Be near me now,
My tormenter, my love, be near me—
At this hour when night comes down,
When, having drunk from the gash of sunset, darkness comes
With the balm of musk in its hands, its diamond lancets,
When it comes with cries of lamentation,
                                             with laughter with songs;
Its blue-gray anklets of pain clinking with every step.
At this hour when hearts, deep in their hiding places,
Have begun to hope once more, when they start their vigil
For hands still enfolded in sleeves;
When wine being poured makes the sound
                                             of inconsolable children
                      who, though you try with all your heart,
                                             cannot be soothed.
When whatever you want to do cannot be done,
When nothing is of any use;
—At this hour when night comes down,
When night comes, dragging its long face,
                                             dressed in mourning,
Be with me,
My tormenter, my love, be near me.

From The True Subject by Faiz Ahmed Faiz, translated by Naomi Lazard. © 1987 Princeton University Press. Reprinted by permission of Princeton University Press.

I do not love thee!—no! I do not love thee!
And yet when thou art absent I am sad;
   And envy even the bright blue sky above thee,
Whose quiet stars may see thee and be glad.

 
I do not love thee!—yet, I know not why,
Whate’er thou dost seems still well done, to me:
   And often in my solitude I sigh
That those I do love are not more like thee!
 

I do not love thee!—yet, when thou art gone,
I hate the sound (though those who speak be dear)
   Which breaks the lingering echo of the tone
Thy voice of music leaves upon my ear.
 

I do not love thee!—yet thy speaking eyes,
With their deep, bright, and most expressive blue,
   Between me and the midnight heaven arise,
Oftener than any eyes I ever knew.
 

I know I do not love thee! yet, alas!
Others will scarcely trust my candid heart;
   And oft I catch them smiling as they pass,
Because they see me gazing where thou art.

This poem is in the public domain.