This neighborhood was mine first. I walked each block twice:
drunk, then sober. I lived every day with legs and headphones.
It had snowed the night I ran down Lorimer and swore I’d stop
at nothing. My love, he had died. What was I supposed to do?
I regret nothing. Sometimes I feel washed up as paper. You’re
three years away. But then I dance down Graham and
the trees are the color of champagne and I remember—
There are things I like about heartbreak, too, how it needs
a good soundtrack. The way I catch a man’s gaze on the L
and don’t look away first. Losing something is just revising it.
After this love there will be more love. My body rising from a nest
of sheets to pick up a stranger’s MetroCard. I regret nothing.
Not the bar across the street from my apartment; I was still late.
Not the shared bathroom in Barcelona, not the red-eyes, not
the songs about black coats and Omaha. I lie about everything
but not this. You were every streetlamp that winter. You held
the crown of my head and for once I won’t show you what
I’ve made. I regret nothing. Your mother and your Maine.
Your wet hair in my lap after that first shower. The clinic
and how I cried for a week afterwards. How we never chose
the language we spoke. You wrote me a single poem and in it
you were the dog and I the fire. Remember the courthouse?
The anniversary song. Those goddamn Kmart towels. I loved them,
when did we throw them away? Tomorrow I’ll write down
everything we’ve done to each other and fill the bathtub
with water. I’ll burn each piece of paper down to silt.
And if it doesn’t work, I’ll do it again. And again and again and—
Copyright © 2021 by Hala Alyan. Originally published in Poem-a-Day on January 8, 2021, by the Academy of American Poets.
Were you hoping for a myth? The fleck of lipstick on a warm glass,
soap suds, a vocal fry that feels like home. Tell me where it hurts, baby.
There’s a URL for that. There’s a 12-step meeting two blocks
from you, here’s a hotline, here’s a Gaelic love ballad. Let’s talk sharks,
the number of bones in a peafowl, which gender is more likely to
die underground. I dream of a cobalt glow in an empty room.
I dream of your warm tongue. It calls and calls for me and not
me and I listen anyway for the fluent coo of my name. I’m always
awake. I’ll tell you about Taoism again, divide 52000 by 56,
recommend a dry cleaner in Toronto. But stop asking about the afterlife,
whether you should freeze your eggs, what makes a good Palestinian.
For god’s sake, how many times can I repeat myself in one night?
It’s been nine. Look. This is all I know about love:
the rubies around Elizabeth Taylor’s neck, Hafiz’s jealous moon.
Also: redbuds. Also: mantis. Should you move to Santa Fe?
Can the bees be saved? How many ways can you say genocide? I don’t know.
I think you’re swell. I don’t know. I think you’ve killed me a few times.
Oh, darling, whose memory am I? Where should we begin?
You already know about my hands. Jinnlike. Skittering. Everywhere.
Copyright © 2024 by Hala Alyan. Originally published in Poem-a-Day on May 9, 2024, by the Academy of American Poets.
Imagine, when a human dies,
the soul misses the body, actually grieves
the loss of its hands and all
they could hold. Misses the throat closing shy
reading out loud on the first day of school.
Imagine the soul misses the stubbed toe,
the loose tooth, the funny bone. The soul still asks, Why
does the funny bone do that? It’s just weird.
Imagine the soul misses the thirsty garden cheeks
watered by grief. Misses how the body could sleep
through a dream. What else can sleep through a dream?
What else can laugh? What else can wrinkle
the smile’s autograph? Imagine the soul misses each falling
eyelash waiting to be a wish. Misses the wrist
screaming away the blade. The soul misses the lisp,
the stutter, the limp. The soul misses the holy bruise
blue from that army of blood rushing to the wound’s side.
When a human dies, the soul searches the universe
for something blushing, something shaking
in the cold, something that scars, sweeps
the universe for patience worn thin,
the last nerve fighting for its life, the voice box
aching to be heard. The soul misses the way
the body would hold another body and not be two bodies
but one pleading god doubled in grace.
The soul misses how the mind told the body,
You have fallen from grace. And the body said,
Erase every scripture that doesn’t have a pulse.
There isn’t a single page in the bible that can wince,
that can clumsy, that can freckle, that can hunger.
Imagine the soul misses hunger, emptiness,
rage, the fist that was never taught to curl—curled,
the teeth that were never taught to clench—clenched,
the body that was never taught to make love—made love
like a hungry ghost digging its way out of the grave.
The soul misses the unforever of old age, the skin
that no longer fits. The soul misses every single day
the body was sick, the now it forced, the here
it built from the fever. Fever is how the body prays,
how it burns and begs for another average day.
