My son wants to know
his name. What does he look like? What does
he like? My son swims
four days a week. When my son swims
underwater, he glides
between strokes. When he glides underwater, he is
an arrow aimed
at a wall. Four days a week, his coach says,
Count—1…2…—before
coming up for air.
My father had blue eyes, blonde hair,
though mine are brown.
My father could not speak
Spanish and wondered, How can you love
another man? We rarely touched.
When my son
is counting, I count
with him. I say, I am
your father, too. 1…2…

Copyright © 2019 by Blas Falconer. Originally published in Poem-a-Day on March 18, 2019, by the Academy of American Poets.

Hatred is the new love. Rage is right. Touch
is touch. The collars of the coat, turned down,
point up. The corners of our hearts are smoothed
with rough. Our glass breaks slick, our teeth
rip soft. The mollusk of me, shell-less.
If the future once was, the past predicted
us. The street gives off rhythm. The sun
gives off dusk. When we walk, we
pour backward. When we have nothing,
it’s enough. The hunger leaves us satisfied,
the fullness leaves us wrung. The sum of all
its parts is whole, the reap of it has roots, not
took or plucked. Far apart, we move inside
our clothes: open is old, young is closed. The fangs
we used to bare are milk teeth grown from gums.
The fire we used to be scathed by numbs. We
run on the track of our consumption, done.
We’ve been ice when liquid is our natural state.
We’ve worn our husks, we’ve clenched our fists.
We scold and punish, scrape, pay a price.
We dole out in slanders what has no weight.
We pay in cringing for the moments. We open
injuries in one another. We lacerate places
that flex like knuckles, crack and grow. We are
sipping from the water’s thirst. We were lost
at first. From the finish, begun. We undergo
the pain the other knows. We are cartoon yards
where dogs dig for lost bones. Esoteric,
we are full of holes. That need to be filled.
That need to be dug. We are under-loved.
We are under-known. Give to us and we are
downcast and uplifted and sift like water
and sand like stone. We are greedy, we are
gone. We are helpless, we are prone. Drain us
or fill us and we’ll ache a vast installment.
Let us empty. Let us alone. Madness
is our happiness. Sadness is our home.

Copyright © 2015 by Jennifer Militello. “Oxymoronic Love” was originally published in The Kenyon Review. Used with permission of the author.

Which is to say that like a good theoretical objectified body, my identity was created not by me but by the various desires and beliefs of those around me. 
– Daniel Borzutzky
 
My body is a small cave door                     
it’s a slick whale 	a jubilant
sea of tall grass that sways
& makes its way across countries          
& lovers             I love	        love-making
I don’t remember a time when             
I wasn’t interested in touch
I have these breasts
& some 	         would want to come     
on hands 		      & knees to worship them               
call me flower   	      or         	       desert
Maybe I was only supposed to be
stone or a baby eel                    
long & layered		          a nun?
I don’t remember ever saying  
              yes 		      just	 no
I am searching   for my own body    
not the one I was told is so                    
I want to be always  open                
	     like a canyon
Maybe I was only supposed to be           
tree or temple              
In some circles I am
just an open gate          
a sinful  bauble  

Once someone said you are 	       this      
& I  never questioned it

I am searching		           my own body   
for        	        God      

or someone like her—

Copyright © 2018 by Yesenia Montilla. Originally published in Poem-a-Day on December 12, 2018, by the Academy of American Poets.

I would have liked then for someone to touch me
So I could know the purpose of this hardship.
Black-eyed and impassive as a canyon,
From the hive of my mind, I looked at their faces 
As I moved between rows of espaliered pears.
I only intended for someone to show
Me, once, an affection like the sun
Shows even the simplest bulb, entering what’s hidden.
Let me show them instead the picture
In a knife’s reflection, take down my hair
Where the gravedigger kneels among new potatoes.
Behind my teeth are headstones, and behind those
Skeletons of cavemen, of dinosaurs,
And under my skin: alphabets, alphabets
In black ink, a legacy of histories tiny and alive
As an ant army marching toward forever.
Understand, please—I, too, have a splendid use,
This world could not get rid of me if it wanted to.

Copyright © 2016 by Monica Ferrell. Originally published in Poem-a-Day on January 7, 2016, by the Academy of American Poets.

I.

my lover is a woman
& when i hold her
feel her warmth
     i feel good
     feel safe

then—i never think of
my family’s voices
never hear my sisters say
bulldaggers, queers, funny
     come see us, but don’t
     bring your friends
          it’s ok with us,
          but don’t tell mama
          it’d break her heart
never feel my father
turn in his grave
never hear my mother cry
Lord, what kind of child is this?

 

II.

my lover’s hair is blonde
& when it rubs across my face
it feels soft
     feels like a thousand fingers
     touch my skin & hold me
          and i feel good

then—i never think of the little boy
who spat & called me nigger
never think of the policemen
who kicked my body & said crawl
never think of Black bodies
hanging in trees or filled
with bullet holes
never hear my sisters say
white folks hair stinks
don’t trust any of them
never feel my father
turn in his grave
never hear my mother talk
of her backache after scrubbing floors
never hear her cry
Lord, what kind of child is this?

 

III. 

my lover’s eyes are blue
& when she looks at me
i float in a warm lake
     feel my muscles go weak with want
          feel good
          feel safe

then—i never think of the blue
eyes that have glared at me
moved three stools away from me
in a bar
never hear my sisters rage
of syphilitic Black men as
guinea pigs
     rage of sterilized children
          watch them just stop in an
          intersection to scare the old
          white bitch
never feel my father turn
in his grave
never remember my mother
teaching me the yes sirs & ma’ams
to keep me alive
never hear my mother cry
Lord, what kind of child is this?

 

IV.

& when we go to a gay bar
& my people shun me because i crossed
the line
& her people look to see what's
wrong with her
     what defect
     drove her to me

& when we walk the streets
of this city
     forget and touch
     or hold hands
          & the people
          stare, glare, frown, & taunt
               at those queers

i remember
     every word taught me
     every word said to me
     every deed done to me
          & then i hate
i look at my lover
& for an instant
     doubt

then—i hold her hand tighter
     & i can hear my mother cry.
     Lord, what kind of child is this?

“My Lover Is a Woman” by Pat Parker © Anastasia Dunham-Parker-Brady, used with permission.