blue van
& everything felt off, uncanny, a fast-food wrapper from a place 
we hadn’t eaten, the dashboard dustier than it should’ve been. 
It took us a full thirty seconds, Mom in the driver’s
seat though she hadn’t driven in years, me in the passenger, her ride-
or-die since I was a little girl & one of her only friends in our strange &
tiny border town, before we realized This isn’t our van! & we scrambled
out, laughing our heads off & terrified the owner 
had called the cops on the women who look like twins 
carjacking them. We laugh about it every time we’re in a parking lot. 
That wasn’t our only Lucy & Ethel moment. There was the time 
we ordered what we thought was a roll from the drive-
thru at Panera Bread, thinking we’d share it to split the calories 
but when the server handed it to us, the long, thin bread kept
coming through the window. Mom & I thought 
baguette meant roll, it sounded petit. & although this poem’s 
only point is to make Mom happy it’s also to heal
something in myself I hadn’t known needed a balm until the words
hit the page, the way moms know, the way mine sent me flowers 
when the love of my young life got another girl pregnant & left me 
heartbroken & without a prom date, or when Mom gave me a gold
nutcracker pin after the ballet recital when all the other girls got
flowers & I shoved the beautiful pin back at her because it wasn’t flowers.
And she said flowers wilt. I wanted to get you something 
that would last forever. Like her love. A poem can be sentimental 
because poems are filled with life, but sometimes we need to look
our moms in the eyes & apologize. Or say thank you.
Our moms remind us what it felt like when we were safe
in their arms, even if our moms weren’t safe, even 
if they were only holding it together for us, to give us a happiness
they’d created from thin air. Motherhood is made of that
magic. I’m crying now. Mom, I promise, they’re happy tears.

Copyright © 2023 by Jennifer Givhan. Originally published in Poem-a-Day on May 15, 2023, by the Academy of American Poets. 

She apologizes. It’s not like her. She’s usually up by six.
But it’s the weekend, you tell her, there is no need to rush!

The plan for the day is breakfast somewhere and walking
somewhere else. I’m happy, but Mom can’t believe that

she forgot to bring conditioner, or that she slept so late.
The housekeeper at the discount hotel knocks. We’re still here,

we’re still here!
she shouts back. Girls’ weekend, just us two,
and still we have to remind each other it’s okay to take our time.

No rush, we say to each other, firmly. I’m writing two poems
a day all summer: one every morning and again every night.

It is morning and my mom tells me, Write a poem about this,
but don’t mention I slept in so late! Just put down that your mother

is taking it easy, that your mother is taking her time for once!
So I do
what she says, sort of. And the housekeeper knocks again.

But this time, my mother doesn’t jump. Instead, she leans back,
comfortable, and shouts: Still here, Still here! We are still here!

Copyright © 2018 by Cristin O'Keefe Aptowicz. This poem originally appeared in How to Love the Empty Air (Write Bloody Publishing, 2018). Reprinted with permission of the publisher.

Holding your mother’s hand
while she is dying is like trying to love
the very thing that will kill you.

Loving the thing that can kill you
is like hating your fingers
because of how they can feel.

Hating your fingers
because of how they can feel
is like hating the pillowcase
because it smells like her hair.

Hating the pillowcase
is like hating the bed.

Hating the bed
is like hating things
that want to hold you
even as you sob into them.

Hating the things that want to hold you
is like sobering to the fact she will
never hold you again.

Sobering to the fact
she will never hold you again.
is like trying to keep loving
the things you know you can’t have.

Loving the things
you know you can’t have
is like saying Goodbye
and knowing you have to mean it.

Once a fortune cookie told me
that saying Goodbye is just a different
way of saying Hello.

Once I remembered reading
how Aloha is a word meaning
both hello and goodbye.

Once I remembered reading
how Aloha is also a word
which means peace.

Copyright © 2018 by Cristin O'Keefe Aptowicz. This poem originally appeared in How to Love the Empty Air (Write Bloody Publishing, 2018). Reprinted with permission of Write Bloody Publishing.