He was a boy when first we met;
     His eyes were mixed of dew and fire,
And on his candid brow was set
     The sweetness of a chaste desire:
But in his veins the pulses beat
     Of passion, waiting for its wing,
As ardent veins of summer heat
     Throb through the innocence of spring.

As manhood came, his stature grew,
     And fiercer burned his restless eyes,
Until I trembled, as he drew
     From wedded hearts their young disguise.
Like wind-fed flame his ardor rose,
     And brought, like flame, a stormy rain:
In tumult, sweeter than repose,
     He tossed the souls of joy and pain.

So many years of absence change!
     I knew him not when he returned:
His step was slow, his brow was strange,
     His quiet eye no longer burned.
When at my heart I heard his knock,
     No voice within his right confessed:
I could not venture to unlock
     Its chambers to an alien guest.

Then, at the threshold, spent and worn
     With fruitless travel, down he lay:
And I beheld the gleams of morn
     On his reviving beauty play.
I knelt, and kissed his holy lips,
     I washed his feet with pious care;
And from my life the long eclipse
     Drew off; and left his sunshine there.

He burns no more with youthful fire;
     He melts no more in foolish tears;
Serene and sweet, his eyes inspire
     The steady faith of balanced years.
His folded wings no longer thrill,
     But in some peaceful flight of prayer:
He nestles in my heart so still,
     I scarcely feel his presence there.

O Love, that stern probation o’er,
     Thy calmer blessing is secure!
Thy beauteous feet shall stray no more,
     Thy peace and patience shall endure!
The lightest wind deflowers the rose,
     The rainbow with the sun departs,
But thou art centred in repose,
     And rooted in my heart of hearts!

This poem is in the public domain.

Come when the nights are bright with stars
    Or when the moon is mellow;
Come when the sun his golden bars
    Drops on the hay-field yellow.
Come in the twilight soft and gray,
Come in the night or come in the day,
Come, O love, whene’er you may,
    And you are welcome, welcome.

You are sweet, O Love, dear Love,
You are soft as the nesting dove.
Come to my heart and bring it rest
As the bird flies home to its welcome nest.

Come when my heart is full of grief
    Or when my heart is merry;
Come with the falling of the leaf
    Or with the redd’ning cherry.
Come when the year’s first blossom blows,
Come when the summer gleams and glows,
Come with the winter’s drifting snows,
    And you are welcome, welcome.

From The Collected Poetry of Paul Laurence Dunbar (Dodd, Mead and Company, 1913) by Paul Laurence Dunbar. This poem is in the public domain.

The truth is that I fall in love
so easily because

it's easy.
It happens

a dozen times some days.
I've lived whole lives,

had children,
grown old, and died

in the arms of other women
in no more time

than it takes the 2-train
to get from City Hall to Brooklyn,

which brings me back
to you: the only one

I fall in love with
at least once every day—

not because
there are no other
 
lovely women in the world,
but because each time,

dying in their arms,
I call your name.

From Boy (University of Georgia Press, 2008). Copyright © 2008 by Patrick Phillips. Used with permission of University Georgia Press.

The boy beside me
is not you but he
is familiar in all

the important ways.
I pass through life
finding you over

and over again—
oppress you
with love. And every

surrogate?
Afflicted by my
kindness, they leave

me with my music.
I loved you before
I ever loved you.

Copyright © 2015 by Jennifer Franklin. Originally published in Poem-a-Day on June 9, 2015, by the Academy of American Poets.

When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."

He's supposed to know that.

When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.

When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.

When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"

When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.

Ripe apples fall about them.
What else can they do but eat?

When he says, "Ours is a transitional era,"
"that's very original of you," she replies,
dry as the martini he is sipping.

They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.

One year they broke up seven times and threatened to do it another nine times.

When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that she's two hours late
and there's nothing in the refrigerator.

When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.

When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.

From Columbia: A Journal of Literature and Art. Copyright © 1996 by David Lehman. All rights reserved. Reprinted by permission of the author.