We carry tears in our eyes: good-bye father, good-bye mother

We carry soil in small bags: may home never fade in our hearts

We carry names, stories, memories of our villages, fields, boats

We carry scars from proxy wars of greed

We carry carnage of mining, droughts, floods, genocides

We carry dust of our families and neighbors incinerated in mushroom clouds

We carry our islands sinking under the sea

We carry our hands, feet, bones, hearts and best minds for a new life

We carry diplomas: medicine, engineer, nurse, education, math, poetry, even if they mean nothing to the other shore

We carry railroads, plantations, laundromats, bodegas, taco trucks, farms, factories, nursing homes, hospitals, schools, temples…built on our ancestors’ backs

We carry old homes along the spine, new dreams in our chests

We carry yesterday, today and tomorrow

We’re orphans of the wars forced upon us

We’re refugees of the sea rising from industrial wastes

And we carry our mother tongues
(ai)حب  (hubb), ליבע (libe), amor, love
平安 (ping’an), سلام ( salaam), shalom, paz, peace
希望 (xi’wang), أمل (’amal), hofenung, esperanza, hope, hope, hope

As we drift…in our rubber boats…from shore…to shore…to shore…

Originally published in New American Poetry. Copyright © 2018 by Wang Ping. Used with the permission of the author.

slumped in the crook of a nook, bereft

of lullabies and apple pie, playing duck duck

goose with my mind to find the smallest child

nested inside another then another until I

ring around the rosie back to myself. This

recess is cold. It’s like everyone vamoosed

to get to America first. Hello, what if we didn’t

want to go? All that’s left is an echo and a

banshee I hardly know. Some people say

hypnosis or past life regression therapy may

help, but I locked this chamber for a reason.

Ate the key. What is the shape of memory

that needs to be forgotten? Yet a voice keeps

calling: Let me out, let me out, let me out, let me

Copyright © 2022 by Su Hwang. Originally published in Poem-a-Day on January 24, 2022, by the Academy of American Poets.

When the big clock at the train station stopped,
the leaves kept falling,
the trains kept running,
my mother’s hair kept growing longer and blacker,
and my father’s body kept filling up with time.

I can’t see the year on the station’s calendar.
We slept under the stopped hands of the clock
until morning, when a man entered carrying a ladder.
He climbed up to the clock’s face and opened it with a key.
No one but he knew what he saw.

Below him, the mortal faces went on passing
toward all compass points.
People went on crossing borders,
buying tickets in one time zone and setting foot in another.
Crossing thresholds: sleep to waking and back,
waiting room to moving train and back,
war zone to safe zone and back.

Crossing between gain and loss:
learning new words for the world and the things in it.
Forgetting old words for the heart and the things in it.
And collecting words in a different language
for those three primary colors:
staying, leaving, and returning.

And only the man at the top of the ladder
understood what he saw behind the face
which was neither smiling nor frowning.

And my father’s body went on filling up with death
until it reached the highest etched mark
of his eyes and spilled into mine.
And my mother’s hair goes on
never reaching the earth.

Copyright © 2021 by Li-Young Lee. Originally published in Poem-a-Day on December 8, 2021, by the Academy of American Poets.