I have never been anything like pink a child becomes a girl and finally when she heads for the dawn there is one long road to M. from Y. a bus goes by every thirty minutes when she missed the bus the girl walked with a large brown bag in the dark daytime on a road lined with black woods on both sides when a raven flew over she called out, “Poe” Poe’s “The Raven” and Prison without Bars were her only partners to talk to even now she can dream of that long road sometimes the characteristic whizzing wind of Musashino carried off the girl’s black bobbed hair childlike human beings go walking on it like black specks even though I call out come here I will put you on my palm the girl can’t hear me because she is walking in the gray cloudy weather where time’s rain of tens of years ago is about to fall the road where the child became a girl and finally heads for dawn is broken
From My Floating Mother, City, by Kazuko Shiraishi, translated from the Japanese by Samuel Grolmes and Yumiko Tsumura. Copyright © 1982 by Kazuko Shiraishi. Used by permission of New Directions. All rights reserved.
Our Black bodies, sacred.
Our Black bodies, holy.
Our bodies, our own.
Every smile a protest.
Every laugh a miracle.
Piece by piece we stitch ourselves back together.
This Black girl body
that gets dragged out of school desk, slammed onto floor,
tossed about at pool side, pulled over and pushed onto grass,
arrested, never to return home,
shot on doorsteps, on sofas while sleeping
and dreaming of our next day.
Our bodies, a quilt that tells the story of the middle passage.
Of roots yanked and replanted.
Our bodies, a mosaic of languages forgotten,
of freedom songs and moaned prayers.
Our bodies no longer
disregarded, objectified, scrutinized.
Our bodies, our own.
Every smile a protest.
Every laugh a miracle.
Our bodies rising.
Our feet marching, legs dancing, our bellies birthing, hands raising,
our hearts healing, voices speaking up.
Our bodies.
So Black, so beautiful.
Here, still.
Rising, rising.
From Piecing Me Together (Bloomsbury, 2017). Copyright © 2017 by Renée Watson. Reprinted by permission of the author.
Fuss, fight, and cutting the huckley-buck—Dear Malindy,
Underground, must I always return to the country of the dead,
To the coons catting about in the trees, the North Carolina pines
Chattering about sweetening bodies in their green whirring?
Do these letters predict my death—some sound of a twig
Breaking then a constant drowning—a butter bean drying
Beneath my nails? Casket, rascal, and corn bread cooling board.
Dear Malindy, when the muskrats fight in the swamp I knows
It’s you causing my skull to rattle. You predicted my death
With my own baby teeth and a rancid moon beneath our legs.
No girl, my arm still here. The antlers on the mantle yet quiet.
All the ocean’s water without me and yet in me. Never mind,
Malindy. They already shot the black boy on the road for dying
Without their permission. Yes, gal, I put on my nice suit. And wait.
Copyright © 2013 by Roger Reeves. Used with permission of the author. This poem appeared in Poem-A-Day on November 11, 2013. Browse the Poem-A-Day archive.
burgeons through my pores
bringing its small, itchy sores. Cuts
through my hands and stubbles up
enough to be visible when fitted
skin-tight to a mirror. One day,
I was standing so close you could
see each pore and I’d pluck until
every red-and-Black follicle knew
no hair was welcomed here.
Now they sprout and I’m foolish
with joy at every conjuring of
a bush. Every prick rubbing
their way through my patchy
happy face. Who will teach me
how to shave? YouTube, I guess
til my bois get this far. I wonder
if every beard grows like this: into
a nest made with oil and hope. Into
a boi made with oil after they threw
away the rope. I guess I’ll put
that in the search bar too: did it feel
good? To stop running from yourself?
Copyright © KB Brookins. This poem originally appeared in just femme & dandy (January 2022). Used with permission of the author.