on listening to "Yama"

She asked me what the song
did for me

“Be specific” she said

I tell her Lee Morgan
wrote this song
for someone he loved
& let get away

I try to explain to her
how the blues can be
happy
how they can bring
comfort

I try to give words
to how a song can
crawl up inside you
 shine a light
on something
forgotten & make it
live again

From Blood/Sound (Central Square Press, 2019). Copyright © 2019 by Fred L. Joiner. Used with the permission of the author.

A Memory

You lay so still in the sunshine,
So still in that hot sweet hour—
That the timid things of the forest land
Came close; a butterfly lit on your hand,
Mistaking it for a flower.

You scarcely breathed in your slumber,
So dreamless it was, so deep—
While the warm air stirred in my veins like wine,
The air that had blown through a jasmine vine,
But you slept—and I let you sleep.

This poem is in the public domain. Published in Poem-a-Day on August 25, 2019, by the Academy of American Poets.

A black-chinned hummingbird lands 
on a metal wire and rests for five seconds; 
for five seconds, a pianist lowers his head 
and rests his hands on the keys; 

a man bathes where irrigation water 
forms a pool before it drains into the river;
a mechanic untwists a plug, and engine oil 
drains into a bucket; for five seconds, 

I smell peppermint through an open window,
recall where a wild leaf grazed your skin;
here touch comes before sight; holding you, 
I recall, across a canal, the sounds of men 

laying cuttlefish on ice at first light;
before first light, physical contact, 
our hearts beating, patter of female rain 
on the roof; as the hummingbird 

whirrs out of sight, the gears of a clock 
mesh at varying speeds; we hear 
a series of ostinato notes and are not tied
to our bodies’ weight on earth.

Copyright © 2019 by Arthur Sze. Originally published in Poem-a-Day on July 16, 2019, by the Academy of American Poets.

turns out
there are more planets than stars
more places to land
than to be burned

I have always been in love with
last chances especially 
now that they really do 
seem like last chances

the trill of it all upending
what’s left of my head
after we explode

are you ready to ascend
in the morning I will take you
on the wing

Copyright © 2019 by D. A. Powell. Originally published in Poem-a-Day on March 28, 2019, by the Academy of American Poets.

I was sympathetic to language, but often
it shrugged me and kept other lovers.
I crawled through the commas of 

Romanticism and rejected the rhythms,
though sometimes at night I could feel
a little sad. I could emerge now

into a new kind of style, but the market 
is already flooded and my people
have lost faith in things meant to land

a clear yes or no. It’s good to welcome
a stranger into the house. Introduce her
to everyone sitting at the table and wash

your hands before you serve her, lest
the residue of other meals affect your 
affections. “If something is beautiful we do

not even experience pain as pain.” (A man said
that.) “I think I owe all words to my friends.”
(I said that.) “We speak to one another

in circles alone with ourselves.” (He said 
that, too.) That’s why we go to war.
We’ve gotten too big to be friends with

everyone and so I like to feel the fellowship
of the person next to me shooting
out across a foreign plain. The streams

of light on the horizon are something
I share with him and this is also a feeling
of love. I spoke to his widow and touched

his dog. I told his daughter how his last breath
was Homeric and spoke of nothing but returning home.

From The Tiniest Muzzle Sings Songs of Freedom. Copyright © 2019 by Magdalena Zurawski. Used with permission of the author and Wave Books.

You could smell the day’s heat even before the day began. 
Constant trickle, endless green trees flanking the highway: 
summer had come back. Scattered trash 
on the apartment landing. Everyone passed by it. Everyone felt
it belonged to someone else. 

Grey fog, blue sunlight, stones like big footprints
in a wavering line across a lawn.
Everyone was talking about a new song 
in relation to the old: the same volume
but with no feeling. Standing on the porch 
just before the drizzle, 
fiercely missing my sister, how we used to take the bag 
of cut grass from the lawnmower 
and empty it over our bodies like rain.  

Days lost between the clock and my phone: I made coffee,
I brushed the cat, I went to work, I knew the time it took
to go from one room to another 
to collect my ironed shirt. I kept looking back 
to isolate individual moments, asking why
didn’t I give myself more fully to that 
friend, that stranger, that drinking, those
days. I remembered Kira and Chicago, 
leaving our apartment in the middle of the night, so hot even the moon 
looked hurt. I watched a chained dog strain
at every passerby. I thought, it must be hard
to have that much desire. 

Meanwhile, I’d gotten older. I’d grown 
accustomed to my body. 
I could sit with my shirt off
on a hot day and not think about
how my body looked 
or how I felt inside it. 
Cutting my hair the barber said, 
heat rises, that’s a known fact.
I liked her phrasing. I walked forever.
I was trying not to revise history
to make my present life
make sense. Raised voices; faded t-shirts
left in boxes on the street. 
Such strange intimacies. 
The telephones ringing 
in the houses as I passed. 

Copyright © 2019 Grady Chambers. This poem was originally published in Quarterly West. Used with permission of the author.

We used to say,
That’s my heart right there.

As if to say,
Don’t mess with her right there.

As if, don’t even play,
That’s a part of me right there.

In other words, okay okay,
That’s the start of me right there.

As if, come that day,
That’s the end of me right there.

As if, push come to shove,
I would fend for her right there.

As if, come what may,
I would lie for her right there.

As if, come love to pay,
I would die for that right there.

From The Crazy Bunch  by Willie Perdomo. Copyright © 2019 by Willie Perdomo. Published by arrangement with Penguin Books, a division of Penguin Random House LLC.