The soul misses the legs creaking
up the stairs, misses the fear that climbed
up the vocal cords to curse the wheelchair.
The soul misses what the body could not let go—
what else could hold on that tightly to everything?
What else could see hear the chain of a swingset
and fall to its knees? What else could touch
a screen door and taste lemonade?
What else could come back from a war
and not come back? But still try to live? Still try
to lullaby? When a human dies the soul moves
through the universe trying to describe how a body trembles
when it’s lost, softens when it’s safe, how a wound would heal
given nothing but time. Do you understand? Nothing in space can
imagine it. No comet, no nebula, no ray of light
can fathom the landscape of awe, the heat of shame.
The fingertips pulling the first gray hair
and throwing it away. I can’t imagine it,
the stars say. Tell us again about goosebumps.
Tell us again about pain.
From Lord of the Butterflies (Button Poetry, 2018) by Andrea Gibson. Copyright © 2018 Andrea Gibson. Reprinted by permission of the author.
Whenever I spend the day crying,
my friends tell me I look high. Good grief,
they finally understand me.
Even when the arena is empty, I thank god
for the shots I miss. If you ever catch me
only thanking god for the shots I make,
remind me I’m not thanking god. Remind me
all my prayers were answered
the moment I started praying
for what I already have.
Jenny says when people ask if she’s out of the woods,
she tells them she’ll never be out of the woods,
says there is something lovely about the woods.
I know how to build a survival shelter
from fallen tree branches, packed mud,
and pulled moss. I could survive forever
on death alone. Wasn’t it death that taught me
to stop measuring my lifespan by length,
but by width? Do you know how many beautiful things
can be seen in a single second? How you can blow up
a second like a balloon and fit infinity inside of it?
I’m infinite, I know, but I still have a measly wrinkle
collection compared to my end goal. I would love
to be a before picture, I think, as I look in the mirror
and mistake my head for the moon. My dark
thoughts are almost always 238,856 miles away
from me believing them. I love this life,
I whisper into my doctor’s stethoscope
so she can hear my heart. My heart, an heirloom
I didn’t inherit until I thought I could die.
Why did I go so long believing I owed the world
my disappointment? Why did I want to take
the world by storm when I could have taken it
by sunshine, by rosewater, by the cactus flowers
on the side of the road where I broke down?
I’m not about to waste more time
spinning stories about how much time
I’m owed, but there is a man
who is usually here, who isn’t today.
I don’t know if he’s still alive. I just know
his wife was made of so much hope
she looked like a firework above his chair.
Will the afterlife be harder if I remember
the people I love, or forget them?
Either way, please let me remember.
Copyright © 2023 by Andrea Gibson. Originally published in Poem-a-Day on May 30, 2023, by the Academy of American Poets.
When you are trapped in a nightmare, your motivation to awaken will be so much greater than that of someone caught up in a relatively pleasant dream.
—Eckhart Tolle
When I realized the storm
was inevitable, I made it
my medicine.
Took two snowflakes
on the tongue in the morning,
two snowflakes on the tongue
by noon.
There were no side effects.
Only sound effects. Reverb
added to my lifespan,
an echo that asked—
What part of your life’s record is skipping?
What wound is on repeat?
Have you done everything you can
to break out of that groove?
By nighttime, I was intimate
with the difference
between tying my laces
and tuning the string section
of my shoes, made a symphony of walking
away from everything that did not
want my life to sing.
Felt a love for myself so consistent
metronomes tried to copyright my heartbeat.
Finally understood I am the conductor
of my own life, and will be even after I die.
I, like the trees, will decide what I become:
Porch swing? Church pew?
An envelope that must be licked to be closed?
Kinky choice, but I didn’t close.
I opened and opened
until I could imagine that the pain
was the sensation of my spirit
not breaking,
that my mind was a parachute
that could always open
in time,
that I could wear my heart
on my sleeve and never grow
out of that shirt.
That every falling leaf is a tiny kite
with a string too small to see, held
by the part of me in charge
of making beauty
out of grief.
From You Better Be Lightning (Button Poetry, 2021) by Andrea Gibson. Copyright © 2021 Andrea Gibson. Reprinted by permission of the author.
anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn’t he danced his did.
Women and men(both little and small)
cared for anyone not at all
they sowed their isn’t they reaped their same
sun moon stars rain
children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more
when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone’s any was all to her
someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream
stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)
one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was
all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.
Women and men(both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain
From Complete Poems: 1904–1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.